Best 8 Channel Audio Interfaces

Top 10 Best 8 Channel Audio Interfaces (July 2020)

Updated - June 26, 2020
Audio Interfaces

The best 8 channel audio interfaces offer fantastic opportunities to record high quality audio from several sources with minimal latency.

Audio interfaces range from large ‘rack’ styled devices through to pocket sized incredibly compact and durable audio interfaces. Some come with full colour LED/LCD displays for input and output levels, others offer portability by being powered by batteries.

Whether you’re looking to record a keyboard, guitar or vocals, the best way to setup your recording station is to plug into your computer and make tracks via an 8 channel audio interface.

8 Channel Audio Interface Connection Types

8 channel audio interfaces come with all sorts of connection types allowing you to connect to your computer via USB, thunderbolt & firewire to name a few. USB is the most popular and widely used mainly because it comes in many different forms ranging from USB Type-A, USB 2, & Micro USB through to the latest USB Type-C connections. Thunderbolt connections are the fastest. You’ll find these are used on some of the more modern and high end 8 channel audio interfaces available on the market.

8 Channel Audio Interface Prices

The price of top quality 8 channel audio interfaces has fallen dramatically in recent years. This is great news if you’re looking to get hold of a device that will give you a fantastic sound without costing the earth. This is because many brands have taken their previous generation 8 channel audio interface models and repackaged them. Usually with some modern nuances to create a budget model of their current range. Don’t be put off by this, these audio interfaces are still great value. They might not have all the latest bells and whistles but they get the job done. Which means you don’t need to pay substantial amounts of money for them.

Depending on what you want to achieve, you’ll priorities different features when finding the best audio interfaces for your situation. If space is an issue you’ll look for a small to medium sized interface that provides you a great experience and end result while not taking up a large portion of your limited space. If you’re in need of a portable audio interface then you’ll probably rule out any rack mountable models. Instead you’ll be looking for small battery powered options.

8 Channel Audio Interface Inputs & Outputs

8 channel audio interfaces come with a range of inputs and outputs. Some will have line inputs, mic preamps, headphone outputs, mic inputs & many other inputs and outputs. Make sure the model you consider has what you need. If you’re kitting out a home studio then you’ll be looking for the best audio interface which features (such as phantom power) the inputs and outputs you need at an affordable price.

Some of the best audio interfaces on the market come with software as part of the package. Pro tools is a popular editing software that we’ve seen offered as part of audio interface packages in the past. Purchasing an audio interface that comes with a reputable editing software is a great way to justify paying more for your audio interface because you’re saving money elsewhere.

What is a 8 Channel Audio Interface

In essence an audio interface allows you to take audio signals and pump them in and out of your computer. The decision on which one is right for you simply comes down to a combination of your budget and how you like to work. Simplistic models exist that simply convert analog audio signals to digital audio signals on the way to your computer. This is because your computer will have software such as pro tools that is able to understand digital audio signals. Allowing you to layer, manipulate and refine the sound and then pump out to a speaker or amplifier. The audio interface will convert your digital audio signals back to analog signals on the way out of your computer. This way the speaker is able to play the sound for you to hear. These types of audio interfaces are known as AD/DA (Analog to Digital/Digital to Analog) converters

Whatever type of audio interface you’re looking for we’ve tried to find the audio interfaces with the best features. While still being considered a great eight channel audio interface.

