Best Audio Interfaces Under $1000

Top 7 Best Audio Interfaces Under $1000 (May 2020)

Updated - May 25, 2020
Audio Interfaces

In this article, we’re going to be reviewing the best audio interfaces for under $1000.

We’ve done hours and hours of research, and we’ve found, evaluated and narrowed it down to only the highest-quality audio interfaces, based on their individual features and customer review testimonials.

With that being said, let’s talk more about the specific audio interfaces shall we, alongside what exactly you should look for in a good audio interface.

Best Audio Interfaces Under $1000 - Top 7
    1. Universal Audio Apollo Twin MKII Duo (APLTWDII) - Ultra high-quality, low latency audio interface
    2. Apogee Duet USB Audio Interface - The Apple of the Audio Interface world
    3. Roland OctaCapture USB 2.0 Audio Interface - The most affordable audio interface that we’ve featured on the list
    4. MOTU Ultralite AVB USB iOS Interface - Well received from previous customers, fantastic customer reviews
    5. RME Audio Interface (BABYFACEPRO) - Ultra portable and a customer favourite
    6. Presonus Quantum 26x32 Thunderbolt 2 Low-Latency Audio Interface - Another excellent choice for professional studios
    7. MOTU 828es 28x32 Thunderbolt USB 2.0 Audio Interface - Lowest latency times (1.6ms roundtrip) and designed to perfection
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Universal Audio Apollo Twin MKII Duo (APLTWDII)

Universal Audio Apollo Twin MKII Duo (APLTWDII)

  • ✔ Handles processing, instead of overworking your PC/Mac
  • ✔ Built-in talkback microphone
  • ✔ Less than 2ms round-trip latency
  • ✔ Ultra high-quality audio interface
Ultra high-quality, low latency audio interface
Buy From Amazon.com
or Choose Your Preferred Region

The Apollo Twin MKII Solo by Universal Audio can be accurately described as the creme-de-la-creme of audio interfaces when it comes to the quality of its components and its overall build. The unit provides 2 XLR/TRS combination inputs, an optical input, as well as 4 line outputs, making it decent for musicians who only need a few inputs for simultaneous recording.

Now, the main selling point of this audio interface lies in the unit’s internal circuitry and the connectivity type (being thunderbolt), which mean that it can provide sub-2ms round-trip latency, which is extremely low! The audio interface comes with a Universal Audio Plugin Bundle, which includes: Legacy versions of the LA-2A, 1176LN, Pultec EQP-1A, plus Softube Amp Room Essentials, Raw Distortion, 610-B Tube Preamp & EQ, and more

Additionally, the interface has some other useful features, such as a built-in talkback microphone, which is ideal for a professional studio environment.

The Apollo Twin is an EDM industry favorite. In fact, in a recent NGHTMRE Snapchat he can be seen using this great interface while teasing one of his newest releases. With a sturdy build and unique look, the Apollo Twin is also an excellent interface with the tone feel and flow of an analog controller. This interface differs from most of the others that we have covered as it requires a Thunderbolt connection to be used with your computer. If you’re looking for an industry leading interface for a professional sound, look no further than the Apollo Twin.

A scaled-down alternative to Universal Audio’s flagship Apollo 8 and 16, the original Apollo Twin has been giving ‘the rest of us’ access to those mythical Unison preamps, first-class I/O and swanky UAD plugins for three years now.

The new Apollo Twin MkII is essentially more of the same, but with a few minor improvements, and an optional DSP upgrade. Let’s start with what’s stayed the same.

The top panel centers on a satisfyingly oversized knob, controlling Monitor or Preamp input levels, as selected with the two buttons flanking it; and six Option buttons, contextualised by an LED icon strip, that again change function depending on whether the unit is in Monitor or Preamp mode. Input and output metering are provided by four five-segment LED ladders.

The back panel and front edge house two combi Mic/Line inputs. It also has a Hi-Z quarter-inch guitar input (overriding Mic/Line 1 when occupied), four quarter-inch output jacks (two Monitor, two Line). Not forgetting the stereo S/PDIF out, Headphones out and a TOSLINK port. This last port is for adding up to eight analogue inputs via ADAT.

