Unleash Your Inner Hendrix: 14 Fuzz Pedals to Transform Your Sound This Winter

This winter is the perfect time to rethink your tone and experiment with fuzz. Whether you want the creamy sustain of classic Big Muff circuits, the octave chaos of an octave fuzz, or an all-in-one multi-effects unit to explore dozens of textures, this guide helps you quickly find pedals that will move your sound forward.

Read on so you can discover which fuzz suits your guitar, rig, and budget and how each pick can help you dial in iconic, expressive tones without wasting time or money.

Top Picks

How I Picked These Pedals

You want fuzz that lives on your rig, so I prioritized real-world usefulness: tonal character (how the pedal shapes mids, highs, and low-end), playability (how it cleans up with guitar volume or interacts with other pedals), build quality and switching, and price-to-feature value. I also highlighted special-purpose pedals (bass-focused, octave fuzz, germanium circuits, and compact/handmade options) so you can match a pedal to your instrument and goals.

Finally, I weighed customer sentiment and historical reputation so you get proven choices rather than hype.

🎛️ Best Multi-Effects

You get a compact multi-effects workstation that’s built to be a one-stop practice and sketchpad tool. The GE100 packs 80 presets, 66 effect types, a 180-second looper and 40 drum patterns into a floor-friendly unit with an assignable expression pedal and a large LED screen.

For day-to-day practice you can use the built-in drum machine and looper to build riffs and work on timing; when you need a quick tone for a rehearsal or small gig you can pull up a preset, tweak a few knobs and go. It’s not a pro studio rig, but if you want a lot of tones, learning features and creative toys in a single box, this is a very practical and fun option you can rely on.

What People Say

Customers often mention the GE100’s versatility and the value of having so many effects and presets in one compact unit. People like the looper and drum machine for practice and songwriting, and many appreciate the large screen and easy preset editing.

Common gripes are that some factory presets need tweaking and the expression pedal feels more plastic than premium, but most users say it’s a great tool for learning and home use.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

It’s utilitarian and compact — a metal chassis with a functional LED display and a plastic expression pedal. It looks like a working tool rather than a boutique pedal, which suits a pedalboard or practice corner.

Why You'll Like It

• Huge preset library and editable patches let you experiment fast
• Built-in looper and drum machine make practice and songwriting easier
• Assignable expression pedal adds real-time control for wah/volume
• Clear, large screen speeds up navigation and tweaking

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🎯 Best Classic Distortion

You get a no-nonsense distortion box that’s ridiculously adaptable — it can be a crunchy overdrive, a full-on fuzz or a clean boost for solos depending on how you set the controls. It sits great in front of a lively tube amp, helping you push that amp from sparkle to grit without losing the character of your guitar. For daily practice you can dial back for warm breakup; for rehearsal or small gigs you can crank it for big rhythm tones or sustain-heavy leads.

It’s built tough for road use, and if you like a single pedal that covers a lot of dirt tones, this one’s a practical pick you’ll reach for often.

What People Say

Buyers consistently praise the RAT2 for its tonal flexibility and solid build quality, saying it can be used anywhere from subtle breakup to aggressive fuzz. People also like that it doesn’t mask the guitar’s natural tone, so your amp and guitar still shine through. A few users note the pedal’s size and top-mounted jacks as minor annoyances, but most appreciate how reliable and road-ready it feels.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

It’s a classic black stompbox — simple, rugged and unmistakable. The design is functional rather than flashy, which fits a practical pedalboard or a gig bag full of reliable tools.

Why You'll Like It

• Extremely versatile — covers overdrive, distortion and fuzz territories
• Transparent tone that keeps your guitar’s character intact
• Sturdy metal construction built for gigging and travel
• Works great as a solo boost or as a primary dirt tone for riffs and leads

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🔊 Best For Bass

You get a bass-focused take on the classic Big Muff voice — thick, sustaining fuzz that still keeps your low end intact. The Volume, Tone and Sustain knobs are straightforward, and the Dry/Bass Boost switch is a smart touch when you need extra low-frequency weight or just want the dry signal mixed back in.

There’s a separate Dry output if you want to run two amps or bi-amp for more presence on stage or in the studio. For everyday practice you can dial in subtle grit, and for heavier jams or recording sessions it fattens everything up into that rumbling, vintage Muff territory.