Best 8 Channel Audio Interfaces - Top 10
    1. MOTU Ultralite AVB USB iOS Interface - Well received from previous customers, fantastic customer reviews
    2. Roland OctaCapture USB 2.0 Audio Interface - The most affordable audio interface that we’ve featured on the list
    3. Behringer U-Phoria Audio Interface - The U-Phoria UMC1820 Audiophile by Behringer is the most affordable 8-channel audio interface.
    4. PreSonus Studio 1824 Audio Interface - The Presonus Studio 1824c 8-channel audio interface is a premium-priced, rack-mountable model.
    5. Focusrite Scarlett 18i20 with Pro Tools - This interface will take your growing studio to the next level.
    6. MOTU 828es 28x32 Thunderbolt USB 2.0 Audio Interface - Lowest latency times (1.6ms roundtrip) and designed to perfection
    7. Presonus Quantum 26x32 Thunderbolt 2 Low-Latency Audio Interface - Another excellent choice for professional studios
    8. RME Fireface UC - The RME Fireface UCX is a professional level soundcard for the studio.
    9. Universal Audio Apollo x8 Thunderbolt - The Apollo offers a huge improvement on Universal's audio interface predecessors.
    10. M-Audio M-Track 8X4M Audio Interface - An 8-channel audio interface built into an elegant, sleek metal chassis with black and silver trim.
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MOTU Ultralite AVB USB iOS Interface

MOTU Ultralite AVB USB iOS Interface

  • ✔ Fantastic customer reviews
  • ✔ Ability to connect up to 5 MOTU devices
  • ✔ Ability to network with other interfaces and computers
  • ✔ Reputable brand
Well received from previous customers, fantastic customer reviews
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The MOTU UltraLite AVB interface definitely holds up as being a high-quality audio interface, and that’s apparent from the customer review ratings.

The interface provides 36 audio channels, providing 10 analog inputs alongside 8 analog outputs, in which there is a selection of XLR and Line ports (we’ve provided the specifics in the technical specs section). Additionally, it includes an optical input/output to increase the overall input and output capability.

It’s compatible with both a PC and a Mac, via a USB 2.0 connection (although it’s compatible with USB 3.0), offering high data transfer speeds and minimal latency.

Additionally, the Ultralite AVB digital mixer provides 48 channels and 12 busses, all of which can even be controlled with your Mac, Windows, Linux, iOS and Android device, by using the web app served by the physical hardware itself… Perfect for recording or performance environments.

Not to mention, the UltraLite AVB can be further expanded, using the MOTU AVB Switch, which enables you to connect up to five MOTU interfaces, so the possibilities are endless.

Overall, the MOTU UltraLite AVB is an interface which is ideal for live setups, professional studios, and aspiring home studios… All of which comes at a cost, but considering it’s made by MOTU, you know that it’s an interface that will provide ultra high-quality recordings and last for a long time.

None-the-less, MOTU is such a reputable brand, that combined with the 2-year limited warranty and the low latency time, it will certainly be an interface to consider.

Compatibility
  • Mac & PC & Web App control on any device (iOS, Android, Linux, etc)
  • Supports all major DAWs
Features
  • MOTU is a leading company in the industry
  • 18-input/18-output audio interface
  • Heavy-duty chassis
  • Capable of system expansion and device networking
    • Connect up to five MOTU interfaces
    • Ability to network with other interfaces and computers
  • Web app control from any device (using a local area network)
  • Quick setup presets
  • Near to zero-latency monitoring (5ms latency as referenced from Amazon Reviews)
  • Requires power adapter
  • Warranty: 2-Year Manufacturers Warranty
Technical Specs
  • USB 2.0 connectivity (compatible with USB 3.0)
  • Ethernet cable input
  • MIDI input/output
  • 1 XLR input (on the front)
  • 2 TRS inputs for guitar (on the front)
  • 1 XLR input (on the back)
  • 6 TRS/Line inputs (on the back)
  • 6 TRS/Line outputs (on the back)
  • L & R Line outputs (on the back(
  • S/PDIF input/output
  • 24-bit/192 kHz resolution
  • 48v Phantom Power
Pros
  • Reputable brand
  • Fantastic customer reviews
  • Ability to connect up to 5 MOTU devices
  • Ability to network with other interfaces and computers
  • Web app control via any device (iPad, iPhone, etc)
  • 2-year manufacturers warranty
  • Very impressive technical specs
Roland OctaCapture USB 2.0 Audio Interface

Roland OctaCapture USB 2.0 Audio Interface

  • ✔ The brand has a proven track record
  • ✔ The product has a near-perfect customer review rating
  • ✔ A large number of inputs/outputs
  • ✔ Impressive technical specifications
The most affordable audio interface that we’ve featured on the list
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The Octa-Capture by the Roland Corporation is the most affordable audio interface that we’ve featured on the list.