Still a desktop-format 2-in/-6-out interface with 24-bit/192kHz capabilities, the Apollo Twin MkII would be almost indistinguishable from the original were it not now black rather than silver. It connects to your Mac or PC via Thunderbolt, but it has to be powered from the wall; and while the original Twin (still available) could be had in a USB 3 version, it’s not clear whether the MkII will follow suit.

Also a ‘DSP box’ for powering UAD plugin effects (VST/AU/AAX/RTAS), the Apollo Twin MkII features the same game-changing Unison preamps as its predecessor, fed by the Mic/Line and Hi-Z ins. These enable a gradually expanding subset of UA’s classic hardware emulation plugins to be inserted directly into each input path. Physically reconfiguring the preamp’s impedance and gain staging. As an alternative to the regular algorithmic modeling of valves, transistors, amps, EQ. This results in near-zero-latency monitoring and/or recording through them.

When we first reviewed the Twin, there were only three Unison plugins available – the UA 610-B (bundled), the UA 610-A and the API Vision. Since then, they’ve been joined by the Manley Voxbox, Neve 1073 and 88RS; eight guitar and bass amps by Ampeg, Fender and Marshall; and three distortion stompboxes, including the bundled Pro Co Rat emulation, Raw. All of them sound and feel great, and Unison remains a huge and unique selling point for the Apollo Twin MkII.

So, apart from the color change, what else is new? Well, UA has apparently beefed up the AD/DA converters, for even more dynamic range and less distortion, but the MkI was so outstanding in this department that you’ll be hard pushed to tell the difference – it’s still the cleanest, most transparent-sounding interface in its price range.

Other than that, the MkII sees a refinement of its studio workflow with the addition of a talkback mic and front panel access to a few of the monitoring functions of the Console software (see It’s not just the hardware).

The Talk button activates the talkback mic (the tiny hole below the knob), which can be sent to the outputs of your choice for control room communication or quick recording of notes and cues. The Dim button lowers the monitor output level, the Mute switch kills it entirely, and the Mono button switches between stereo and mono output for playback system compatibility checking. Very nice.

In Monitor mode, four of the Option buttons – which weren’t used at all by MkI – now come into play, necessitating the addition of a new row of icons to the LED strip, which has been made a bit deeper to accommodate them.

Apollo’s creed Apart from the Quad Core option, the Apollo Twin MkII is the very definition of an iterative upgrade. If you’re already a happy owner of MkI, the talkback mic and extra monitoring control alone aren’t reasons enough to reinvest. If, however, you’ve been hankering for more DSP than your existing Twin affords you, your day has come – have at it. And, of course, newcomers to the world of Apollo and UAD now get even more for their money, which can only be a good thing.

Given how much we loved the original Apollo Twin, it’ll come as no surprise that the MkII again wins our highest possible recommendation. Far more than possibly the best audio interface ever made. This is a musically empowering hardware/software hybrid. Capable of elevating even the humblest of home and project studios to genuinely professional-quality heights.

Compatibility
  • Mac & PC
  • Supports all major DAWs
Features
  • 2 x 6 audio interface
  • Highly reputable brand
  • Rather compact, metal chassis
  • Near to zero-latency (2ms according to reports)
  • SHARC DSP for running UAD plug-ins without burdening the computer CPU
  • Unison technology providers classic tube and transformer-based preamp models
  • Talkback microphone
  • Warranty: 1-Year Manufacturers Warranty
Technical Specs
  • Thunderbolt connectivity
  • 2-in / 6-out
  • 2 XLR/TRS combination inputs
  • Optical In
  • 4 line outputs
  • Powered by a 12v power supply
  • 24-bit/96kHz resolution
  • 48v Phantom power
Pros
  • Ultra high-quality audio interface
  • Rather portable
  • Handles processing, instead of overworking your PC/Mac
  • Built-in talkback microphone
  • Less than 2ms round-trip latency
  • Comes with full UAD plug-in bundle
  • 1-year manufacturers warranty
Apogee Duet USB Audio Interface

