Discover the Top 12 Overdrive Pedals to Perfect Your Dirt Palette

Choosing the right overdrive or distortion pedal shapes the personality of your guitar tone. Whether you want subtle tube-like breakup, crunchy rock grit, or a compact boost for solos, this guide helps you navigate the most reliable and inspiring pedals so you can dial the exact dirt you need. You’ll learn which pedals suit specific roles on your board, which ones give the best value, and how each option can improve your tone and workflow.

Top Picks

Selection Criteria

You want pedals that serve real musical needs. We evaluated each unit for: tone character (how it shapes mids, highs and low-end), dynamic response (touch sensitivity and how it reacts to your guitar/amp), versatility (range of usable tones and stacking potential), build and switching reliability for gig use, form factor (pedalboard footprint and power options), and price-to-performance so you get clear value. We also weighed customer feedback and reputation so you can trust long-term performance.

🏆 Most Iconic

You’ll find the DS-1 is one of those pedals that just sits on a board and always works. It’s built around a sharp, cutting distortion that still lets your guitar’s character come through, so whether you’re tightening up rhythm parts, adding bite to a solo, or using it as a gentle boost, it behaves predictably.

For everyday practice it’s great — simple controls mean you spend less time fiddling and more time playing. For recording or a gig, it cuts through a mix without muddying things, and it’s rugged enough to survive a road case or a cluttered pedalboard.

If you want a dependable, very playable distortion that shaped rock tone for decades, this is an easy one to recommend.

What People Say

People commonly praise the DS-1 for its unmistakable crunchy tone and long-lasting build — players mention that it’s easy to dial in and that the tone control really gives you options. Many users note it stacks well with other pedals and cleans up nicely when you roll down your guitar’s volume, though a few say it can be bright at higher gain settings.

Overall Sentiment: Positive

When To Use

Versatility

Despite a distinct personality, the DS-1 adapts well: low settings give you a tight boost, mid settings provide classic crunchy rhythms, and higher settings push into heavier territory. It’s not a one-trick box, and you can make it fit bluesy grit, punky power chords, or hard rock leads with small tweaks.

Looks

It’s got that classic BOSS look — compact, no-nonsense, and instantly recognizable on a pedalboard. The orange finish is understated but iconic, and it blends into any rig without drawing attention away from your gear or stage setup.

Key Benefits

• Hard-edged attack with smooth sustain
• Wide tone control that preserves guitar character
• Cleans up well when you roll back your guitar volume
• Rugged, roadworthy construction
• Works as both a distortion and a subtle booster

See Pricing

🎯 Most Versatile

If you want one pedal that covers a lot of ground, the RAT2 is a solid pick. You can dial it back for a warm, amp-like breakup, push it for thick crunchy distortion, or push it further for fuzz-adjacent sustain — it really responds to small tweaks.

For daily practice it’s forgiving and quick to set up; for recording it gives you a characterful edge that sits well in a mix; and for gigging it’s rugged enough to handle the floor and loud amps. I’d say use it when you want one box that can be your go-to dirt source or the secret weapon to push a clean amp into sweet overdrive.

What People Say

Most players highlight the RAT2’s sheer versatility and tough build — it can act like an overdrive, a straight-up distortion, or even flirt with fuzz depending on settings. People also mention it cleans up nicely with guitar volume and stacks well with other pedals, though some note the pedal’s size and a few quirks like the power jack placement or a bit more noise at extreme gain settings.

Overall Sentiment: Positive

When To Use

Versatility

This pedal is genuinely flexible: at low gain it behaves like a natural-sounding overdrive, at medium settings it gives classic distortion tones, and at high settings you can coax fuzz-like sustain. It works with single-coils or humbuckers and plays nicely with boosts, compressors, and modulation effects.

Looks

You get a no-nonsense, classic black housing — it’s not flashy, but it looks built-to-last on any board. The slightly larger footprint makes it feel solid and dependable rather than delicate.

Key Benefits

• Wide tonal range — from subtle breakup to full-on fuzzy distortion
• Works as a boost to push solos or drive an amp harder
• Responsive to guitar volume and playing dynamics
• Sturdy, road-ready construction
• Simple three-knob layout keeps dialing in a tone fast

See Pricing

💰 Best Budget

This little pedal is built to give you big dirt without eating your pedalboard space. You can dial it back for a grittier amp-like breakup or push it for thick, sustaining distortion — it reacts well to how you pick and to guitar volume.