If you want a pedal that adds serious character to your bass without nuking the bottom end, this is an easy one to reach for.

What People Say

Most players praise how the pedal keeps the low end intact while adding thick, mid-forward fuzz, and they frequently mention the usefulness of the dry and bass-boost switch. People also like the range of tones available — from subtle breakup to full-on rumble — and comment that the metal construction feels durable. A handful of users report isolated power or unit issues, but overall feedback skews firmly positive about tone and versatility.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Classic green-and-silver Big Muff look — chunky, utilitarian and unmistakable. It feels built for the stage rather than for showy looks.

Why You'll Like It

• Preserves and can even boost low frequencies for bass-friendly fuzz
• Simple three-knob layout makes tone-shaping quick and intuitive
• Dry/Bass Boost switch lets you blend or thicken the signal
• Separate Dry output for bi-amping or running two rigs
• Solid metal build that handles road use

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🏆 Best Vintage Fuzz

You get that legendary Big Muff voice — thick, sustaining fuzz that sings and holds notes for days. The controls are refreshingly simple: Volume, Tone and Sustain let you move from warm grit to full-on square-wave fuzz without fuss. For day-to-day practicing you can dial in a usable breakup that still preserves pick attack, while for rehearsals, live shows or recording sessions the pedal fattens single-note lines and power-chords into something huge.

It’s big and robust, so it feels like a piece of gear built to last rather than a boutique novelty. If you want a reliable way to add classic vintage fuzz character to your rig, this is an easy pedal to recommend.

What People Say

Players consistently praise the Big Muff’s distinctive sustain and the way it fattens both leads and chords. Folks often mention the simple three-knob layout as a plus — it’s easy to get to familiar tones quickly. Reviewers also note solid build quality and the pedal’s authentic vintage character; a few point out occasional confusion around the correct external power plug, but tone is the main reason people stick with it.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Classic white-and-pink retro styling — chunky and unmistakable, with a no-nonsense stage-ready look that signals vintage pedigree.

Why You'll Like It

• Huge, singing sustain that shapes lead lines beautifully
• Crushing, harmonically rich distortion for thick riffs
• Straightforward Volume, Tone and Sustain controls make dialing in sounds fast
• Robust metal construction built for gigging
• Includes 9V battery for quick setup out of the box

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🚀 Best 90s Grunge

You get that thick, syrupy fuzz that defined a lot of 90s grunge sounds — lots of sustain, a bold mid‑range presence and enough bite to cut through a loud amp. The three gain levels make it easy to move from a chunky rhythm grind to singing, sustained leads, and the Volume/Tone/Sustain controls keep dialing in tones straightforward.

For everyday practice you can set it for controllable breakup that still preserves attack; for rehearsals, gigs or recording it fattens single notes and power chords into something very present. It also plays nicely with drive pedals in front of it and won't demand a complicated signal chain.

If you want a compact pedal that gets you close to that Siamese Dream era tone without hunting down a vintage unit, this is a strong, user‑friendly option.

What People Say

Across reviews people repeatedly point to the pedal’s authentic 90s fuzz character and impressive sustain as the main highlights. Customers also like the straightforward control layout and solid construction, and many note that it pairs well with boost or overdrive pedals ahead of it. A few users mention small differences compared with vintage originals, but most appreciate the reissue as a practical way to capture that era’s tones.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Multicolored retro Big Muff graphics give it a classic, no‑nonsense look that fits right on a vintage‑inspired pedalboard.

Why You'll Like It

• Thick, sustaining fuzz that nails classic 90s textures
• Three gain levels let you shape everything from grit to full-on fuzz
• Simple Volume, Tone and Sustain controls for fast tweaks
• True bypass and rugged die-cast build for pedalboard life
• Works well with other pedals and isn't overly picky about placement

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⚡ Most Aggressive

If you want a fuzz that growls and refuses to sit politely in the mix, this is the one you'll reach for. You get a thick, bass-forward character with plenty of sustain and a gritty midrange that can thicken power chords or push leads into a chunky, vocal‑like zone. The Tone, Sustain and Volume controls are straightforward, so you can dial in anything from chunky breakup for daily practice to monstrous, stage‑ready fuzz for rehearsals or small gigs.