Apogee Duet USB Audio Interface

  • ✔ Very reputable brand
  • ✔ The most portable audio interface on the list
  • ✔ Beautifully engineered, with fantastic aesthetics
  • ✔ High-quality preamps and sound quality
The Apple of the Audio Interface world
Buy From Amazon.com
or Choose Your Preferred Region

The Apogee Duet 2 is the world’s best-sounding and most convenient computer DAC for desktop audio. It’s also a professional monitor controller and headphone amplifier. The best part is it all sits on your desk with one big, beautiful knob for easy fingertip control. Building on the success of the original Duet, while taking into consideration customer feedback, Apogee has set a new standard in A/D conversion for home and project studio with the Duet 2. Simply put, after several years of working at home with an original Mbox, opening my first session with the Duet 2 was akin to listening to the song with brand-new ears.

The Apogee Duet is the Apple MacBook Pro of the Audio Interface industry. It’s sleek design is highly attractive, very durable and extremely portable. Perfect for the professional musician who wants high-quality recordings in the studio and on the road.

The Apogee Duet is the perfect audio interface for anyone looking for more inputs/outputs than the Apogee One. Whilst it doesn’t feature the same in-built microphone that the Apogee One has. It has legendary status microphone pre-amps and internal circuitry, for that high-quality sound.

There are cheaper audio interfaces than those provided by Apogee across their range but the first thing to note is that if you’re Mac-based, you’ll struggle to find a company whose approach is so tailored to Apple’s product-range, with rock-solid integration guaranteed. While we always think break-out cables don’t provide the most professional-looking solution. We’re aware that this is simply personal taste. The implementation of a combined cable here makes perfect sense, allowing the Duet 2 unit to fit snugly in a laptop bag.

The audio quality of Duet 2 is extremely good too, blowing most of the competition away not just among the array of cheaper interfaces available but also out-performing some of those retailing for higher prices.

The Apogee Duet is a stylish, AD/DA audio converter that provides 2 analog inputs with mic preamps and selectable 48 volt phantom power for connecting microphones, instruments or line-level equipment. 4 analog outputs including 2 balanced 1/4” outs for speakers or outboard gear, 1/4” stereo headphone output. A USB 2 connection to connect to a Mac; a MIDI port; and a digital connection for iOS devices.

Apogee units are pricier than similar interfaces from companies like Edirol, Steenberg, ProSonus. However the Apogee claim to fame is outstanding audio quality and great build quality. I found the Duet easy to set up and configure. The controls and the built-in screen simplify adjustments and the Duet looks great on the desktop. The only downside is that the Duet costs about twice as much as competitive units.

A big benefit of the Duet is that it works on both Mac and iOS devices. Giving you the ability to capture high-quality audio on your phone.

In order to record a microphone or analog musical instrument, we need to convert the analog signal into something the computer can read. Conversely, in order to hear audio stored on our computer or iOS device on something other than the built-in speakers, we also desire to convert the ones and zeros of the computer into something our speakers can play.

Overall, the Apogee Duet is a fantastic audio interface for those musicians who are fine with having only 2 inputs/4 outputs. Ideally, we imagine it’s suited to musicians who are on the move and want to record high-quality audio, as well as those who might not want the larger interfaces and want the premium Apogee preamps at a more affordable price (in comparison to other Apogee products).

Compatibility
  • Mac & PC & iOS devices (including iPhone, iPad and iPod Touch, with the lightning and 30-pin cable)
  • Supports all major DAWs
Features
  • Apogee is the ‘Apple of the Audio Interface world’
  • Incredibly beautiful, minimalistic design
  • Impeccable sound quality with 2 fantastic mic preamps
  • Ability to connect to iOS devices
  • Premium-spec build quality
  • Very portable
  • Designed and built in California, USA
  • Warranty: 1-Year Manufacturers Warranty
Technical Specs
  • USB 2.0 connectivity
  • 2 XLR/TRS combination inputs
  • 2 Line outputs
  • 1 Line stereo headphone output
  • MIDI connectivity (USB-A Type)
  • 24-bit/192 kHz resolution
  • 20 Hz – 20 kHz Frequency Response
  • Requires power adapter
  • 48v Phantom Power
Pros
  • Very reputable brand
  • Very portable
  • Been utilized for many commercial projects
  • Beautifully engineered, with fantastic aesthetics
  • High-quality preamps and sound quality
  • 1-year manufacturers warranty
Cons
  • Only 2 inputs/4 outputs
  • Need to purchase the 30-pin lightning cable separately, for connection to iOS devices
  • Has been on the market since around 2013, so the technology isn’t exactly new
Roland OctaCapture USB 2.0 Audio Interface