For daily practice it’s easy to set up and forgiving; in the studio it adds a focused character that tracks well; and for weekend gigs it’s light but durable enough to travel with. If you want an affordable box that gets you usable, amp-like saturation fast, this is a solid starting point.

What People Say

Across feedback people often point to the tone-for-the-price: many like how it brings amp-like breakup and a usable high-gain voice without fuss. Users also call out the compact, metal build and the true-bypass switching as real pluses.

A handful note occasional quality-control hiccups or that specific variants (like noise-gate versions) can be hit-or-miss, but the overall impression is that it over-delivers for what it costs.

Overall Sentiment: Positive

When To Use

Versatility

It covers a lot of ground: low gain gives warm break-up, medium settings offer crunchy rhythm tones, and high gain delivers sustain for lead lines. It responds to guitar volume and stacks well with boosts or modulation.

Looks

The white, compact aluminum box looks clean and purposeful — not flashy, but it reads as reliable on any board and holds up well to regular use.

Key Benefits

• Analog, tube-amp-inspired breakup that stays musical
• Wide gain range — from mild edge to full saturation
• True bypass keeps your clean signal pure when off
• Sturdy, lightweight aluminum chassis for travel and gigs
• Simple controls let you find useful tones quickly

See Pricing

🎸 Best For Blues

Think of the BD-2 as your go-to for warm, amp-like breakup that still feels alive under your fingers. You can dial gentle edge-of-saturation tones for subtle practice work, crank a bit more for punchy rhythm parts, or push it toward fuzz-adjacent territory for more aggressive sections.

At home it’s easy to tune quickly and react to your guitar’s volume knob; in the studio it layers naturally; on small gigs it gives you that tube-amp character without hauling heavy gear. If you want a compact pedal that captures expressive, bluesy grit with minimal fuss, this one’s worth trying.

What People Say

Across feedback people often highlight the BD-2’s warm, musical tone and how naturally it reacts to picking dynamics and your guitar’s volume control. Many note that it’s surprisingly versatile — great for classic blues but capable of fitting into rock and even heavier parts when pushed.

Users also mention the sturdy Boss build and simple controls as big pluses, with occasional comments about gain increasing overall output needing a little level adjustment.

Overall Sentiment: Positive

When To Use

Versatility

The BD-2 covers a broad palette: low settings yield warm, glassy overdrive for laid-back blues and cleaner textures, medium settings give crunchy rhythm grit, and higher drive brings thicker sustain that can edge toward fuzz. It responds to guitar volume and stacks predictably with boosts or other overdrives, so you can push or tame it depending on the role you need it to play.

Looks

The classic Boss blue metal chassis is instantly recognizable and durable — understated but dependable on any pedalboard. It looks at home among other pedals and carries that tried-and-true studio-to-stage aesthetic.

Key Benefits

• Tube-amp-style warmth and smooth overdrive
• Responds well to playing dynamics and guitar volume
• Simple three-knob layout (Level, Tone, Drive) for fast dialing
• Versatile range from mild breakup to gritty sustain
• Solid metal construction built for regular use

See Pricing

🔰 Best Workhorse

Think of the SD-1 as a solid, dependable workhorse that gives your amp a pleasing push without fuss. You can dial in bright, mid-forward crunch for rhythm parts, back the gain off for snappy, bluesy edges, or use it to drive another pedal or amp harder when you need more saturation.

It’s compact, built tough, and reacts to your guitar’s volume and playing dynamics, so it’s as useful for quick practice sessions at home as it is for shaping tones in the studio or on smaller stages. If you want a no-nonsense overdrive that reliably adds character and tightness to your dirt palette, the SD-1 is a practical pick.

What People Say

You’ll often read that players appreciate the SD-1’s bright, crunchy voice and how naturally it tightens up low end. Many point out the sturdy Boss construction and simple controls, and lots of users mention it cleans up well with your guitar’s volume or works great as a boost in front of other pedals. A few note it’s more mid/treble focused than bass-heavy, which can actually help it sit in a mix.

Overall Sentiment: Positive

When To Use

Versatility

The SD-1 covers a broad but focused range: low settings give a clean-ish, snappy edge; mid settings produce tight crunch for rhythm; higher settings add sustain and saturation without getting overly fuzzy. It pairs well with single-coils and humbuckers, and because it stacks predictably with boosts or heavier drives you can use it to nudge your amp or other pedals into different territories.

