Top 10 Best Clean Boost Pedals On The Market (July 2020)
If you don’t have that many pedals on your board and you’re looking for a little extra pop. Without changing the tone you’ve built up and come to love. A clean boost pedal with it’s own tone controls might be the way to go. If you have a multi-band equalizer in your setup already, you might just want a simple clean boost pedal that doesn’t give you too much in terms of control. You’ll take care of the tone elsewhere.
What Is A Clean Boost Pedal?
In the interest of those who don’t know much about clean boost pedals. Clean boost pedals simply boost your sound (you don’t say). They increase the amount of signal going into your amplifier & push the initial gain stage much harder. The key to a clean boost pedal is that it can do all of this without distorting or muddying your overall tone.
Why Do I Need One Of The Best Clean Boost Pedals On The Market?
A transparent boost guitar pedal or clean boost pedal can be a really useful sound for a guitarist to have on their pedalboard. Being able to control the amount of boost, bass and treble without subjecting your signal to overdrive. Boost pedals can increase the volume of a tube amp a little bit or a lot. It all depends on how you use your clean boost pedal.
The great thing about having a boost guitar pedal on your board is that it can enhance the limited sound of cheaper amps and guitars. If you have a low output setup don’t worry, you can make use of a booster pedals party trick and step your whole rig up. Even if it’s just to stand out for that guitar solo. It’s not the perfect solution but it sure beats splashing the cash on a whole new setup if you’re budget won’t allow for it.
Clean boost pedals can help push the front end of your amplifier, add grit and more volume without distorting your signal. These pedals are really useful for low output pickups.
What Do The Best Clean Boost Pedals On The Market Do?
Clean boost pedals are designed with a simple purpose, that’s why many of them are extraordinarily simplistic. A single volume knob and pedal button to activate and deactivate the clean boost pedal. It’s worth noting however that although many may look the same, they are not all created equally. As with most pedals on the market one or two will be substantially better than the rest.
Clean boost pedals add more volume, perfect for solos and rhythm. This helps your sound push though the rest of the band’s output at the times when all eyes should be on you. Boost pedals give your more headroom, flexibility & clarity. They’re often used to accentuate the top-end frequencies of your tone.
Can The Best Clean Boost Pedals On The Market Effect Your Tone?
A clean boost pedal can result in your tone being changed. The best clean boost pedals will change it less than others. This combined with the placement of the clean boost pedal within your pedalboard and the amplifier you’re using all contribute to how much or how little your tone is effected.
Clean boost pedals react differently to different amps. Knowing how your amp reacts to your amp or selection of amplifiers is important. Playing around with different combinations is advised.
Some of the most honest clean boost pedal manufacturers concede that their pedal effects tone. To help they come with built in tonal controls. These controls range from simple knobs to a complicated multi band equalizer.
Enjoy Our List Of Best Clean Boost Pedals On The Market
It’s very easy to get overwhelmed while looking for the best clean boost pedals on the market. Deciding which is the right one for your is even more difficult. We’ve put this list together to help you decide which clean boost pedal is for you.
Seymour Duncan Diamondhead Multistage Distortion & Boost Pedal
- ✔ Independent 15dB Boost Function
- ✔ Features Bass, Mid, Treble, Boost, Level & Gain Control Knobs
- ✔ Sat Switch - Adds A 24dB Pre-Gain Boost
- ✔ True Bypass Switching
- Authentic sound of a half stack pushed hard
- Distortion and boost section can be used separately
- Active 3-band EQ with +/- 13 dB cut/boost in each band
- True bypass
- Controls: Bass, Mid, Treble, Boost, Level, Gain
- SAT-activated toggle switch adds a 24 dB pre-gain boost
- Distortion footswitch
- Boost footswitch
- Status LEDs
- Metal housing
- 6.3 mm Mono input/output jacks
- Operates via optional 9-18 V DC power supply (not included), 2.1 x 5.5 mm coaxial power connector, negative polarity (-) inside
- Current consumption: 130 mA @ 9 V / 65 mA @ 18 V
- Dimensions (L x W x H): 119.4 x 88.9 x 40.6 mm
- Weight: 408 g
Diamondhead captures the power and versatility of that era-defining rig in a package that will find a space on any pedalboard. Whether you’re running it into a clean pedal platform amp or into the frontend of an overdriven tube amp, the Diamondhead provides the flexibility and tonal clarity to authentically capture the sound that defined an era. It all starts with the drive – from breathy and raw medium gain sounds to screaming high-gain harmonics, Diamondhead is deep and three- dimensional, with clarity and touch response. Three powerful active EQ controls maximize the potential of the gain section. A tightly defined bass control boosts and cuts at 80 Hz with surgical precision, making the low end huge, but never muddy. A broader mid-range control set right at 800 Hz allows for massive scooped chunk, hyper aggressive modern attack and everything in between. The Treble control set at 6 kHz adds sizzle, cut, and attack.