Roland OctaCapture USB 2.0 Audio Interface

  • ✔ The brand has a proven track record
  • ✔ The product has a near-perfect customer review rating
  • ✔ A large number of inputs/outputs
  • ✔ Impressive technical specifications
The most affordable audio interface that we’ve featured on the list
Buy From Amazon.com
or Choose Your Preferred Region

The Octa-Capture by the Roland Corporation is the most affordable audio interface that we’ve featured on the list.

It’s compatible with both Mac and PC, and can be used with the majority of DAWs, making it versatile for your setup.

It features eight premium-quality preamps, which boast the same internal components as their V-Studio 700 and M-400 V-Mixer mixing desks.

It has 8 XLR/TRS combination inputs, which allow users to plug in a combination of 1/4″ jacks and XLRs, ideal for live band recording sessions and to record instruments such as drums, where you may need microphones and DI capability.

Regarding the technical details, it records at a maximum of 96kHz sample rate, has a frequency response from 20Hz to 40 kHz, and delivers extremely low roundtrip latency with the help of Roland’s proprietary vs streaming technology.

Overall, when taking into account that the audio interface has incredibly customer reviews and even comes with a 1-year manufacturers warranty, it definitely holds it’s own on this article being a product to beat.

Compatibility
  • Mac & PC
  • Supports all major DAWs

 

Features
  • Incredibly reputable company ‘Roland’
  • Durable aluminum chassis which is rack-mountable
  • Eight premium microphone preamps
  • Ultra-low latency driver
  • Includes software
    • Cakewalk Sonar X1 LE
  • Requires power adapter
  • Warranty: 1-year manufacturers warranty

 

Technical Specs
  • USB 2.0
  • MIDI input/output
  • 4 XLR/TRS combination inputs (on the front)
  • 4 XLR/TRS combination inputs (on the back)
  • 8 TRS outputs (on the back)
  • Supports all major DAWs
  • 24-bit/96 kHz resolution
  • 20 Hz – 40 kHz Frequency Response
  • 48v Phantom Power

 

Pros
  • The brand has a proven track record
  • The product has a near-perfect customer review rating
  • A large number of inputs/outputs
  • Impressive technical specifications
MOTU Ultralite AVB USB iOS Interface

MOTU Ultralite AVB USB iOS Interface

  • ✔ Fantastic customer reviews
  • ✔ Ability to connect up to 5 MOTU devices
  • ✔ Ability to network with other interfaces and computers
  • ✔ Reputable brand
Well received from previous customers, fantastic customer reviews
Buy From Amazon.com
or Choose Your Preferred Region

The MOTU UltraLite AVB interface definitely holds up as being a high-quality audio interface, and that’s apparent from the customer review ratings.

The interface provides 36 audio channels, providing 10 analog inputs alongside 8 analog outputs, in which there is a selection of XLR and Line ports (we’ve provided the specifics in the technical specs section). Additionally, it includes an optical input/output to increase the overall input and output capability.

It’s compatible with both a PC and a Mac, via a USB 2.0 connection (although it’s compatible with USB 3.0), offering high data transfer speeds and minimal latency.

Additionally, the Ultralite AVB digital mixer provides 48 channels and 12 busses, all of which can even be controlled with your Mac, Windows, Linux, iOS and Android device, by using the web app served by the physical hardware itself… Perfect for recording or performance environments.

Not to mention, the UltraLite AVB can be further expanded, using the MOTU AVB Switch, which enables you to connect up to five MOTU interfaces, so the possibilities are endless.