It's compact enough to tuck onto a crowded board and rugged enough to travel, and because it pairs nicely with boosts and modulation pedals, you can use it for everything from noisy bedroom jamming to more deliberate psychedelic or heavy rock textures. If you like your fuzz big, dark and uncompromising, this one’s an easy recommendation.

What People Say

Customers frequently praise the Green Russian for its thick low end and the way it fattens up both guitars and basses. People also highlight the compact size and solid build as practical perks, and many note that the straightforward controls make it easy to find usable tones quickly.

A few users mention it's darker and bassier than some other Big Muff variants, which some players love and others may need to EQ around.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Vintage army‑green chassis with classic Big Muff styling — it looks rugged and gives your board a no‑nonsense, retro vibe.

Why You'll Like It

• Huge, bass‑heavy fuzz with pronounced sustain
• Simple Tone, Sustain and Volume controls for quick dialing
• Compact, pedalboard‑friendly footprint
• Sturdy metal chassis built for touring and practice
• Plays well with boosts, overdrives and modulation effects

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🎨 Best Octave Fuzz

You get a compact, characterful fuzz that wears its vintage inspiration on its sleeve but behaves in modern setups. The Lizard Queen blends an analog octave-up circuit with a fixed-gain fuzz voice and simple Volume, Octave and Balance controls so you can go from warm, sustaining tones to sputtery, gate-like leads.

In everyday practice it’s easy to dial in usable fuzz that cleans up with your guitar volume; for rehearsal or a small gig you can slam it into a cranked amp or pair it with an overdrive for more body and presence. The nano chassis is a real win if your board is already crowded, and the Daniel Danger artwork gives it personality — if you like octave textures that sit between musical and chaotic, this one’s worth trying.

What People Say

Most players praise the Lizard Queen for its unique voice and usable octave effect, saying the Balance control makes it surprisingly versatile. Folks appreciate the small size and solid build, and many point out it cleans up well with your guitar’s volume.

A few players note the octave can get thin at extreme settings or benefits from being paired with an overdrive for extra fullness.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Vintage 1970s EHX-inspired graphics by Daniel Danger on a compact nano chassis — it looks like a small piece of classic pedal art that adds personality to any board.

Why You'll Like It

• Blendable octave-up circuit for harmonic richness or full-on octave chaos
• Balance control shifts between smooth sustain and raspy, biting textures
• Nano-sized footprint fits crowded pedalboards
• True bypass and included 9V battery for quick setup
• Distinct 1970s EHX-inspired artwork gives it a standout look

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⭐ Best Retro Tones

You get a fuzz pedal that wears its vintage inspirations proudly but behaves like something built for today’s rig. The FZ-5 lets you switch between distinct fuzz flavors that nod to Maestro, Fuzz Face and Octavia-type tones while using BOSS’s COSM processing and a dedicated boost knob to push things harder when you want. For day-to-day practice you can dial in playable, musical fuzz that cleans up with your guitar volume; for rehearsals or small gigs it’s beefy enough to cut through a mix, and in the studio it gives you a palette of retro textures to layer or mangle as needed.

It’s built like a little tank too, so if you’re the sort who carries pedals around, it won’t fuss. If you want that classic fuzz character without wresting with fragile vintage gear, the FZ-5 is an easy pedal to recommend.

What People Say

Players often highlight how well the FZ-5 captures classic fuzz personalities while remaining easy to use. Common praise focuses on its distinct mode choices, solid build quality and the usefulness of the boost control for thicker leads. A few people mention fit-and-finish issues like a loose bottom plate, but most users appreciate the consistent vintage tones and how it sits in a band mix.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Classic silver metal finish that looks utilitarian and reliable — it’s functional, unflashy and fits right in with vintage-inspired gear.

Why You'll Like It

• Faithful vintage fuzz flavors inspired by ’60s and ’70s classics
• COSM-based tone engine provides flexible classic voices
• Boost knob for pushing lead lines or thicker rhythms
• Durable metal chassis built for gigging and travel
• Simple controls and multiple modes make it easy to find usable tones

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💰 Best Bass Value

If you want a pedal that brings gritty, guitar‑style fuzz to your bass without nuking the low end, this is a smart little box to try. You get an octave and a fuzz circuit in one unit, each with its own footswitch and level controls, plus a blend/toggle to keep your clean signal present. For day-to-day practice you can dial in subtle warmth or a touch of grit that still sits under your fingers; at rehearsals or small shows it can cut through with a focused midrange while your low end stays intact.