It’s compatible with both Mac and PC, and can be used with the majority of DAWs, making it versatile for your setup.

It features eight premium-quality preamps, which boast the same internal components as their V-Studio 700 and M-400 V-Mixer mixing desks.

It has 8 XLR/TRS combination inputs, which allow users to plug in a combination of 1/4″ jacks and XLRs, ideal for live band recording sessions and to record instruments such as drums, where you may need microphones and DI capability.

Regarding the technical details, it records at a maximum of 96kHz sample rate, has a frequency response from 20Hz to 40 kHz, and delivers extremely low roundtrip latency with the help of Roland’s proprietary vs streaming technology.

Overall, when taking into account that the audio interface has incredibly customer reviews and even comes with a 1-year manufacturers warranty, it definitely holds it’s own on this article being a product to beat.

Compatibility
  • Mac & PC
  • Supports all major DAWs

 

Features
  • Incredibly reputable company ‘Roland’
  • Durable aluminum chassis which is rack-mountable
  • Eight premium microphone preamps
  • Ultra-low latency driver
  • Includes software
    • Cakewalk Sonar X1 LE
  • Requires power adapter
  • Warranty: 1-year manufacturers warranty

 

Technical Specs
  • USB 2.0
  • MIDI input/output
  • 4 XLR/TRS combination inputs (on the front)
  • 4 XLR/TRS combination inputs (on the back)
  • 8 TRS outputs (on the back)
  • Supports all major DAWs
  • 24-bit/96 kHz resolution
  • 20 Hz – 40 kHz Frequency Response
  • 48v Phantom Power

 

Pros
  • The brand has a proven track record
  • The product has a near-perfect customer review rating
  • A large number of inputs/outputs
  • Impressive technical specifications
Behringer U-Phoria Audio Interface

Behringer U-Phoria Audio Interface

  • ✔ Extremely affordable audio interface with 8-channels
  • ✔ Plenty of input/output types
  • ✔ Durable, impact-resistant metal chassis
  • ✔ Rack-mountable
The U-Phoria UMC1820 Audiophile by Behringer is the most affordable 8-channel audio interface.
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Description

The U-Phoria UMC1820 Audiophile by Behringer is the most affordable 8-channel audio interface that we’ve featured on this list.

It’s compatible with both Mac and Windows operating systems and works with all major DAWs, including Pro Tools, Ableton Live, Cubase, etc.

The unit is designed and built-in Germany and features 8 MIDAS designed microphone preamps, which is definitely a firm selling point.

All of the channels provide an optional 48v phantom power, great if you’re using condenser microphones.

As for the audio interface’s inputs/outputs, it has a diverse range of ports, including both combination XLR/TRS, TRS, ADAT, MIDI & SPDIF (all of which are specified above in the technical specs section.

The interface provides 96kHz/24-bit recording resolution, and it delivers zero-latency direct monitoring on all analog inputs whilst recording.

Overall, when taking into account the UMC1820’s price, I/O’s, features and 3-year manufacturers warranty, it’s easy to see why it’s an attractive prospect and ultimately a great buy for someone looking for a very affordable 8-channel audio interface.

Compatibility
  • Mac & PC
  • Supports all major DAWs
Features
  • Extremely affordable audio interface with 8-channels
  • Plenty of input/output types
  • Durable, impact-resistant metal chassis
  • Rack-mountable
  • Eight state of the art MIDAS designed preamps
  • Designed & engineered in Germany
  • Warranty: 3-year manufacturers warranty
Technical Specs
  • USB 2.0 connectivity
  • MIDI input/output
  • 2 XLR/TRS combination inputs (on the front)
  • 6 XLR/TRS combination inputs (on the back)
  • 8 TRS outputs (on the back)
  • 2 ‘main’ TRS outputs (on the back)
  • ADAT input/output
  • SPDIF input/output
  • Supports all major DAWs
  • 24-bit/96 kHz resolution
  • 48v Phantom Power
Pros
  • The brand is well-known and reputable
  • Product is well-reviewed and scores favorably in customer review ratings
  • Includes a diverse range of inputs/outputs
  • Impressive technical specifications
  • Comes with a 3-year manufacturers warranty
Cons
  • There’s a single phantom power switch for all 8 channels
PreSonus Studio 1824 Audio Interface