Overall, the MOTU UltraLite AVB is an interface which is ideal for live setups, professional studios, and aspiring home studios… All of which comes at a cost, but considering it’s made by MOTU, you know that it’s an interface that will provide ultra high-quality recordings and last for a long time.

None-the-less, MOTU is such a reputable brand, that combined with the 2-year limited warranty and the low latency time, it will certainly be an interface to consider.

Compatibility
  • Mac & PC & Web App control on any device (iOS, Android, Linux, etc)
  • Supports all major DAWs
Features
  • MOTU is a leading company in the industry
  • 18-input/18-output audio interface
  • Heavy-duty chassis
  • Capable of system expansion and device networking
    • Connect up to five MOTU interfaces
    • Ability to network with other interfaces and computers
  • Web app control from any device (using a local area network)
  • Quick setup presets
  • Near to zero-latency monitoring (5ms latency as referenced from Amazon Reviews)
  • Requires power adapter
  • Warranty: 2-Year Manufacturers Warranty
Technical Specs
  • USB 2.0 connectivity (compatible with USB 3.0)
  • Ethernet cable input
  • MIDI input/output
  • 1 XLR input (on the front)
  • 2 TRS inputs for guitar (on the front)
  • 1 XLR input (on the back)
  • 6 TRS/Line inputs (on the back)
  • 6 TRS/Line outputs (on the back)
  • L & R Line outputs (on the back(
  • S/PDIF input/output
  • 24-bit/192 kHz resolution
  • 48v Phantom Power
Pros
  • Reputable brand
  • Fantastic customer reviews
  • Ability to connect up to 5 MOTU devices
  • Ability to network with other interfaces and computers
  • Web app control via any device (iPad, iPhone, etc)
  • 2-year manufacturers warranty
  • Very impressive technical specs
RME Audio Interface (BABYFACEPRO)

RME Audio Interface (BABYFACEPRO)

  • ✔ Extremely portable
  • ✔ Bus-powered or mains powered
  • ✔ Premium quality product
  • ✔ Pricey when considering input/output capacity
Ultra portable and a customer favourite
Buy From Amazon.com
or Choose Your Preferred Region

The Babyface Pro by RME is one of the most portable audio interfaces that we’ve featured on the list, besides from the Apogee Duet of course.

Despite the unit’s size, it has a range of connectivity ports, including XLR inputs/outputs, Line, MIDI & ADAT inputs/outputs, making it very versatile for those who require several input/output types.

Additionally, the unit is housed within an aluminum chassis, and runs on either bus-power or an external power supply… All of which is totally up to yourself.

Not only have RME created a well-built audio interface, but they’ve especially prioritized their efforts on the internal circuitry, with it featuring the latest generation of low latency AD/DA converters, in combination with RME’s ‘Steadyclock’ technology, which helps further reduce noise, helping create a noise-free, clear output sound.

Overall, with all that being said, the RME Babyface Pro is ideal for those who want a portable audio interface, with a wider selection of inputs/outputs than the similarly sized Apogee Duet.

Compatibility
  • Mac & PC & iOS devices
  • Supports all major DAWs
Features
  • Highly reputable brand
  • 24-channel mobile solution
  • A very portable audio interface
  • Aluminum chassis for effective protection
  • High-quality internal circuitry for low-latency
  • Includes software
    • RME’s TotalMix FX
  • Warranty: 2-Year Manufacturers Warranty
Technical Specs
  • USB 2.0/3.0 connectivity
  • 2 XLR inputs
  • 2 XLR outputs
  • MIDI input/output
  • ADAT input/output
  • 2 headphone line outputs
  • 24-bit/192 kHz resolution
  • 20 Hz – 35 kHz Frequency Response
  • Power adapter or bus-powered
  • 48v Phantom Power
Pros
  • Premium quality product
  • Extremely portable
  • Bus-powered or mains powered
  • Very portable
  • 2-year manufacturers warranty
Presonus Quantum 26x32 Thunderbolt 2 Low-Latency Audio Interface

Presonus Quantum 26x32 Thunderbolt 2 Low-Latency Audio Interface

  • ✔ Very good sound quality
  • ✔ Rack mountable
  • ✔ Control session using an iPad or Android tablet
  • ✔ Built-in talkback microphone
Another excellent choice for professional studios
Buy From Amazon.com
or Choose Your Preferred Region

The Presonus Quantum audio interface is the most expensive unit featured on this list, and when taking into account exactly what it offers, it’s easy to see why.

