Best Audio Interfaces For Mac Laptops

Top 10 Best Audio Interfaces For Mac Laptops (July 2022)

The Best Audio Interfaces For Mac Laptops (July 2022)

The best audio interfaces for macs offer fantastic opportunities to record high quality audio from several sources with minimal latency.

Audio interfaces for macs range from large 'rack' styled devices through to pocket sized incredibly compact and durable audio interfaces. Some come with full colour LED/LCD displays for input and output levels, others offer portability by being powered by batteries.

Whether you're looking to record a keyboard, guitar or vocals, the best way to setup your recording station is to plug into your macbook and make tracks via an audio interface. Low and zero latency models are considered to be the best audio interface options on the market. Many are compatible with Logic Pro and provide direct instrument input and mic input to bridge between instrument and macbook in the music production process.

Check out our other article if you're looking for audio interfaces under $1000? Or perhaps you're looking for a thunderbolt audio interface?

Whatever type of audio interface you're looking for we've tried to find the audio interfaces with the best features. While still being considered a great audio interface for mac os.

The Best Audio Interfaces For Mac Laptops Buyers Guide (July 2022)

  • 1. RME Audio Fireface UFX II
  • 2. Universal Audio Apollo Twin MKII Duo (APLTWDII)
  • 3. RME Fireface UC
  • 4. MOTU 828es 28x32
  • 5. RME Audio Interface (BABYFACEPRO)
  • 6. M-Audio M-Track 8X4M Audio Interface
  • 7. MOTU Ultralite AVB USB iOS Interface
  • 8. Focusrite Scarlett 18i20 USB Audio Interface
  • 9. Audient iD4
  • 10. M-Audio AIR 2X2
RME Audio Fireface UFX II Image

RME Audio Fireface UFX II

  • ✔ Ultra-low latency operation with USB and FireWire
  • ✔ All inputs and outputs can be used at the same time
  • ✔ Direct USB Recording
  • ✔ Best low latency performance

This is one of the most reliable and fully featured interfaces on the market.

RME Audio Fireface UFX II - Read Review See The Latest Price On Amazon Now

RME's best-of-class universal audio interface is a worthy successor to the Fireface 800, the "king of the hill" for many years. It offers the most natural, transparent audio path of any interface on the planet: The UFX II combines its superior A/D converters with RME's unique low-latency ASIO2 and Core Audio drivers. It is a high-end professional interface with a USB 2.0 connection. The Fireface device provides a wide range of connections, including FireWire, optical and coaxial digital, analog xlr, and MIDI. It is an interface which can be used in all areas of music-making, from recording to live performance.

The Fireface UFX II is a 16-In/16-Out USB 2.0 interface with two mic preamp settings, two Hi-Z instrument inputs, MIDI I/O and S/PDIF I/O. The Fireface device comes with the DIGICheck metering/routing/mixing/mastering software to get you started right away. It comes equipped with two analog microphone preamplifiers with three configurable inputs, two analog line inputs, two analog line outputs, and MIDI I/O.

Featuring the latest technology and an incredible ease of use, the RME UFX II is the new top model in the Fireface UFX series of USB interfaces. Perfect for any application that requires the highest quality audio. The Fireface UFX II is the ultimate replacement to the original UFX for the ultimate high-end audio experience on Mac and PC.


Universal Audio Apollo Twin MKII Duo (APLTWDII) Image

Universal Audio Apollo Twin MKII Duo (APLTWDII)

  • ✔ Handles processing, instead of overworking your PC/Mac
  • ✔ Built-in talkback microphone
  • ✔ Less than 2ms round-trip latency
  • ✔ Ultra high-quality audio interface

Ultra high-quality, low latency audio interface

Universal Audio Apollo Twin MKII Duo (APLTWDII) - Read Review See The Latest Price On Amazon Now

Universal Audio have a variety of interfaces that could have easily made the list. The Universal Audio Arrow or the Apollo Twin X for example. However we've chosen the Apollo Twin for it's combination of high quality design and great value for money.

The Apollo Twin MKII Solo by Universal Audio can be accurately described as the creme-de-la-creme of audio interfaces when it comes to the quality of its components and its overall build. The unit provides 2 XLR/TRS combination inputs, an optical input, as well as 4 line outputs, making it decent for musicians who only need a few inputs for simultaneous recording.