PreSonus Studio 1824 Audio Interface

  • ✔ Best-selling audio interface series
  • ✔ Sleek black metal chassis
  • ✔ Rack mountable
  • ✔ Switchable “Air” function
The Presonus Studio 1824c 8-channel audio interface is a premium-priced, rack-mountable model.
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The Presonus Studio 1824c is a premium-priced, rack-mountable audio interface suitable for any professional musician/sound engineer’s studio setup.

It comes with a range of inputs/outputs, including 8 XLR/TRS inputs and 8 TRS outputs (not including the 2 main TRS outputs), as well as MIDI, S/PDIF and ADAT connectivity.

PreSonus is known for producing high-quality audio equipment, and the 1824c doesn’t disappoint, with its high sound resolution (192kHz/24-bit) and XMAX preamps.

Additionally, the unit is compatible with most popular DAWs and even provides iPad/Android compatibility.

Overall, this unit is priced at quite a premium price, and we think that this is a fantastic choice for those wanting plenty of inputs/outputs… However, we personally prefer the next discussed Focusrite Scarlett 18i20 (3rd Gen) which is the same price.

Compatibility
  • Mac, PC, iPad & Android
  • Supports all major DAWs
Features
  • Highly reputable manufacturer
  • Sleek metal chassis
  • Rackmountable
  • Low latency unit with high-quality XMAX mic preamps
  • LED monitoring on front of the interface
  • Compatible with iPad* & Andoid*
  • Software included:
    • PreSonus Studio One Artist
  • Warranty: 2 Year Manufacturers Warranty
Technical Specs
  • USB Type C or USB-A connectivity (2 versions)
  • MIDI input/output
  • 2 XLR/TRS combination inputs (on the front)
  • 6 XLR/TRS combination inputs (on the back)
  • 2 TRS headphones outputs (on the front)
  • 8 TRS outputs (on the back)
  • 2 TRS main outputs (on the back)
  • S/PDIF input/output
  • 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
  • Supports all major DAWs
  • 24-bit/192 kHz resolution
  • 48v Phantom Power
Pros
  • Reputable brand
  • Plenty of Inputs/Outputs
  • 2-year manufacturers warranty
  • Impressive technical specifications
  • Rack-mountable
  • Compatible with iPad & Android
Focusrite Scarlett 18i20 with Pro Tools

Focusrite Scarlett 18i20 with Pro Tools

  • ✔ Class-leading conversion and sample rates
  • ✔ Focusrite iOS Control app
  • ✔ Two headphones output
  • ✔ Eight natural-sounding Scarlett mic preamps
This interface will take your growing studio to the next level.
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Another rack-mount choice in the mid-level category is the 18i20, which is the older brother of the Solo. Loaded with tons of features and I/O possibilities, this rack-mount is a solid choice for any mid-level studio setup. Not to mention, this interface will take your growing studio to the next level with its amazing sound quality and expansion options. The price seems to be very right with this rack-mount, it offers nearly all the same features and possibilities of competing rack-mounts but at half the cost.

Focusrite’s Scarlett audio interfaces are now a well established range, and using the same mic preamp design as the FireWire Saffire range, it’s a given that the front end is going to be at least as good as any at this price.

The 18i20 has 18 inputs and 20 outputs, and is effectively a Saffire Pro 40 with USB 2.0 rather than FireWire. Though there are a few notable differences. Such as word clock only being on the 18i20 and no optical S/PDIF option for the 18i20. Although it may not appear to be a big step up from the Scarlett 18i6, they’re worlds apart in terms of physical connectivity.