Similarly to the MOTU 828es, the Quantum provides thunderbolt 2 (and thunderbolt 3 compatibility) connectivity, helping ensure low-latency times.

Additionally, it has a wide range of inputs/outputs and provides users with the ability to expand up to 96-in / 96-out through stacking up to 4 Quantum interfaces together.

Not to mention, it also provides that capability to remotely control the levels using the free UC Surface touch-control software for iPad and Android tablets

Overall, we think that Presonus have created a good quality interface here, but we see all of the same, if not more features in the MOTU 828es, which can also be expanded and even provides web-app remote control for all devices, not just Android and iPad tablets.

Compatibility
  • Mac & PC, iOS*, Android* & Linux*
  • Supports all major DAWs
Features
  • 26-in/32-out audio interface
  • Well-known audio interface brand
  • Rack mountable unit
  • Sturdy aluminum metal chassis
  • Expandable if you need more I/O (Up to 96-in / 96-out)
    • Stack up to 4 Quantum interfaces
  • Remote control from iPad & Android tablets
  • Talkback microphone
  • 10 LED display lights for inputs
  • Comes with software:
    • Studio One DAW, UC Surface touch-control, Studio Magic plugin-in suite
  • Warranty: 2-Year Manufacturers Warranty
Technical Specs
  • Thunderbolt 2 (Thunderbolt 3 compatible)
  • 26-in / 32-out (at 44.1 or 48 kHz)
  • 2 XLR/TRS combination inputs (on the front)
  • 6 XLR/TRS combination inputs (on the back)
  • 2 main Line outputs
  • 8 line outputs
  • MIDI input/output
  • 2 x ADAT optical input/output
  • S/PDIF input/output
  • Powered by a power supply
  • 24-bit/96kHz resolution
  • 48v Phantom power
Pros
  • Very good sound quality
  • Rack mountable
  • Expandable (up to 4 additional Quantum interfaces)
  • Remote session control using an iPad or Android tablet
  • Built-in talkback microphone
  • Low latency
  • 2-year manufacturers warranty
Cons
  • A very expensive unit ideal for professional studios
  • Doesn’t provide as many features as the MOTU 828es, which is more affordable
MOTU 828es 28x32 Thunderbolt USB 2.0 Audio Interface

MOTU 828es 28x32 Thunderbolt USB 2.0 Audio Interface

  • ✔ Incredibly sound quality
  • ✔ Rack mountable
  • ✔ Expandable (up to 5 additional MOTU devices)
  • ✔ Web-app control
Lowest latency times (1.6ms roundtrip) and designed to perfection

The MOTU 828es has to be our favourite audio interface featured on the list. Why? Well, it offers so much functionality and in-turn, ease of use, that we can’t not love it.

Firstly, this is a rack-mountable interface that has both USB and Thunderbolt connectivity, which is quite rare to see.

It comes with 28-inputs and 32-outputs ranging from the mass of available XLR/TRS, Line, MIDI, ADAT and S/PDIF ports.

Due to the quality of its internal circuitry, and the ESS Sabre32 Ultra DAC Technology, it can provide an impressive 1.6ms of round-trip latency, which is less than any other interface featured on this list.

And whilst we’re on the topic of the ESS Sabre32 Dac Technology, this is the same technology used in MOTU’s ultra-expensive 1248 model.

However, the really attractive part of using the MOTU 828es is the ability to remotely control the interface, using any device, via the web-app feature, which is ideal for recording/live situations where you want to see how something sounds from another physical location. As well as this, the MOTU 828es can be expanded, by adding up to 5 additional MOTU devices together, in case your home/professional studio needs to expand operations.

Additionally, the unit provides a talkback mic, A/B mix buttons, and even the ability to connect a footswitch to remotely control the talkback microphone, whilst you’re busy using your hands.

Overall, when taking into account all of the above, including the pros and (not so many) cons, it’s clear why we really like the MOTU 828es.