Now, the main selling point of this audio interface lies in the unit’s internal circuitry and the connectivity type (being thunderbolt), which mean that it can provide sub-2ms round-trip latency, which is extremely low! The audio interface comes with a Universal Audio Plugin Bundle, which includes: Legacy versions of the LA-2A, 1176LN, Pultec EQP-1A, plus Softube Amp Room Essentials, Raw Distortion, 610-B Tube Preamp & EQ, and more

Additionally, the interface has some other useful features, such as a built-in talkback microphone, which is ideal for a professional studio environment.

The Apollo Twin is an EDM industry favorite. In fact, in a recent NGHTMRE Snapchat he can be seen using this great interface while teasing one of his newest releases. With a sturdy build and unique look, the Apollo Twin is also an excellent interface with the tone feel and flow of an analog controller. This interface differs from most of the others that we have covered as it requires a Thunderbolt connection to be used with your computer. If you’re looking for an industry leading interface for a professional sound, look no further than the Apollo Twin.

A scaled-down alternative to Universal Audio’s flagship Apollo 8 and 16, the original Apollo Twin has been giving ‘the rest of us’ access to those mythical Unison preamps, first-class I/O and swanky UAD plugins for three years now.

The new Apollo Twin MkII is essentially more of the same, but with a few minor improvements, and an optional DSP upgrade. Let’s start with what’s stayed the same.

The top panel centers on a satisfyingly oversized knob, controlling Monitor or Preamp input levels, as selected with the two buttons flanking it; and six Option buttons, contextualised by an LED icon strip, that again change function depending on whether the unit is in Monitor or Preamp mode. Input and output metering are provided by four five-segment LED ladders.

The back panel and front edge house two combi Mic/Line inputs. It also has a Hi-Z quarter-inch guitar input (overriding Mic/Line 1 when occupied), four quarter-inch output jacks (two Monitor, two Line). Not forgetting the stereo S/PDIF out, Headphones out and a TOSLINK port. This last port is for adding up to eight analogue inputs via ADAT.

Still a desktop-format 2-in/-6-out interface with 24-bit/192kHz capabilities, the Apollo Twin MkII would be almost indistinguishable from the original were it not now black rather than silver. It connects to your Mac or PC via Thunderbolt, but it has to be powered from the wall; and while the original Twin (still available) could be had in a USB 3 version, it’s not clear whether the MkII will follow suit.

Also a ‘DSP box’ for powering UAD plugin effects (VST/AU/AAX/RTAS), the Apollo Twin MkII features the same game-changing Unison preamps as its predecessor, fed by the Mic/Line and Hi-Z ins. These enable a gradually expanding subset of UA’s classic hardware emulation plugins to be inserted directly into each input path. Physically reconfiguring the preamp’s impedance and gain staging. As an alternative to the regular algorithmic modeling of valves, transistors, amps, EQ. This results in near-zero-latency monitoring and/or recording through them.

When we first reviewed the Twin, there were only three Unison plugins available – the UA 610-B (bundled), the UA 610-A and the API Vision. Since then, they’ve been joined by the Manley Voxbox, Neve 1073 and 88RS; eight guitar and bass amps by Ampeg, Fender and Marshall; and three distortion stompboxes, including the bundled Pro Co Rat emulation, Raw. All of them sound and feel great, and Unison remains a huge and unique selling point for the Apollo Twin MkII.

So, apart from the color change, what else is new? Well, UA has apparently beefed up the AD/DA converters, for even more dynamic range and less distortion, but the MkI was so outstanding in this department that you’ll be hard pushed to tell the difference – it’s still the cleanest, most transparent-sounding interface in its price range.

Other than that, the MkII sees a refinement of its studio workflow with the addition of a talkback mic and front panel access to a few of the monitoring functions of the Console software (see It’s not just the hardware).

The Talk button activates the talkback mic (the tiny hole below the knob), which can be sent to the outputs of your choice for control room communication or quick recording of notes and cues. The Dim button lowers the monitor output level, the Mute switch kills it entirely, and the Mono button switches between stereo and mono output for playback system compatibility checking. Very nice.

In Monitor mode, four of the Option buttons – which weren’t used at all by MkI – now come into play, necessitating the addition of a new row of icons to the LED strip, which has been made a bit deeper to accommodate them.