At 3kg, the 18i20 is a hefty unit. Although the Scarlett series’ red livery has been carried through to the case. The black front panel is a far more serious and professional-looking affair. It all feels very solid. While we prefer the rubberised black mic preamp knobs to the shiny silver monitor and headphone knobs. It’s obviously not a deal breaker.

Like many current audio interfaces, the 18i20 tackles the ‘studio hub’ role successfully, bringing together input, output, software monitoring and hardware monitoring. Having two separately configurable headphone feeds, for example, is very useful. As are the physical Mute and Dim buttons and additional software monitoring options (including mono).

Two front-mounted mic/line/instrument inputs are joined by six rear-mounted mic/line inputs (all on combo connectors). All eight mic preamps feature individual front panel gain knobs, along with 48V phantom power switched on/off in two banks of four. Inputs 1 and 2 get manual switchover for high impedance instrument input and a 10dB pad switch.

There are ten analogue outputs on balanced TRS jacks, the first two of which are labelled ‘Monitor’. The front panel also has two dedicated headphone outputs with individual level controls. The other ten inputs and outputs are digital, with stereo S/PDIF via RCA and eight further channels on ADAT lightpipe. The latter can also handle S/PDIF or four channels of SMUX at 96kHz.

Lastly, there’s MIDI In/Out, word clock out and a mains input socket. The 18i20 can also run as a signal mixer in standalone mode. Display-wise, the front panel hosts eight 5-part LED input meters as well as USB Active and clock Locked indicators.

The combo inputs automatically switch between mic and line sources based on plug type, and the 60dB of gain handles low-level signals well. The input LEDs do the job, although there’s no option to switch them to output monitoring. One minor issue: in some circumstances, the monitor mute and level can be a bit slow to respond. Focusrite say it’s a software problem that’ll be fixed soon in an update.

Phantom power can only be turned throughout inputs 1-4 and 5-8 at a time. No on an as needed. so if only input 3 needs phantom power you must push the phantom power 1-4 button engaging it for all 4 inputs. Don’t worry as this will NOT damage or affect the other inputs using dynamic mics and will only hurt older ribbon mics.

Comes with more than enough software to start and point you to more if you’re new and feel the need to build up a plugin collection. It has everything you need and nothing you don’t. Cannot be beat for the price. Metal construction, beautiful red brushed aluminum on the top, it’s a shame to rack mount it. Knobs and buttons are heavy and confident as well as the solid click when inserting cables. It has some weight to it too. I’m blown away by the ability and features of this amp! No regrets and now I see why this audio interface for mac is so popular!

MOTU 828es 28x32 Thunderbolt USB 2.0 Audio Interface

MOTU 828es 28x32 Thunderbolt USB 2.0 Audio Interface

  • ✔ Incredibly sound quality
  • ✔ Rack mountable
  • ✔ Expandable (up to 5 additional MOTU devices)
  • ✔ Web-app control
Lowest latency times (1.6ms roundtrip) and designed to perfection

The MOTU 828es has to be our favourite audio interface featured on the list. Why? Well, it offers so much functionality and in-turn, ease of use, that we can’t not love it.

Firstly, this is a rack-mountable interface that has both USB and Thunderbolt connectivity, which is quite rare to see.

It comes with 28-inputs and 32-outputs ranging from the mass of available XLR/TRS, Line, MIDI, ADAT and S/PDIF ports.

Due to the quality of its internal circuitry, and the ESS Sabre32 Ultra DAC Technology, it can provide an impressive 1.6ms of round-trip latency, which is less than any other interface featured on this list.

And whilst we’re on the topic of the ESS Sabre32 Dac Technology, this is the same technology used in MOTU’s ultra-expensive 1248 model.

However, the really attractive part of using the MOTU 828es is the ability to remotely control the interface, using any device, via the web-app feature, which is ideal for recording/live situations where you want to see how something sounds from another physical location. As well as this, the MOTU 828es can be expanded, by adding up to 5 additional MOTU devices together, in case your home/professional studio needs to expand operations.

Additionally, the unit provides a talkback mic, A/B mix buttons, and even the ability to connect a footswitch to remotely control the talkback microphone, whilst you’re busy using your hands.