In the studio it’s useful for adding character to lines or layering a fuzzed-up texture without reamping. It’s solidly built, easy to tweak on the fly, and worth a look if you like the idea of guitar-like aggression on a bass but still need clarity.

What People Say

Players regularly praise how the pedal keeps bass fundamentals while adding convincing fuzz and sub‑octave weight. Common notes point to the flexible blend control and useful EQ options that let you keep clarity when pushing for distorted textures.

A number of users also mention solid build quality; a few report mild background hiss or slightly different output levels compared with higher‑end units, but most appreciate the range and versatility for the price.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Scarlet metal finish with ambient LED edges that stands out on a board but doesn’t scream for attention — it looks modern and sturdy.

Why You'll Like It

• Octave and fuzz circuits in one compact pedal tailored for bass
• Dual independent footswitches let you engage octave or fuzz separately
• Blend/toggle preserves your clean low end while adding grit or sub‑octave
• EQ and frequency controls give usable tone shaping for different rigs
• Sturdy metal housing and ambient LED for a road‑ready look

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🛠️ Best Hand-Made

This is the kind of pedal that makes you want to dial in tone and then spend an hour swapping transistors just to hear the differences. It leans into classic Fuzz Face territory — warm, responsive sag and a wide range from sputtery glitches to full-on fuzz — but adds modern conveniences like a solderless socket and an external bias control so you can fine‑tune how it responds to different guitars. For daily practice you can dial comfortingly familiar vintage tones or back off for cleaner textures; at rehearsals and small shows it cuts through with a focused midrange; in the studio it gives you playable, characterful tracks without a lot of post processing.

If you like tinkering, the easy transistor swap and bias trimming make this a fun little lab for tone hunting. In short, it’s a solid handmade option if you want authentic fuzz personality with room to experiment.

What People Say

Most players appreciate how close the pedal gets to vintage Fuzz Face sounds while offering extra flexibility through the external bias control. Common praise focuses on the build quality, the clever solderless transistor socket for easy swapping, and the pedal’s responsive dynamics.

A few users note it can be noisy and is happiest at the front of the chain, and occasional small hardware hiccups have been mentioned, but overall customers value the tone and tweakability.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Compact grey metal enclosure with raised lettering and a hand‑made touch that looks sturdy and purposeful on any board.

Why You'll Like It

• Authentic Fuzz Face–style silicon tone with natural dynamics
• Solderless transistor socket lets you swap NPN transistors without soldering
• External bias control and internal trim for wide tonal shaping
• Sturdy all‑metal enclosure and heavy‑duty footswitch for road readiness
• Multiple classic voice options (synthy textures, clean‑up, full distortion)

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💸 Best Budget Fuzz

You get a surprisingly flexible little fuzz that wears its retro inspiration on its sleeve. The SF300 gives you three distinct voices — two fuzz flavors and a boost — plus simple Gain, Bass/Treble and Level controls so you can shape everything from sputtery vintage grit to thick, compressed doom tones.

It’s compact and lightweight, runs on a 9V battery or a standard Behringer PSU, and shines for bedroom practice, bedroom recording and demo sessions where you want immediate character. For rehearsals and small shows it cuts through when you need it to, and for special studio moments it can add that gnarly, lo‑fi texture straight to tape. If you want a straightforward, no‑fluff fuzz that’s easy to dial in and encourages tone exploration, this is a handy, wallet‑friendly tool to keep on your board.

What People Say

You’ll notice customers regularly praise how much tone you get for the money — especially the Fuzz 2 mode for gnarly, grungey textures and the useful bass boost. People like the straightforward controls and portability, though some call out the plastic casing and say battery changes can be fiddly.

Overall the consensus is that it delivers characterful fuzz that’s great for home recording and experimentation.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Retro peach plastic enclosure with bold graphics — it has a vintage vibe and stands out on a pedalboard without being flashy.