Apollo’s creed Apart from the Quad Core option, the Apollo Twin MkII is the very definition of an iterative upgrade. If you’re already a happy owner of MkI, the talkback mic and extra monitoring control alone aren’t reasons enough to reinvest. If, however, you’ve been hankering for more DSP than your existing Twin affords you, your day has come – have at it. And, of course, newcomers to the world of Apollo and UAD now get even more for their money, which can only be a good thing.

Given how much we loved the original Apollo Twin, it’ll come as no surprise that the MkII again wins our highest possible recommendation. Far more than possibly the best audio interface ever made. This is a musically empowering hardware/software hybrid. Capable of elevating even the humblest of home and project studios to genuinely professional-quality heights.

Compatibility
  • Mac & PC
  • Supports all major DAWs
Features
  • 2 x 6 audio interface
  • Highly reputable brand
  • Rather compact, metal chassis
  • Near to zero-latency (2ms according to reports)
  • SHARC DSP for running UAD plug-ins without burdening the computer CPU
  • Unison technology providers classic tube and transformer-based preamp models
  • Talkback microphone
  • Warranty: 1-Year Manufacturers Warranty
Technical Specs
  • Thunderbolt connectivity
  • 2-in / 6-out
  • 2 XLR/TRS combination inputs
  • Optical In
  • 4 line outputs
  • Powered by a 12v power supply
  • 24-bit/96kHz resolution
  • 48v Phantom power
Pros
  • Ultra high-quality audio interface
  • Rather portable
  • Handles processing, instead of overworking your PC/Mac
  • Built-in talkback microphone
  • Less than 2ms round-trip latency
  • Comes with full UAD plug-in bundle
  • 1-year manufacturers warranty

RME Fireface UC Image

RME Fireface UC

  • ✔ Up to 192kHz sample rates
  • ✔ Provides revolutionary ultra-low latencies even with multiple channels
  • ✔ Class compliant MIDI ports
  • ✔ Compatible with Windows 10 and Mac

The RME Fireface UCX is a professional level soundcard for the studio.

RME Fireface UC - Read Review See The Latest Price On Amazon Now

There are so many audio interfaces on the market today that are unreliable. As a result, many musicians and home studio owners spend a lot of money on equipment they will end up having to replace. The RME Fireface UC is an audio interface that has been designed to be reliable. It has a rugged all-metal casing that will protect it from all kinds of damage, including high temperatures and humidity. Its internal circuits are based on a new technology that has been tested under extreme conditions, including high temperature and humidity. The result is a product that will provide you with years of trouble-free service.

The RME Fireface UC is the newest Fireface unit from RME. It is the first professional audio interface with Thunderbolt interface. The RME Fireface UC is a highly flexible, ultra-low latency 24-bit/192 kHz interface for USB 2.0, FireWire and Thunderbolt. The RME Fireface UC is an 8-in, 8-out audio interface for mobile musicians and home studios. It features two combination inputs on the front that can be used as microphone or line inputs, and is equipped with two further balanced line inputs and on the back.

With a RME Fireface UC, you can record your own music and have your own podcast. You can even make money from it. If you want to be successful at creating your own music, you must be able to produce the best quality music. The RME Fireface UC is the one product that can help you to achieve this goal.


MOTU 828es 28x32 Image

MOTU 828es 28x32

  • ✔ Incredibly sound quality
  • ✔ Rack mountable
  • ✔ Expandable (up to 5 additional MOTU devices)
  • ✔ Web-app control

Lowest latency times (1.6ms roundtrip) and designed to perfection

MOTU 828es 28x32 - Read Review See The Latest Price On Amazon Now

The MOTU 828es has to be our favourite audio interface featured on the list. Why? Well, it offers so much functionality and in-turn, ease of use, that we can’t not love it.

Firstly, this is a rack-mountable interface that has both USB and Thunderbolt connectivity, which is quite rare to see.

It comes with 28-inputs and 32-outputs ranging from the mass of available XLR/TRS, Line, MIDI, ADAT and S/PDIF ports.

Due to the quality of its internal circuitry, and the ESS Sabre32 Ultra DAC Technology, it can provide an impressive 1.6ms of round-trip latency, which is less than any other interface featured on this list.

And whilst we’re on the topic of the ESS Sabre32 Dac Technology, this is the same technology used in MOTU’s ultra-expensive 1248 model.