Looks

The classic Boss yellow metal chassis is unmistakable — simple, rugged, and road-ready. It’s understated on a pedalboard but clearly built to last, which fits the SD-1’s workhorse reputation.

Key Benefits

• Asymmetrical clipping gives tube-like, musical overdrive
• Mid-forward EQ helps cut through a band mix
• Responsive to guitar volume and playing dynamics
• Stacks well as a front-end boost or to push other drives
• Rugged metal build made for regular gigging and travel

See Pricing

🎨 Best TS Alternative

If you want a small, no-nonsense overdrive that gives you classic Tube Screamer vibes, this is a tidy option. You can use Warm for that familiar mid-hump, touch-sensitive breakup, or flip to Hot when you need a louder, tighter push for solos or to tighten up a sloppy amp. The simple LEVEL, TONE and GAIN controls make it easy to shape your sound on the fly, and the true-bypass switching keeps your clean tone intact when it’s off. It’s great for jamming at home, adding a little grit in the studio, or slipping onto a crowded pedalboard when you need a TS-style flavor without fuss.

What People Say

You’ll find most players appreciate how closely it nails that Tube Screamer character in a tiny package, especially the Warm mode’s touch sensitivity and the Hot mode’s extra push. People also like the straightforward controls and solid aluminum build, though some mention it doesn’t include a 9V adapter and that it’s more of a mid-focused overdrive than a high-gain unit.

Overall Sentiment: Positive

When To Use

Versatility

The Donner Overdrive lives in that classic TS territory: low settings clean up nicely, medium gives crunchy rhythm tones, and Hot widens the palette with more volume and tighten-up. It works with single-coils and humbuckers and plays nicely as both a subtle front-end flavor and a booster to drive other pedals or your amp harder.

Looks

The blue finish stands out among the usual green TS clones, and the compact aluminum chassis looks neat and built-to-last on a pedalboard. It’s understated but distinctive enough to spot at a glance.

Key Benefits

• Two modes (Warm/Hot) let you switch between TS-like mid-forward overdrive and a tighter boosted voice
• Simple LEVEL, TONE and GAIN controls for quick dial-in
• True bypass preserves your clean signal when disengaged
• Aluminum chassis is compact and road-friendly
• Responds well to guitar volume and playing dynamics for expressive feel

See Pricing

🚀 Best Mid-Range Boost

This reissued TS9 gives you the familiar, creamy mid-hump that made the Tube Screamer legendary — and it’s built with the same parts and finish as the originals. You can dial it in for subtle, touch-sensitive breakup when practicing, push your amp a bit harder for solos, or use it as an always-on mid-boost to tighten up a muddy amp. The simple DRIVE, TONE and LEVEL approach means you’ll find usable settings fast, and it responds well to your guitar’s volume and picking dynamics. If you want that classic feel that sits right in a mix, this is a reliable, no-nonsense pick.

What People Say

Most players highlight the TS9’s ability to add focus and warmth without destroying your core tone — the tone knob and mid-forward voice get called out a lot. Folks also mention it cleans up well as you roll back the guitar volume and that the build feels solid and authentic to the classic units.

Overall Sentiment: Positive

When To Use

Versatility

The TS9 sits between subtle overdrive and a focused mid boost — low settings clean up, medium gives classic crunch, and higher LEVEL/Gain setups push other pedals or an amp harder. It pairs well with single-coils and humbuckers and fits into blues, rock, metal stacks, and recording rigs alike.

Looks

That seasick-green paint and compact metal chassis make it instantly recognizable on a board; it looks vintage without being fussy and holds up well to road use.

Key Benefits

• Signature mid-focused character that helps your guitar cut through a mix
• Tone control lets you shape brightness without losing body
• Responds well to guitar volume for dynamic control
• Sturdy metal housing and authentic reissue construction
• Works as both gentle overdrive and a mid-range boost for amps or other pedals

See Pricing

💼 Best Compact

If you want the classic Tube Screamer vibe without sacrificing pedalboard space, this Mini is a smart move. You get the familiar DRIVE, TONE and LEVEL controls and the same JRC4558‑based circuit in a tiny, roadworthy box — great for practice, home recording, and gigs where every inch of real estate matters. It cleans up nicely with your guitar volume, tightens up loose low end, and is easy to slot in front of higher‑gain pedals or into an always‑on position for a subtle mid push. If you’re juggling a crowded board or building a portable rig, this gives you that Tube Screamer personality in a very compact package.