Diamondhead can be used in a variety of ways. It works great in front of a clean amp, injecting it with the sound of a cranked amp stack. You can also punish the front end of an overdriven amp, soaking your tone in gorgeous layers of saturation. Many guitarists here at Sweetwater have also achieved seriously brutal tones by running Diamondhead straight into an amp’s effects return, effectively transforming the pedal into a hot-rodded high-gain preamp. Regardless of how you use it, this stompbox delivers an ear-grabbing, aggressive sound with loads of bite, body, and character.
The SAT Switch (based on our 805 Overdrive) adds a 24 dB pre-gain boost that tightens up the low end for more aggressive and defined attack. Subtly rolling off lows and highs it allows the mid-range to cut through creating chewy, harmonic saturation. Independent from the Drive section, the Boost (activated with the left footswitch) offers 0 to 15 dB of gain and can be used as a lead boost or to push an amp on the edge into overdrive. Try using it with a slightly dirty amp as the first gain stage and adding the Drive section for your highest gain sounds.
If you want to dial in your tone with surgical precision, Diamondhead is the right tool for the job, thanks to its flexible 3-band EQ. The Bass knob employs a super-tight curve at 80Hz to add girth to your tone without any mud or flabbiness. The Mid knob utilizes a broad curve at 800Hz to create colossal scooped chunk, hyper-aggressive attack, and all points in between. And the Treble knob, set at 6kHz, adds sizzle, cut, and articulation to your playing. To complement the EQ, Seymour Duncan has included a SAT switch based on their 805 Overdrive. This function adds a 24dB pre-gain boost that subtly rolls off lows and highs, tightening your lows and allowing your mids to cut through. The chewy, harmonic saturation that the SAT switch adds to your tone is downright amazing!
Diamondhead also shines as a pre-amp. By running it into the effects return of your tube amp, or in front of the PowerStage power amps you’ll be rewarded with a hot-rodded high gain amp tone with body, bite and character.
Of course, it doesn’t matter how many cool features Diamondhead has if it doesn’t fulfill its purpose — GAIN! And fulfill that purpose it does, from raw medium-gain crunch to screaming high-gain grind. Palm mutes chug, pinch harmonics squeal, and power chords resonate with glorious harmonic content — all while retaining maximum clarity and touch response. You also get an independent Boost footswitch that kicks in a variable gain boost of up to 15dB. This works great as a lead boost, or you can push an amp on the brink of overdrive into full-on saturation.
If you’ve gone through a pile of overdrives, distortions, and boost pedals searching for that quintessential 80’s metal or hard rock tone and haven’t been satisfied, make Diamondhead the heart of your rig. Versatile enough to handle any covers set, precise enough to surgically dial in your own tone – it captures the rock ‘n’ roll spirit of a high gain head pushed to the edge.
So what’s our vertict? The winning feature of the Seymour Duncan Diamondhead is the boost element. While other pedals have decent boosts, the quality of the Diamondhead’s boost is much more appealing. It not only works independently of the gain feature but also has a more favorable impact on the overall tone of the pedal when engaged. You can definitely achieve heavy chugging tones when you activate the boost switch. Perfect for those heavier metal rhythm chug tones. If you’re looking for a superb boost pedal that comes with some very nice other features. Give the Seymour Duncan Diamondhead pedal a chance.
JHS Clover Preamp/Boost Pedal
- ✔ Use The Volume Control Knob As A Boost
- ✔ 3 EQ Controls Give Tons Of Control
- ✔ Low Cut Dip Switch Removes Some Muddy Tones
- ✔ Choose Between Full EQ, No Mid & No EQ
- True bypass
- Controls for Volume, Bass and Mid
- 3-Way rotary switch to select between modes (Full EQ / No Mid / No EQ)
- Side DIP switches for low cut and ground lift
- Bypass footswitch
- Status LED
- Metal housing
- 6.3 mm Mono jack input and output
- XLR DI output
- Power supply via optional 9V DC adapter (2.1 x 5.5 mm connection, negative polarity (-) in the middle)
- Idle current consumption: 45.5 mA
- Dimensions (W x D x H) 130 x 70 x 60 mm
- Weight 270 g
- Made in USA
The Clover is an end all preamp/boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool. While the Clover excels at being a preamp / boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. From country, rock, metal and even acoustic, The Clover covers every base.
The Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble.
The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp.
On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix.
Bass and acoustic players can use the Clover too! Its XLR output means you can hook it up to a soundboard or interface. It was designed with bassists and acoustic guitars in mind. Are you after more definition or dynamics from your instrument? The Clover has every base covered.
Clover is a great option for guitarists looking for a transparent boost with accurate EQ control. The original was designed to be on all of the time, but Clover features a stomp button so it can be used as a boost only when you need it. The Clover is also ideal for electro-acoustic and bass guitars thanks to the XLR output with ground-lift, take full advantage of the preamp and EQ control for fantastic tone-shaping. Take a look at this fantastic pedal today!
Wampler Decibel Plus V2 Boost & Independent Buffer Pedal
- ✔ True Bypass Switching
- ✔ Independent Buffer
- ✔ One Knob Clean Boost
- ✔ Hand Made In The USA
- A full frequency boost and independent buffer brought to you in a small footprint mini pedal
- A quality buffer that helps prevent your high frequencies from being lost
- A clean boost that makes sure your guitar always sits in the mix
- Features the ability to turn the buffer on and off independently all with a micro pedal size
- A one-knob, problem-solving toolkit from the studio to the stage
- Power Draw; 6mA at 9v, 8mA at 18v (18v increases volume)
- Power; 9V DC power jack
- Dimensions; 1.5″ x 3.5″ x 1.5″ (38.1mm x 88.9mm x 38.1mm)
A quality buffer can help prevent your high frequencies from being lost and with a clean boost – you can make sure your guitar always sits in the mix. Introducing the Wampler dB+, a full frequency boost and independent buffer brought to you in a small footprint mini pedal. It has all the same great features as the original Decibel+ but with the ability to turn the buffer on and off independently. Never again suffer high-end signal loss or have to have your boost on just to have your buffer on.
The dB+ has all the same great features as it’s predecessor – the Decibel + – but now you have the ability to turn the buffer on and off independently as well in a now micro pedal size. Whatever your needs may be, the dB+ is ready to deliver. From studio or stage, it’s a one-knob problem solver toolkit.
A full frequency boost and independent buffer brought to you in a small footprint mini pedal. All great guitar tones have a solid foundation. Too many cables going in and out of your pedal board and to and from your amp can sometimes accidentally rob of you your guitar’s natural higher frequency tones (making your tone muddy) and in essence – creating “tone suck”. A quality buffer can help prevent those high frequencies from being lost and with a clean boost – you can make sure your guitar always sits in the mix. Introducing the Wampler dB+. The dB+ has all the same great features as its predecessor – the Decibel + – but now you have the ability to turn the buffer on and off independently as well in a now micro pedal size. Whatever your needs may be, the dB+ is ready to deliver.
From studio or stage, it’s a one-knob problem solver toolkit. You no longer have to suffer high-end signal loss, or “tone suck” again. You never have to have your boost on just to have your buffer on. You can now take ownership of your tone and have it exactly as you want it at all times.
JHS Haunting Mids Pedal
- ✔ Features Volume, Mids & Sweep Control Knobs
- ✔ Hi/Lo Toggle Switch
- ✔ Boost Or Cut Toggle Control
- ✔ True Bypass Switching
- Simple yet effective tool to boost/cut the perfect amount of midrange frequencies.
- Sweepable midrange frequency to find the perfect EQ to slice through any mix.
- Turn any amp or pedal into a totally different ghastly monster.
- Don’t forget the Volume Boost.
- Will boost +10dB with EQ flat
- Total Harmonic Distortion 0.007%
- Signal to noise ration 83dB
- +/- 15dB boost or cut
- Sweepable center frequency from 400Hz to 7.5kHz
- Switchable Q (LO-gentle broad, HI-peaking tight)
- This pedal requires standard 9V DC Negative power, consumes 13mA, and measures 2.6″x4.8″x1.6″
We here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ Preamp that can turn any amp or pedal into a ghastly monster. With it’s ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo/Hi toggle.
The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o’clock, no frequencies are boosted or scooped. Turning the Mids knob to the left of 12 o’clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o’clock will begin to boost midrange frequencies.