Overall, when taking into account all of the above, including the pros and (not so many) cons, it’s clear why we really like the MOTU 828es.

 

Compatibility
  • Mac & PC, iOS*, Android* & Linux*
  • Supports all major DAWs

 

Features
  • 28-in/32-out audio interface
  • A very well-known and reputable brand
  • Rackmountable
  • Sturdy aluminum metal chassis
  • Near to zero-latency (1.6ms according to their website)
  • Check mixes instantly with A/B buttons
  • Web app control from any device (iOS, Android, Linux, Mac, PC, etc)
  • Ability to expand network and connect up to 5 MOTU interfaces
  • Plenty of input/output types
  • Talkback mic
  • Warranty: 2-Year Manufacturers Warranty

 

Technical Specs
  • Thunderbolt 2 (Thunderbolt 3 compatible) & USB 2.0 connectivity (USB 3.0 compatible)
  • 28-in / 32-out
  • 2 XLR/TRS combination inputs
  • 8 Line inputs
  • 8 Line outputs
  • MIDI input/output
  • 2 x ADAT optical input/output
  • S/PDIF input/output
  • Powered by a power supply
  • 24-bit/96kHz resolution
  • 48v Phantom power

 

Pros
  • Built-in talkback microphone (and remote use using a footswitch)
  • A/B mix buttons
  • Less than 1.6ms round-trip latency
  • 2-year manufacturers warranty
Presonus Quantum 26x32 Thunderbolt 2 Low-Latency Audio Interface

Presonus Quantum 26x32 Thunderbolt 2 Low-Latency Audio Interface

  • ✔ Very good sound quality
  • ✔ Rack mountable
  • ✔ Control session using an iPad or Android tablet
  • ✔ Built-in talkback microphone
Another excellent choice for professional studios
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The Presonus Quantum audio interface is the most expensive unit featured on this list, and when taking into account exactly what it offers, it’s easy to see why.

Similarly to the MOTU 828es, the Quantum provides thunderbolt 2 (and thunderbolt 3 compatibility) connectivity, helping ensure low-latency times.

Additionally, it has a wide range of inputs/outputs and provides users with the ability to expand up to 96-in / 96-out through stacking up to 4 Quantum interfaces together.

Not to mention, it also provides that capability to remotely control the levels using the free UC Surface touch-control software for iPad and Android tablets

Overall, we think that Presonus have created a good quality interface here, but we see all of the same, if not more features in the MOTU 828es, which can also be expanded and even provides web-app remote control for all devices, not just Android and iPad tablets.

Compatibility
  • Mac & PC, iOS*, Android* & Linux*
  • Supports all major DAWs
Features
  • 26-in/32-out audio interface
  • Well-known audio interface brand
  • Rack mountable unit
  • Sturdy aluminum metal chassis
  • Expandable if you need more I/O (Up to 96-in / 96-out)
    • Stack up to 4 Quantum interfaces
  • Remote control from iPad & Android tablets
  • Talkback microphone
  • 10 LED display lights for inputs
  • Comes with software:
    • Studio One DAW, UC Surface touch-control, Studio Magic plugin-in suite
  • Warranty: 2-Year Manufacturers Warranty
Technical Specs
  • Thunderbolt 2 (Thunderbolt 3 compatible)
  • 26-in / 32-out (at 44.1 or 48 kHz)
  • 2 XLR/TRS combination inputs (on the front)
  • 6 XLR/TRS combination inputs (on the back)
  • 2 main Line outputs
  • 8 line outputs
  • MIDI input/output
  • 2 x ADAT optical input/output
  • S/PDIF input/output
  • Powered by a power supply
  • 24-bit/96kHz resolution
  • 48v Phantom power
Pros
  • Very good sound quality
  • Rack mountable
  • Expandable (up to 4 additional Quantum interfaces)
  • Remote session control using an iPad or Android tablet
  • Built-in talkback microphone
  • Low latency
  • 2-year manufacturers warranty
Cons
  • A very expensive unit ideal for professional studios
  • Doesn’t provide as many features as the MOTU 828es, which is more affordable
RME Fireface UC

RME Fireface UC

  • ✔ Up to 192kHz sample rates
  • ✔ Provides revolutionary ultra-low latencies even with multiple channels
  • ✔ Class compliant MIDI ports
  • ✔ Compatible with Windows 10 and Mac
The RME Fireface UCX is a professional level soundcard for the studio.
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This interface boasts excellent parameters, many inputs and outputs (8 in/8 out) and also the ability to connect via USB and FireWire.