However, the really attractive part of using the MOTU 828es is the ability to remotely control the interface, using any device, via the web-app feature, which is ideal for recording/live situations where you want to see how something sounds from another physical location. As well as this, the MOTU 828es can be expanded, by adding up to 5 additional MOTU devices together, in case your home/professional studio needs to expand operations.

Additionally, the unit provides a talkback mic, A/B mix buttons, and even the ability to connect a footswitch to remotely control the talkback microphone, whilst you’re busy using your hands.

Overall, when taking into account all of the above, including the pros and (not so many) cons, it’s clear why we really like the MOTU 828es.

 

Compatibility
  • Mac & PC, iOS*, Android* & Linux*
  • Supports all major DAWs

 

Features
  • 28-in/32-out audio interface
  • A very well-known and reputable brand
  • Rackmountable
  • Sturdy aluminum metal chassis
  • Near to zero-latency (1.6ms according to their website)
  • Check mixes instantly with A/B buttons
  • Web app control from any device (iOS, Android, Linux, Mac, PC, etc)
  • Ability to expand network and connect up to 5 MOTU interfaces
  • Plenty of input/output types
  • Talkback mic
  • Warranty: 2-Year Manufacturers Warranty

 

Technical Specs
  • Thunderbolt 2 (Thunderbolt 3 compatible) & USB 2.0 connectivity (USB 3.0 compatible)
  • 28-in / 32-out
  • 2 XLR/TRS combination inputs
  • 8 Line inputs
  • 8 Line outputs
  • MIDI input/output
  • 2 x ADAT optical input/output
  • S/PDIF input/output
  • Powered by a power supply
  • 24-bit/96kHz resolution
  • 48v Phantom power

 

Pros
  • Built-in talkback microphone (and remote use using a footswitch)
  • A/B mix buttons
  • Less than 1.6ms round-trip latency
  • 2-year manufacturers warranty

RME Audio Interface (BABYFACEPRO) Image

RME Audio Interface (BABYFACEPRO)

  • ✔ Extremely portable
  • ✔ Bus-powered or mains powered
  • ✔ Premium quality product
  • ✔ Pricey when considering input/output capacity

Ultra portable and a customer favourite

RME Audio Interface (BABYFACEPRO) - Read Review See The Latest Price On Amazon Now

The Babyface Pro by RME is one of the most portable audio interfaces that we’ve featured on the list, besides from the Apogee Duet of course.

Despite the unit’s size, it has a range of connectivity ports, including XLR inputs/outputs, Line, MIDI & ADAT inputs/outputs, making it very versatile for those who require several input/output types.

Additionally, the unit is housed within an aluminum chassis, and runs on either bus-power or an external power supply… All of which is totally up to yourself.

Not only have RME created a well-built audio interface, but they’ve especially prioritized their efforts on the internal circuitry, with it featuring the latest generation of low latency AD/DA converters, in combination with RME’s ‘Steadyclock’ technology, which helps further reduce noise, helping create a noise-free, clear output sound.

Overall, with all that being said, the RME Babyface Pro is ideal for those who want a portable audio interface, with a wider selection of inputs/outputs than the similarly sized Apogee Duet.

Compatibility
  • Mac & PC & iOS devices
  • Supports all major DAWs
Features
  • Highly reputable brand
  • 24-channel mobile solution
  • A very portable audio interface
  • Aluminum chassis for effective protection
  • High-quality internal circuitry for low-latency
  • Includes software
    • RME’s TotalMix FX
  • Warranty: 2-Year Manufacturers Warranty
Technical Specs
  • USB 2.0/3.0 connectivity
  • 2 XLR inputs
  • 2 XLR outputs
  • MIDI input/output
  • ADAT input/output
  • 2 headphone line outputs
  • 24-bit/192 kHz resolution
  • 20 Hz – 35 kHz Frequency Response
  • Power adapter or bus-powered
  • 48v Phantom Power
Pros
  • Premium quality product
  • Extremely portable
  • Bus-powered or mains powered
  • Very portable
  • 2-year manufacturers warranty

M-Audio M-Track 8X4M Audio Interface Image

M-Audio M-Track 8X4M Audio Interface

  • ✔ Very well known audio interface manufacturer
  • ✔ Compact audio interface
  • ✔ Sleek black interface with metal chassis
  • ✔ Portable

An 8-channel audio interface built into an elegant, sleek metal chassis with black and silver trim.