What People Say

Players consistently point to the Mini’s ability to deliver the Tube Screamer tone while freeing up pedalboard space. Folks often call out the compact build and dependable sound — especially how it tightens low end and responds to guitar volume — while noting you’ll need a separate 9V power source since it doesn’t run on batteries.

Overall Sentiment: Positive

When To Use

Versatility

Despite its size, the Mini covers a range from subtle overdrive to a focused mid boost. It interacts well with both single‑coil and humbucker guitars, works as a front‑end breakup, and plays nicely with other drives or high‑gain pedals when stacked.

Looks

That familiar green finish in a scaled‑down metal chassis looks classic and tidy on any board; it feels like a vintage piece without taking up the space of the originals.

Key Benefits

• All the classic Tube Screamer controls in a pedalboard‑friendly size
• Analog JRC4558 circuitry preserves that recognizable mid‑forward tone
• Cleans up well with guitar volume for expressive playing
• Saves space so you can add more effects without crowding
• Sturdy construction and Made‑in‑Japan build quality

See Pricing

💵 Best Value

You get a surprisingly faithful Tube‑Screamer‑style voice in a tiny, hard‑wearing package. Dial the gain down and it acts as a musical, warm boost that cleans up with your guitar volume; crank it and you’ve got a crunchy, British‑tinged bite to push amps or stack with other pedals.

It’s light on board space, easy to tweak with DRIVE/TONE/LEVEL, and tough enough to toss in a gig bag. If you want a simple way to add tasteful dirt without overcomplicating your signal chain, this is a smart, low‑risk pick.

What People Say

Across the board, players appreciate how closely the pedal nails that Tube Screamer character for the price, calling out the warm mids and the way it tightens up low end. Folks also like the metal chassis and true bypass for reliability, while a number of users remind you to plan for a separate 9V power source and note occasional DOA or build inconsistencies.

Overall Sentiment: Positive

When To Use

Versatility

It covers a useful range from subtle breakup to crunchy overdrive and pairs well with both single‑coil and humbucker guitars. It’s simple enough to sit in front of higher‑gain pedals for shaping tone or serve as a mild boost in the effects loop.

Looks

That familiar green finish and compact metal shell give it a classic look that fits any board — nothing flashy, just dependable and neat.

Key Benefits

• RC4558‑based circuit captures that classic TS808‑style mid‑forward tone
• Works as a warm clean boost or a gritty overdrive depending on DRIVE
• True bypass preserves your clean signal when the pedal’s off
• Durable aluminium housing stands up to frequent use
• Responds well to guitar volume for expressive dynamics

See Pricing

🔊 Most Transparent

You get an overdrive that’s built to make your amp sound better, not different. Dial in a gentle breakup to add harmonic richness to clean tones, or flip into the hotter gain for thicker sustain — the Morning Glory does both while keeping your guitar’s character intact.

It’s easy to use for everyday practice, tight enough for home recording where you want clarity, and responsive enough to stack in a live rig when you need a touch more push for solos. The side bright‑cut trims harsh highs on brighter setups, and the option to switch gain stages remotely makes it flexible on stage. If you want a pedal that adds tasteful dirt and plays nicely with amps and other pedals, this is a really sensible pick.

What People Say

Players consistently praise how the Morning Glory keeps your natural tone while adding musical grit, calling out its openness and dynamic touch response. Folks appreciate the two‑stage gain approach and the bright‑cut option for taming fizzy highs, and many note that it works across single‑coil and humbucker guitars.

A few people remind you it’s meant as a transparent, low‑to‑medium drive rather than a heavy distortion.

Overall Sentiment: Positive

When To Use

Versatility

It covers a useful range from delicate tube‑like touch to a thicker overdrive, pairing well with both single‑coil and humbucker guitars. Simple controls and the ability to stack or boost mean it fits on everything from laid‑back boards to more complex rigs.

Looks

The gold finish and compact metal chassis feel premium without being flashy — it looks tidy on any board and stands up to regular use.

Key Benefits

• Ultra‑transparent voice that preserves your amp and pickup character
• Two distinct gain stages for light breakup or fuller sustain
• Side bright‑cut switch to tame brittle high‑end on bright guitars or amps
• Increased headroom and output allow use as a full‑frequency boost
• Plays well with compressors and higher‑gain pedals for stacking

See Pricing

🎛️ Best For Bass

This is a pedal that helps you add grit without losing the meat of your bass. Use the blend control to keep the clean low end while stacking in crunchy mids and bright top end, or flip the gain‑boost for heavier aggression when a song calls for it.