 

Compatibility
  • Mac & PC, iOS*, Android* & Linux*
  • Supports all major DAWs

 

Features
  • 28-in/32-out audio interface
  • A very well-known and reputable brand
  • Rackmountable
  • Sturdy aluminum metal chassis
  • Near to zero-latency (1.6ms according to their website)
  • Check mixes instantly with A/B buttons
  • Web app control from any device (iOS, Android, Linux, Mac, PC, etc)
  • Ability to expand network and connect up to 5 MOTU interfaces
  • Plenty of input/output types
  • Talkback mic
  • Warranty: 2-Year Manufacturers Warranty

 

Technical Specs
  • Thunderbolt 2 (Thunderbolt 3 compatible) & USB 2.0 connectivity (USB 3.0 compatible)
  • 28-in / 32-out
  • 2 XLR/TRS combination inputs
  • 8 Line inputs
  • 8 Line outputs
  • MIDI input/output
  • 2 x ADAT optical input/output
  • S/PDIF input/output
  • Powered by a power supply
  • 24-bit/96kHz resolution
  • 48v Phantom power

 

Pros
  • Built-in talkback microphone (and remote use using a footswitch)
  • A/B mix buttons
  • Less than 1.6ms round-trip latency
  • 2-year manufacturers warranty

More Information : Best Audio Interfaces Under $1000

How do I pick the right audio interface for me?

How to pick the right audio interface for your requirements

As we’ve discussed within our other audio interface buyers guides, it’s important to keep in mind a few things before making a decision on a specific audio interface.

Now, we can safely assume that price is an important aspect, with this article being about audio interfaces under $1000, but there are plenty of other fundamental aspects to look for, here are the main ones:

The number of inputs & outputs – It’s granted that each person looking to purchase an audio interface for $1000 or less will have different usage requirements, and a large aspect of usage,  is the number of inputs and outputs that are available to you. For example, those who are looking for an audio interface which is capable of recording a live band session will require more inputs than say a singer/songwriter or a vlogger/live streamer.

Connectivity type – Each audio interface will have different connectivity types, ranging from USB, Firewire, through to Thunderbolt, and that’s not to mention the upgrades, for example, USB 2.0, USB 3.0, etc. Generally, the newer the technology used, the faster the connection, and the less likely there will be any kind of roundtrip latency.

Bitrate & Sample Rates – To put it simply, the higher the bitrate and sample rate, the better the overall audio quality. Therefore, it’s important to bear this in mind when choosing an audio interface. Most of the audio interfaces that we’ve featured within this article have bitrates of 24-bit and deliver sample rates of up to 192kHz, meaning that they account for enharmonic frequencies (both high and lower pitches) and do a good job in converting the analog sound to digital. However, with that being said, most sound engineers will argue that sample rates above 96kHz do not provide any “intrinsic sound quality improvements across the 20Hz-20kHz region”, as it’s beyond the scope of human hearing.

Device & DAW Compatibility – This is another important aspect to consider, as certain interfaces will not be compatible with specific Digital Audio Workstations (DAWs). Additionally, device compatibility is another important consideration, with certain audio interfaces being compatible with Mac, PC or even an iOS device such as the iPhone or iPad. None-the-less, we’ll clearly indicate which interfaces are suitable for certain devices.

Warranty – Since you’re clearly looking to spend $1000 or less on an audio interface, making sure that it has a decent product warranty/guarantee is important. Therefore, we’ll be sure to highlight the length and type of warranty supplied with each audio interface that we recommend further below.

Physical Size – So where are you going to keep this new audio interface, will it be on your desk with your other music equipment, or in fact held in a rack? If you can answer these questions, you’ll have a clear indication as to the physical requirements and limits you have on your new audio interface.

Brand – For some shoppers, brand can be everything. And whilst we agree that brand reputation is important, as it’s likely to demonstrate that the company provides great quality products, hence they’re talked about a lot and gain fans and loyal users, try not to discount newer brands. With that being said, we’ve done hours of research and customer review evaluation to find the creme-de-la-creme of the audio interfaces, and we’ve featured all of them further below.

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