The Sweep knob controls the what frequencies will be affected. Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. The Lo/Hi toggle is like a ‘Q’ function and controls how sharp the frequency peak is that you’re affecting with the Mids knob. ‘Lo’ is a softer and wider peak for slightly subtler affect as you tweak the Mids/Sweep knobs. ‘Hi’ is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids/Sweep knobs.
The JHS Haunting Mids midrange boost guitar effects pedal really brightens the tone, and gives humbuckers more clarity. With single coils it gives a great boost, it’s well built and high quality. The packaging and presentation are also great, as you get a large sticker, a JHS pin, and a Gravity pick. Overall a worthy pedal to consider if you’re looking for a midrange EQ boost pedal.
Fender Engager Boost Pedal
- ✔ Analog Boost
- ✔ True Bypass Switching
- ✔ All Metal Chassis
- ✔ LED Backlit Control Knobs
- Clean Boost effect pedal
- Onboard 3-Band EQ; true or buffered bypass
- LED-backlit knobs; Fender Amp Jewel LED
- Magnetically latched hinged 9V battery door
- Lightweight durable anodized aluminum construction
Every now and then you need to kick your sound up a notch. Whether you’re looking for more volume or fatter tone, the Engager Boost is the ideal clean boost pedal. The onboard 3-band EQ lets you shape your tone to cut through a mix while the Frequency switch lets you select the middle frequency range, ideal for shaping your tone precisely. The Engager Boost is also perfect for boosting your signal into a tube amplifier’s preamp, thickening your tone. True and buffered bypass modes ensure this pedal plays nicely in any rig.
The Level control lets you dial in up to 20dB of boost while the versatile 3-band EQ sports Bass, Middle and Treble controls to further shape your tone. A rear-panel switch selects between true and buffered bypass, making it easy to integrate this pedal into any rig. The instantly recognizable Fender amp jewel LED leaves no doubt as to this pedal’s pedigree—it’s a classic aesthetic touch from our famous amplifiers.
LED-illuminated knobs show your control settings at a glance—even on dark stages. The exclusive, “patent applied for”, magnetically latched 9V battery door makes it quick and easy to swap batteries. Every Fender effects pedal is crafted from lightweight, durable anodized aluminum—they’ll easily withstand the rigors of touring.
Whether you need to fatten, sweeten or blast your signal. Whenever you need to kick your tone into gear. There really is only one option, get yourself the Fender Engager Boost.
Jim Dunlop MC401 MXR Boost/ Line Driver Pedal
- ✔ Joint Project Between MXR & Custom Audio Electronics Founder Bob Bradshaw
- ✔ High Quality Components Used
- ✔ True Bypass Switching
- ✔ Features Unique Sonic Stamp Of legendary Designer Bob Bradshaw
- Input Impedance: 1 kΩ
- Output Impedance: 150 Ω
- Nominal Input: -22 dBV
- Output Level: -22 dBV
- Boost Gain Range: 20 dB
- Noise Floor: >95 dB
- Bypass: True Hardwire
- Current Draw: 1.5 mA
- Power Supply: 9 volts DC
- Dimensions: 5.8″ x 4.8″ x 3″
The MC401 Boost/Line Driver from MXR is a potent volume pusher, taking your guitar’s signal up by a significant notch. MC401 is a simple booster and line driver that will find its place on your pedalboard.
The MC401 is simple in design but superbly effective in solving a variety of mismatched line level and signal conditioning problems that can occur when combining effects. The MC401’s circuit design has been used for years by CAE in the world’s best guitarist’s rigs to remedy these problems and rejuvenate the sparkle, punch and brilliance that can be lost. It can also be used as an ultra-clean boost (up to +20dB) for solos or to drive effects for more dynamics and sensitivity.
MC401 Boost/Line Driver is one of the best boost pedals out there without any exaggeration. Though it is not the most versatile thing in the world, it excels at the job it has and we cannot ask anything else from it. Another highly recommended boost pedal, you should really consider adding this to your pedalboard.