It's handy for day‑to‑day practice, tight enough for home recording when you want punchy, clear tracks, and tough enough to sit on a live pedalboard. If you want a single box that can be a light dirt flavor, a preamp/DI backup, or an all‑out distortion for heavier parts, this one covers those bases in a straightforward, player‑friendly way.

What People Say

Players often note how well the pedal preserves low‑end clarity while letting you dial in gritty mids and highs; the blend control and flexible EQ get mentioned a lot. Folks also appreciate the solid metal build and the pedal’s use as a DI or preamp in a pinch. A minority point out some background hiss or that it can sit a bit lower in output compared with higher‑end units.

Overall Sentiment: Positive

When To Use

Versatility

It handles anything from subtle overdrive to full‑on distortion and works with both active and passive basses. The blend and mid‑boost switches give you flexible tonal options, so it’s at home as a practice tool, a recording tone shaper, or part of a live rig.

Looks

The brown finish and ambient edge LED add a bit of character without being flashy, and the compact metal housing looks tidy on a pedalboard and stands up to regular use.

Key Benefits

• Blend knob keeps your low end present while adding distorted character on top
• Independent mid‑frequency and gain‑boost switches for targeted tone shaping
• Sturdy metal alloy chassis and reliable pots for road use
• Simple four‑knob layout (TONE/BLEND/VOL/GAIN) makes dialing in sounds quick
• Can function as a DI/preamp or a stompbox‑style overdrive depending on needs

See Pricing

⭐ Best Premium

If you want a compact pedal that gives you transparent overdrive and a useful boost, this is a great option. You can use it as a subtle always‑on sweetener, dial in mid‑forward grind for riffs or flip the Hot switch for more gain when a solo calls for it.

The active bass/mid/treble controls make it easy to match different guitars and amps, so it’s equally handy for practice, home tracking, or a weekend gig. I’d recommend it if you care about clarity and dynamics but still want usable dirt and a reliable boost.

What People Say

You’ll find most players praising how it preserves note definition and dynamics while adding pleasing breakup; the three‑band EQ and the buffer are mentioned a lot as practical tone tools. Folks also often point out how well it doubles as a boost for solos and how the Normal/Hot switch expands its usable range.

A small number of players note it’s an overdrive rather than a heavy distortion, so expectations matter.

Overall Sentiment: Positive

When To Use

Versatility

You can treat it as a light, transparent overdrive, a dedicated boost, or a tone‑shaping box thanks to the EQ and Normal/Hot modes. It adapts to different guitars and amps, so you’ll find it useful for bedroom practice, tracking, and stage work without needing multiple pedals.

Looks

The compact metal housing and tidy control layout look clean on a pedalboard; the side switch keeps the top uncluttered and the finish has a classic, no‑fuss vibe that fits most setups.

Key Benefits

• Articulate buffer that keeps clarity and punch even with higher gain
• Side‑mounted true bypass switch for uncolored tone when you want it
• Active bass, mid and treble controls let you shape the character precisely
• Normal/Hot switch provides a quick jump from classic Tumnus gain to a hotter setting
• Works as an overdrive, a solo boost, or an always‑on tonal sweetener

See Pricing

FAQ

How Do I Choose The Right Overdrive Pedal For My Dirt Palette?

You choose an overdrive by starting with your musical goals and the gear you already own: decide whether you want a subtle, amp-like breakup to leave your amp’s character intact, a mid-focused boost to push your lead channel, or a full-on crunchy distortion for riffs. Try pedals that represent each category — transparent overdrives for preserving your core tone, Tube Screamer-style pedals for that classic mid-hump that helps solos cut, and classic distortions for harder grit — and start with your amp clean and your guitar volume at a comfortable level so you hear what the pedal actually adds.

Pay attention to practical factors like size (mini vs standard) if pedalboard real estate matters, true bypass versus buffered bypass if you have long cable runs, and whether you prefer battery power or a standard 9V DC supply. The quickest path to the sound you want is to experiment: plug the pedal in, tweak gain/tone/level while playing the parts you care about, and let your ears decide.

Can I Stack Multiple Overdrives And Distortions To Shape My Tone?

