Behringer U-PHORIA UM2 Buyers Guide Review (August 2020)
Behringer U-PHORIA UM2
- ✔ 2x2 USB audio interface
- ✔ Audiophile 48 kHz resolution for professional audio quality
- ✔ Compatible with popular recording software
- ✔ State-of-the-art, +48 V-powered XENYX Mic Preamp
Don’t let its small size and extremely low price deter you from the fact that this audio interface is a realistic option. For beginners who are working with a limited budget. Even professionals who move around a lot and want an inexpensive device to add to their arsenal.
Behringer UM2 offers a silver and black casing. What shouldn’t surprise anyone, is that at this price you won’t get a top-notch metal chassis. This budget audio interface is entirely made of plastic – there are no metal parts on the outside of the device. Chassis seems surprisingly well built with nothing left feeling lose.
The plastic knobs are positioned at the top, which is not a popular place in most audio interfaces, even those from Behringer, which are located at the front of the devices. Probably Behringer wanted to keep the size of the device as compact as possible. This location seems to be a very intuitive place for the knobs, which are easily reached for adjustments.
The Behringer UM2 offers two inputs on the front. One of them is an XLR / TRS ¼ inch (6.35 mm) combo, and the second connector is ¼ inch (6.35 mm).
The XLR connector is used to connect a professional microphone. The TRS connector is used for electronic devices and instruments, such as keyboards, bass guitars or electronic drums. Each input has two associated LEDs on the front panel, which are located to the right of them. The green one indicates that a signal has been detected and the red one shows when the signal is clipping. There are two other LEDs. The orange one tells you whether the device is on. The red one, called +48 V indicates whether the Phantom Power is on. Phantom Power is used to power the dynamic or condenser microphone.
On the right side of the front panel, there is a headphone jack for monitoring. The normal signal goes from the plugged in microphone. To the interface through USB, to the software and back. This creates latency. To avoid this, you can use the direct monitor button. It gives you a signal directly from a microphone, so if you are recording with software there is almost zero delay.
The UM2 interface is a low latency device, which is surprising. It’s very important for someone who records a lot of vocals and guitars. At this price point, you can’t beat Behringer in regards to it’s recording ability and features. The higher 24-bit device is required if you desire to hear the samples in your DAW with much more depth. It’s worth noting here that there are noticeable differences in comparison to 16-bit lesser interfaces.
There is something that I feel is going to be a major disadvantage, that other devices don’t have. Namely the UM2 is limited to 16-bit / 44 kHz. Which is ok for streamers and podcasters, but a serious musician should look for 24-bit devices (Scarlett Solo vs Behringer UM2). Normally the headphone outs on low-cost devices are cheaply made and underpowered. However in this case the UM2 headphone amp is quite loud. It would be great if there was a separate knob where you could control the volume of the headphones. If you really have to have this, you have to pay at least twice as much for UMC202HD.
UM2 is a top class audio interface for an amateur musician, podcaster, or streamer. It’s cheap, light and has a decent build. The biggest disadvantage is that it offers only 16-bit/48 kHz playback which is not enough for professional musicians.