EarthQuaker Devices Arrows V2 Boost Pedal
- ✔ Boosts Midrange, Tightens Up Low End & Makes Top End Shine
- ✔ No Nonsense Single Level Knob
- ✔ True Bypass Switching
- ✔ Made In Akron, Ohio, USA
- Features a new enclosure, all-discrete analog ciruitry, top-mounted jacks, and silent relay-based switching
- Designed for adding an additional channel of gain to your dirt pedals and brightening up neck pickups
- Boosts midrange, tightens up low ends and makes top ends shine while driving your dirt into blooming sustain with excellent harmonics
- Simple interface is no nonsense; a single control that will either boost or cut your signal
- Remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible
- An all analog, true bypass pedal that really makes your signal pop, even on its own
- Made with care by human hands in Akron, Ohio
- Measures; 4.40″ x 2.80″ x 1.95″ with knob
- Current Draw; 8mA
- Input Impedance; 10M Ohm
- Output Impedance; <1K Ohm
- Power; Standard 9V DC Power Supply w/ 2.1mm Negative Center Barrel
The Arrows pedal is a simple all-analogue preamp booster pedal that’s been designed to work with other dirt pedals to give them another channel of dirt. It is designed with the intention of adding an additional channel of gain to your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz.
As an all-discrete tone sculpting preamp booster, the Arrows’ simple interface is no nonsense; a single Level control that will either boost or cut your signal. While the new V2 enclosure, with its top-mounted jacks, make fitting the pedal even into the most crowded pedal board a breeze.
A beautifully designed boost pedal that looks stunning and features an all analog circuit. We highly recommend you consider it as your preamp booster pedal of choice.
MXR M293 Booster Pedal
- ✔ Boost Volume By Up To 25dB
- ✔ Features Volume & Tone Control Knobs
- ✔ Durable Metal Housing
- ✔ Small Sized Pedal Will Fit On Most Pedalboards
- Up to 25 dB of boost
- Sound of the Echoplex preamp in a mini case
- True bypass
- Controls for volume and tone
- Internal Trimpoti to adjust the output of the Echoplex preamp
- Bypass footswitch
- Status LED
- Metal housing
- 6.3 mm Mono jack input/ output
- Power supply via supplied 9V DC (Dunlop ECB 003) power supply
- Current consumption: 12.5mA
- Dimensions (L x W x H): 90 x 40 x 55 mm
- Weight: 130 g
The MXR Booster Mini gives you the sonic secret sauce of the Echoplex Preamp with the legendary boosting power of the MXR Micro Amp in a lightweight, space-saving mini housing. The Volume control has up to +25dB on tap while the Tone control rolls off highs. To add a little extra grit to your signal, adjust the internal Echoplex Preamp level control. Put the MXR Booster Mini on your board to save space, season up your tone, and fly high above the mix.
The MXR Booster Mini is actually two pedals in one, combining the sought-after boost found in the MXR Micro Amp and the subtle gritty edge from the Echoplex Preamp. The Booster Mini comes in a lightweight mini-housing and features controls for volume and tone. Using it as a boost in front of an amp, the pedal responds with warm sustain and ballsy overdrive.
Overall we think this clean boost pedal has more too it than most. If you think this is the pedal for you, go check it out!
TC Electronic Spark Booster Pedal
- ✔ True Bypass Switching
- ✔ A Whopping 26 dB Of Boost
- ✔ Sturdy Die-Cast Metal Case
- ✔ Designed & Engineered In Denmark
- 26 dB of boost.
- Level knob – drive amps even harder.
- Place after existing distortion/overdrive to enhance drive sounds.
- Add grit, life and compression to your tone.
- Add body, punch and warmth to pickups.
- Mid-boost – cut through any mix.
- Active EQ – extended low and high end.
- True bypass – optimal signal integrity.
What starts as a “just-wanna-try-this-pedal-out”-session turns out to be a 3 hour marathon of new riffs, licks and ideas, without you even noticing any time has passed – because you were too busy having fun and sounding great. That type of pedal.
Spark Booster works wonders as an always on-type of effect – adding life, grit and compression to your sound in a way that just oozes tone and musicality. Add body, punch and warmth to pickups, drive amps to peak performance and enhance the sonic possibilities of existing sounds. Spark Booster also shines when used as a pure level boost. It’s the perfect tool to prime solos, highlight parts and add another musical dimension to your amp or Overdrive/Distortion pedal – to really drive that killer solo, lick or riff home.
Spark Booster’s feature set is all about you – maximizing what you already have and realizing your potential. The level knob allows you to add 26 dB of boost – it raises your volume without altering the character of your tone in any way. Spark Booster’s Gain knob is perfect for adding a hint of breakup or slight compression to a clean amp.
The active EQ controls consist of Bass and Treble knobs – which allow you to cut and boost these frequencies. They form the perfect tone shaping tool and because they are active EQs, Spark Booster can amplify frequency areas as well, and be used to create deep, extended lows or to add beautiful top-end sparkle. Also, Spark Booster is True-bypass, guaranteeing optimal tonal integrity.