But the main thing about the Fireface UCX is the clean untainted sound and stable performance. The included Total Mix FX software, although it looks slightly outdated, has some impressive functionality.

This interface, largely due to its impressively stable handling, is excellent for capturing performances of all kinds. With the abundance of inputs and output it’s suitable for recording drum kits and large ensembles.

That said, for the average home studio, its capabilities are probably overkill. Most home recording does not involve drum tracking. This is generally reserved for bigger studios, hence the price of the Fireface UCX.

The Fireface UC is ostensibly the same as RME’s Fireface 400, providing 36 channels of analogue and digital I/O with only the interface format changed from FireWire to USB 2.0.

The analogue inputs are split across the unit with two mic/line and two instrument/line sockets at the front and the remaining four at the rear on balanced TRS sockets.

Six of the analogue outputs appear as TRS sockets, which can be used for feeding a 5.1 surround system, while at the front is a single TRS socket for either headphone monitoring or an unbalanced stereo monitor path.

There is a single knob and two-digit LED display on the front of the unit that enables control of all output levels (analogue and digital) as well as the four front input gains. The driver interface has a dedicated page for control of the analogue I/O with gain faders, pad switches, phantom power for the mic inputs and impedance switching for the instrument/line inputs.

Also on this page are settings for the overall gain structure of the analogue inputs, TRS outputs and headphone outputs. There are three ranges: 10dBV (unbalanced), +4dBu (balanced) and a Hi Gain (outputs) or Lo Gain (inputs) which offers more headroom for those who work with high-gain level balanced outboard. This is a unique function that really enhances the interconnection flexibility of the unit.

We know many engineers who spend countless hours (which equates to lost revenue) trying to iron out compatibility issues with their interfaces. If one was to add up the cost of these lost hours, the price difference between the Fireface UC and an alternative (cheaper) product disappears and in fact reverses.

We would heartily recommend this unit to anyone looking to buy a non-FireWire interface.

Universal Audio Apollo x8 Thunderbolt

Universal Audio Apollo x8 Thunderbolt

  • ✔ Record with near-zero latency
  • ✔ Easily connect to pro-level studio gear
  • ✔ Includes Power Supply
  • ✔ Track and mix with powerful HEXA Core processing
The Apollo offers a huge improvement on Universal's audio interface predecessors.

The incredibly designed Apollo 8 from Universal Audio is a phenomenal rack-mount interface. Its ability to reach a high level of dynamic range allows for extreme clarity, depth, and intimate accuracy on any recording. With plenty of connectivity options, it’s possible to chain a few of them together. In the attempt to find the most optimal sound recording experience.

If you’re looking for create professional sounding recordings one thing is for sure. You’re going to require a professional industry leading audio interface. Something that will perform with the precision and stability needed for larger more demanding sessions. Cue in the Avid HD I/O. A high-performance Pro Tools HD|Seris 8 x 8 x 8 analog and digital audio interface. One that’s designed to completely integrate with Pro Tools HD|Systems. The interface features premium A/D and D/A conversion and advanced circuitry. Giving you pristine sound quality and clarity and the lowest possible latency.

The Apollo offers a huge improvement on Universal’s audio interface predecessors. HD I/O features premium A/D and D/A conversion. Allowing you to experience improved audio fidelity and a sweeping dynamic range. Not to mention ultra-low jitter and the lowest possible latency in your recording sessions. With specific configurations, you can make use of built-in sample rate conversion. As well as a soft clip tool for hassle-free recording.