Yes, stacking is one of the most powerful tools you have to sculpt a unique dirt palette; you can get everything from subtle warmth to aggressive lead saturation without losing clarity. Use a light, transparent overdrive first to tighten and warm the signal, then run into a heavier distortion for more grit, or flip the order if you want the OD to act as a solo boost. Pay close attention to gain staging so you avoid unwanted noise or muddiness: keep earlier stages cleaner and let later stages add color, experiment with guitar volume to clean up attack, and use tone controls on pedals and amp to carve frequencies. If hiss or hum becomes an issue, add a noise gate after the dirt chain, check grounding and cable quality, and consider a pedal with a buffered output to preserve high end when you use long cable runs.

What Should I Know About Power, Bypass, And Noise Management On Your Pedalboard?

You should make power and signal integrity a priority because they affect tone and reliability more than any cosmetic detail. Most overdrives use 9V DC power, so choose a regulated power supply with isolated outputs to avoid ground loops and hum; use batteries for quick testing but rely on a quality PSU for gigs.

Understand true bypass vs buffered bypass: true bypass preserves an uncolored signal when the pedal is off but can lose highs with long cable runs, while buffered pedals maintain signal strength but may slightly color tone. To manage noise, shorten cable lengths where possible, use shielded patch cables, stagger high-gain pedals with a noise gate or gate after the chain, and set guitar and amp controls to conserve headroom before raising pedal gain.

Finally, maintain jacks and switches, secure pedals to the board, and test stage routing at rehearsal so you arrive at gigs confident in a quiet, consistent signal.

Wrapping Up

Pick the pedals that match the role you need on your board. If you need a signature classic voice, the BOSS DS-1 and Ibanez TS9 deliver instantly recognizable grit; if you want boutique transparency, the JHS Morning Glory and Wampler Tumnus give you open, amp-like breakup. For tight budgets, JOYO and RVONE let you experiment without heavy investment, and the ProCo RAT2 covers a huge range of tones so you can consolidate dirt duties.

You’ll get more musical results if you choose pedals by role (always-on boost, mid-hump drive, bluesy breakup, bass-specific distortion) rather than chasing a single "perfect" box. Use this list to decide which pedal will solve the specific tone problem you’re trying to fix, and you’ll move from chasing noise to crafting intentional dirt.

Product	Image	Weight	Dimensions	Power Source	Signal Format	Unique Highlights
BOSS DS-1 Distortion		0.02 ounces	4 x 6 x 3 inches	USB Powered or Battery	Analog	Classic hard-edged tone Durable design Wide tone range
Pro Co RAT2 Distortion Pedal		1 pound	4.8 x 4.5 x 3.3 inches	Battery Powered	Analog	Versatile rhythm and lead tones Robust construction Boost capability for solos
High Gain Distortion Pedal by RVONE		5.6 ounces	3.62 x 1.93 x 1.81 inches	Corded Electric	Analog	True bypass feature Compact aluminum construction Two distortion modes for flexibility
BOSS BD-2 Blues Driver		10.6 ounces	5.95 x 3.75 x 2.75 inches	Battery Powered	Analog	Creamy yet crunchy sound Classic blues overdrive Enhanced tonal control
BOSS SD-1 Super Overdrive		14.4 ounces	6 x 4 x 6 inches	Battery Powered	Analog	Asymmetrical clipping circuit Smooth and musical overdrive Built to last
Donner Overdrive Guitar Pedal		0.704 ounces	6.6 x 4.7 x 2.6 inches	Adapter Powered	Analog	Two distinct modes Colorful design True bypass for unaltered signal
Ibanez TS9 Tube Screamer		1 pound	5.3 x 3 x 2.4 inches	Battery Powered	Analog	Classic warm overdrive Authentic reissue of an iconic pedal Metal and painted finish for durability
Ibanez Tube Screamer Mini		10.4 ounces	6 x 3 x 4 inches	9V DC Power	Analog	Compact design Legendary tone All the power of the TS808
JOYO Vintage Overdrive		10.2 ounces	4.72 x 2.17 x 2.83 inches	Battery or Adapter Powered	Analog	Multiple tonal settings Sturdy alloy construction Ideal for different music styles
JHS Pedals Morning Glory V4		12 ounces	6 x 3 x 3 inches	Battery Powered	Analog	Transparent overdrive Switchable gain levels Dual-level gain for versatile sound
Wampler Tumnus Deluxe Overdrive		12.8 ounces	7 x 4 x 4 inches	Battery Powered	Analog	Articulate-sounding buffer Exceptional tone control True bypass mode feature

bestguitarequipment.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for website owners to earn advertising fees by advertising and linking to Amazon.com, and any other website that may be affiliated with Amazon Service LLC Associates Program.