Rounding out the feature set of Spark Booster is a little toggle switch that allows for three settings. The ‘Clean’ setting means the pedal boosts your signal equally across the frequency spectrum. The ‘Fat’ setting fattens up sounds and adds life and punch to your sound, and allows for precise tonal shaping with the EQ and Gain knobs. The Mid-boost section provides a bump in the mids that is both musical and pronounced. It cuts through any mix with heaps of unprecedented clarity and allows you to be heard like never before.
Drive, driven full circle.
Spark Booster is the fourth entry for Overdrive/Distortion pedals in our compact pedal series, and rounds up our lineup on these type of pedal platform. Based on the runaway success of the classic-sounding Dark Matter Distortion, the more modern voiced Röttweiler Distortion and the MojoMojo Overdrive, Spark Booster had to be the grand finale to our take on drive, distortion and boost. Simply put, we wanted to make this one truly special and in order to do so, we took inspiration from our own history.
Rooted in tradition – aimed at rebellion.
Whether you are a starting guitarist or a seasoned pro, chances are you’ve heard of us at some point. For many this will be about our reputation in Reverbs, Delay and Modulation effects, but for guitarists who know and love their boost- and distortion greats, it will be about one of our first pedals: the TC Electronic Booster + Line Driver & Distortion. A true classic in its own right and the perfect starting point for Spark Booster. To this day, the Booster + Line Driver & Distortion is used by high-profile pros as diverse as Scott Ian (Anthrax) and Allan Holdsworth, and it is a highly sought after pedal on the used market. We took all that made the Booster + Line Driver & Distortion so immensely popular and brought it into the 21st century. And so, Spark Booster is not a 1:1 port, nor is it a reissue or a tribute. Rather than that, Spark Booster represents a modern take on all that made the TC Electronic Booster + Line Driver & Distortion such a fantastic pedal – and the ultimate declaration of our love for amazing boost and distortion sounds, aimed squarely at guitarists that want to spark their creativity.
Jackson Audio Prism Boost Pedal
- ✔ Takes Your Guitars Natural Tones & Allows You To Boost It
- ✔ A Cornerstone For Your Rig For Years To Come
- ✔ Stainless Steel Enclosure
- ✔ True Bypass Switching
Be Advised - Possibly Low StockBuy From Amazon.com
- Controls: Tone, Body, Boost, High/Med/Low pre-gain switch, Color/Amp/Trans circuit-select switch
- Dimensions: 2.5″ x 4.875″
- Required Power: 9V DC (center negative) minimum of 100mA
The PRISM was designed using a systems approach to tone shaping. While the PRISM contains many features and circuits, those circuits are precisely crafted to work in harmony with each other to create a unique tone shaping tool with unrivaled flexibility and performance!
Housed in a custom designed stainless steel enclosure that features laser engraved artwork, the PRISM is one of the few pedals on the market that looks as good as it sounds! Keep reading below to learn more about what makes the PRISM so unique!
As a boost/preamp the PRISM contains three of the most distinct voices of boosts available. A transparent clean boost with no tonal coloring (TRANS), a boost that emulates a vacuum tube amp (AMP) and finally the boost circuit that started it all, the silicon treble booster (COLOR). These three circuits represent over 50 years of guitar effects from the earliest guitar pedal ever made to the more modern transparent voiced circuits.
The PRISM is a true bypass pedal featuring our own silent switching circuitry and uses relays with a soft touch momentary contact footswitch to accomplish the bypass. We chose relay bypass because it is far more reliable than traditional mechanical true bypass methodologies and the relays themselves boast a lifespan of over 100,000 cycles!
Overall, the Prism provides three contrasting but equally useful boost modes. A great-sounding active EQ stage and well-chosen drive presets further expand the pedal’s formidable range.
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- Seymour Duncan Diamondhead Multistage Distortion & Boost Pedal
- JHS Clover Preamp/Boost Pedal
- Wampler Decibel Plus V2 Boost & Independent Buffer Pedal
- JHS Haunting Mids Pedal
- Fender Engager Boost Pedal
- Jim Dunlop MC401 MXR Boost/ Line Driver Pedal
- EarthQuaker Devices Arrows V2 Boost Pedal
- MXR M293 Booster Pedal
- TC Electronic Spark Booster Pedal
- Jackson Audio Prism Boost Pedal