Why You'll Like It

• Three modes for classic fuzz, grunge/saturated tones, and a gain boost
• Simple Gain, Bass/Treble and Level controls make quick shaping easy
• Notable bass boost option for extra low‑end heft
• Compact, lightweight design that’s easy to slot into any pedalboard
• Runs on a 9V battery or standard DC power for flexible powering

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🔧 Best Garage Tones

You’re looking at a compact distortion that’s surprisingly versatile — the Dark Mouse covers everything from warm, classic breakup to a harsher, edge‑forward hyper mode that bites into your amp. Controls are straightforward so you can dial in crunchy rhythm tones or singling‑out solos without fuss.

It’s built like a little tank (aluminium alloy) and uses true bypass, so when you step off it your clean tone stays intact. Great for daily practice, jamming with friends, and punching up takes in the studio when you want that vintage‑meets‑garage texture.

If you want a no‑nonsense pedal that adds character to your board and actually survives being hauled around, this is one to try.

What People Say

You’ll hear a lot of players appreciating how much character this little unit packs for its size — people commonly mention the two‑mode setup and true bypass as real pluses. Many like the rugged build and say it’s a reliable garage or rehearsal staple, while a few note the pedal can be a bit loud at unity and that a power supply isn’t included. Overall the consensus points to a fun, toneful pedal that punches above its weight.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Matte black "Rat" styling with clear labelling and a solid aluminium body — it looks tough and sits unobtrusively on a pedalboard.

Why You'll Like It

• Two practical modes (Classic for warm, fuzzy breakup; Hyper for more edge and low‑end)
• True bypass preserves your unaffected tone when the pedal is off
• Robust aluminium‑alloy build stands up to regular gigging and travel
• Compact footprint fits easily on crowded pedalboards
• Simple controls mean you can shape tones quickly during practice or performance

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🔮 Best Germanium Fuzz

You get a compact little pedal that does two signature things at once: thick, vintage‑leaning germanium fuzz and an octave‑up that can make riffs really stand out. The Mid‑cut switch helps tame the boxy frequencies so the octave doesn’t swamp your tone, and true bypass keeps your clean sound intact when the pedal’s off.

It’s small enough for everyday practice and portable enough for gig bags, yet lively enough to push a solo into White Stripes‑style territory when you want to cut through. If you want an easy way to add character and a quirky octave voice to your sound, this is a pedal worth trying.

What People Say

Most players notice how effectively the octave and fuzz combine to make riffs pop, especially when you flip the Mid‑cut to tighten things up. People also appreciate the true bypass and solid metal casing, though some mention the need for a proper 9V supply and that a few units arrived with issues.

Overall, the common thread is that it delivers a fun, vintage‑flavored voice for practice, recording, or punchy live parts.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Dark‑green finish with simple labelling and a compact aluminium body — vintage nod without feeling fussy, it sits neatly on a board.

Why You'll Like It

• Octave‑up plus germanium fuzz for a distinctive, singing texture
• Mid‑cut switch to control muddiness and keep notes clear
• True bypass preserves your unaffected tone when disengaged
• Sturdy aluminium‑alloy build that fits small boards and travel
• Can push riffs and single‑note lines to cut through mixes

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📦 Best Mini Fuzz

You get a tiny pedal that leans into that vintage fuzz vibe without taking over your board. The controls — bass, treble, level and vol — make it easy to dial anything from a scooped, thick sustain to a bright, buzzy edge, and true bypass keeps your clean tone intact when it’s off. It’s small enough for everyday practice, light gigging, or slipping into a travel rig, but capable enough to push solos forward when you want them to sing. If you want a no‑fuss way to add classic fuzz character to riffs or to thicken up single‑note lines, this is a handy little tool to have around.

What People Say

Most players appreciate how compact and straightforward the Donner Fuzz is — folks often mention the useful tone controls and true bypass as real pluses. People like that it can cover a range of fuzz textures from smooth sustain to buzzy grit, and many call out the small footprint and solid build.

A minority report quality‑control hiccups or occasional noise, but the general sentiment is that it delivers a lot of fuzzy personality for what it is.

Overall Sentiment: Positive

Use Cases

Ease of Use

Design

Bright purple finish with simple graphics and a compact metal chassis — it looks playful on a board without feeling cheap, and the small size keeps your setup tidy.