The Apollo I/O is delivered in three arrangements, so you have the option of picking the interface that best fits your connectivity needs. Additionally, you can increase your digital or analog I/O. By simply installing an HD I/O option card into one of the unused bays. You can install a single option card in HD I/O 8x8x8. Or a maximum of two additional cards in HD I/O 16×16 Digital. Although the HD I/O 16×16 Analog arrives with the max number of four cards, you can optimize your I/O by switching any card.

The Apollo audio interfaces completely integrate with Pro Tools|HD. You can achieve high levels of dependability, performance, and command of your outputs, inputs, and routing. Straight from within your Pro Tools interface. You’ll also experience an increased production quality and improved workflow fluidity than with any previous interface. If you desire to use your interface with Pro Tools| HD and alternative DAW software, you’re able to do so with ease.

Finding a great audio interface will improve the capability of your production setup and the quality of your sound. Let’s recap how you should choose the correct mac audio interface thats right for you. Start by gaining a general understanding of how you would want to connect your setup. Then consider the live instruments that you will be using. There are lots of audio interfaces on the market that are affordable, durable and support a wide array of amazing features that will get you on track to capture your required sound.

Desktop compatible interfaces are a great option for Entry and Mid-Level Producers. Rack-mounted interfaces are perfect additions to Mid-Level and Pro-Level producers. Producers who have vast audio production knowledge and are looking to ramp up their output to the max.

Making music with a simple setup of headphones and a laptop can only get you so far. At some point audio production becomes an issue. Having a well routed and professionally optimized production setup will greatly enrich your sound design, production and workflow.

M-Audio M-Track 8X4M Audio Interface

M-Audio M-Track 8X4M Audio Interface

  • ✔ Very well known audio interface manufacturer
  • ✔ Compact audio interface
  • ✔ Sleek black interface with metal chassis
  • ✔ Portable
An 8-channel audio interface built into an elegant, sleek metal chassis with black and silver trim.
Be Advised - Possibly Low Stock
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The M-Audio M-Track 8x4M is an 8-channel audio interface, built into an elegant, sleek metal chassis, with black and silver trim. It looks the part, but how does it sound?

Well, it boasts low-noise crystal preamps and high-quality A/D converters, which give it that premium-quality sound.

M-Audio have been sure to only use the best internal circuitry, with the unit having a roundtrip latency of around 2.59ms, which is extremely low.

The unit records at 24-bit/192kHz, and come with a large software suite, which includes a lite edition of Pro Tools, Ableton Live Lite and much more (all shown above in the features section).

As far as the unit’s connectivity is concerned, it has all of the basics which include XLR, TRS, and MIDI input/output (all shown in detail within the technical specs section).

Overall, the M-Audio M-Track 8x4M is definitely a great unit for those who want premium-quality sound. However, we don’t see how it tops the formerly spoken about Focusrite Scarlett 18i8 (3rd Gen).  None-the-less, the decision is of course, entirely up to you!

Compatibility
  • Mac & PC
  • Supports all major DAWs
Features
  • Very well known audio interface manufacturer
  • Compact audio interface
  • Sleek black interface with metal chassis
  • Portable
  • Low-noise crystal preamps
  • Near to zero latency (2.59ms roundtrip)
  • Software included:
    • Pro Tools, Ableton Live Lite, Eleven Lite, AIR’s Creative FX Collection and an AIR Instrument plugin suite.
  • Warranty: 1 Year Manufacturers Warranty
Technical Specs
  • USB Type C connectivity
  • MIDI input/output
  • 4 XLR/TRS combination inputs (on the back)
  • 2 TRS inputs (on the front)
  • 2 TRS inputs (on the back)
  • 2 TRS headphones outputs (on the front)
  • 4 TRS outputs (on the back)
  • Supports all major DAWs
  • 24-bit/192 kHz resolution
  • 48v Phantom Power
Pros
  • Well known brand
  • Low latency times (2.59ms)
  • Impressive technical specifications
  • Portable
Cons
  • No ADAT/SPDIF Connectivity
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