Why You'll Like It

• Classic fuzz character that nods to vintage circuits
• Dedicated BASS and TREBLE controls for quick tone shaping
• LEVEL and VOL knobs let you balance fuzz and output
• True bypass preserves your clean signal when disengaged
• Compact metal housing fits tight pedalboards and travel bags

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FAQ

How Do I Choose The Right Fuzz Pedal For My Guitar Tone?

You choose a fuzz by matching its character to the sound you want and the rig you already own; pay attention to pickup type (single coils clean up differently than humbuckers), the amp's headroom, and whether you want vintage sputter, thick sustain, or octave chaos. Try pedals that preserve your low end if you play thicker riffs, and consider models that offer a dry blend or dry output so you can keep clarity while adding fuzz. If you’re unsure, you can experiment with a multi-effects unit like the MOOER GE100 to audition a wide range of fuzz voicings quickly, then buy the stompbox that best captures the tone you love.

Trust your ears, test with your own guitar and amp, and remember that the simplest tweak—changing the guitar’s volume or the pedal’s bias—often unlocks the exact Hendrix-style voice you’re chasing.

Where Should I Place A Fuzz Pedal In My Signal Chain And What Settings Work Best?

For most classic fuzz tones you place the fuzz at the front of the chain into a clean amp channel so the pedal reacts dynamically to your guitar, but don’t be afraid to try it after an overdrive for thicker, gated textures or before modulation for wild lead sounds. Start with gain low and output at unity, use your guitar’s volume to clean up notes rather than cranking the pedal, and roll tone controls to taste so the fuzz sits in the mix without overpowering other instruments.

Remember that some fuzz circuits hate buffers and tuners placed before them, so if you lose touch sensitivity move the fuzz before the buffer or put the buffer after the fuzz; experimenting this way will get you closer to that expressive, Hendrix-like response.

Can I Use Fuzz Pedals With Multi-Effects Units Or On Bass, And How Do I Manage Noise And Power?

Yes—you can use fuzz in multi-effects units for convenience and recall, but understand that hardware fuzz pedals often deliver more organic response and unique quirks; use the GE100 or similar to preview shapes, then lock in a dedicated pedal when you find the voice you love. For bass, choose pedals designed to retain low frequencies or models with a dry blend or dedicated bass mode so your bottom end stays intact, and use the dry output if you want to split fuzzed and clean signals to separate amps.

To control noise, use a quality power supply and shielded cables, keep your gain staging conservative, and add a noise gate only when it doesn’t kill sustain; these practical steps preserve dynamics and help you unleash that Hendrix grit without unwanted hiss.

Wrapping Up

By exploring these 14 fuzz pedals you can quickly identify the circuit and feature set that will change how you play and sound. If you want versatility and practice-friendly tools, consider the MOOER GE100.

If you want classic, stage-proven dirt that responds to your touch, the ProCo RAT2 is one of the most flexible choices. For low-end weight on bass, the EHX Bass Big Muff keeps your lows intact while adding righteous fuzz. Smaller, specialty pedals like the Lizard Queen or JOYO Voodoo give you octave and germanium flavors that will inspire new parts and textures. Use the criteria above to match tonal goals, price, and board space to a pedal, and you’ll be turning familiar riffs into something new this winter.

	MOOER GE100 Multi-Effects Guitar Pedal	Pro Co RAT2 Distortion Pedal	Electro-Harmonix Bass Big Muff Pi Fuzz Pedal
Item Weight	1.61 pounds	1 pound	15.5 ounces
Product Dimensions	9.06 x 2.36 x 5.51 inches	4.8 x 4.5 x 3.3 inches	6.25 x 3.2 x 5.65 inches
Unique Highlights	80 Presets & 66 Effects Integrated Looper with 3 minutes recording Drum Machine with 40 Patterns Headphone Output with Built-in Tuner	Versatile Distortion for Various Genres Boost Functionality for Increased Gain Built Tough for Stage Use Simple Three Control Interface	Maintains Low-End Frequencies Three-Knob Design for Volume, Tone, Sustain Dry/Bass Boost Switch for Versatility Separate Dry Output for Dual Amps
Power Source	DC 9V adapter or 4 AA batteries	1 x 9V battery	1 x 9V battery
	See Pricing	See Pricing	See Pricing

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