M-Audio M-Track 8X4M Audio Interface - Read Review See The Latest Price On Amazon Now

The M Audio M Track 8x4M is an 8-channel audio interface, built into an elegant, sleek metal chassis, with black and silver trim. It looks the part, but how does it sound?

Well, it boasts low-noise crystal preamps and high-quality A/D converters, which give it that premium-quality sound.

M-Audio have been sure to only use the best internal circuitry, with the unit having a roundtrip latency of around 2.59ms, which is extremely low.

The unit records at 24-bit/192kHz, and come with a large software suite, which includes a lite edition of Pro Tools, Ableton Live Lite and much more (all shown above in the features section).

As far as the unit’s connectivity is concerned, it has all of the basics which include XLR, TRS, and MIDI input/output (all shown in detail within the technical specs section).

Overall, the M-Audio M-Track 8x4M is definitely a great unit for those who want premium-quality sound. However, we don’t see how it tops the formerly spoken about Focusrite Scarlett 18i8 (3rd Gen).  None-the-less, the decision is of course, entirely up to you!

Compatibility
  • Mac & PC
  • Supports all major DAWs
Features
  • Very well known audio interface manufacturer
  • Compact audio interface
  • Sleek black interface with metal chassis
  • Portable
  • Low-noise crystal preamps
  • Near to zero latency (2.59ms roundtrip)
  • Software included:
    • Pro Tools, Ableton Live Lite, Eleven Lite, AIR’s Creative FX Collection and an AIR Instrument plugin suite.
  • Warranty: 1 Year Manufacturers Warranty
Technical Specs
  • USB Type C connectivity
  • MIDI input/output
  • 4 XLR/TRS combination inputs (on the back)
  • 2 TRS inputs (on the front)
  • 2 TRS inputs (on the back)
  • 2 TRS headphones outputs (on the front)
  • 4 TRS outputs (on the back)
  • Supports all major DAWs
  • 24-bit/192 kHz resolution
  • 48v Phantom Power
Pros
  • Well known brand
  • Low latency times (2.59ms)
  • Impressive technical specifications
  • Portable
Cons
  • No ADAT/SPDIF Connectivity

MOTU Ultralite AVB USB iOS Interface Image

MOTU Ultralite AVB USB iOS Interface

  • ✔ Fantastic customer reviews
  • ✔ Ability to connect up to 5 MOTU devices
  • ✔ Ability to network with other interfaces and computers
  • ✔ Reputable brand

Well received from previous customers, fantastic customer reviews

MOTU Ultralite AVB USB iOS Interface - Read Review See The Latest Price On Amazon Now

The MOTU UltraLite AVB interface definitely holds up as being a high-quality audio interface, and that’s apparent from the customer review ratings.

The interface provides 36 audio channels, providing 10 analog inputs alongside 8 analog outputs, in which there is a selection of XLR and Line ports (we’ve provided the specifics in the technical specs section). Additionally, it includes an optical input/output to increase the overall input and output capability.

It’s compatible with both a PC and a Mac, via a USB 2.0 connection (although it’s compatible with USB 3.0), offering high data transfer speeds and minimal latency.

Additionally, the Ultralite AVB digital mixer provides 48 channels and 12 busses, all of which can even be controlled with your Mac, Windows, Linux, iOS and Android device, by using the web app served by the physical hardware itself… Perfect for recording or performance environments.

Not to mention, the UltraLite AVB can be further expanded, using the MOTU AVB Switch, which enables you to connect up to five MOTU interfaces, so the possibilities are endless.

MOTU's UltraLite AVB interface makes it possible to record up to four channels of audio at once, to a Mac or PC, with Mac and Windows drivers. You get eight high-performance preamps, pristine A/D, and a price point that's more than a bargain. MOTU's premium 8x8 audio interface for Mac and Windows is perfect for home recording, podcasting, audio-for-video, live sound-for-video, and multimedia applications. With its excellent sound quality and reliable performance, UltraLite is ideal for musicians, podcasters, photographers, videographers and video enthusiasts. With its convenient size and price, UltraLite AVB is perfect for mobile Mac or Windows recording setups - it's also ideal for home-theater PC users. UltraLite AVB includes all the essential inputs and outputs you need for recording eight simultaneous audio tracks and delivering great-sounding playback through a connected computer.

Ultra-compact, lightweight, and portable, MOTU's UltrLite AVB is the perfect companion for the traveling musician. Whether you're gigging with a laptop-based rig or on the go with a notebook or mac. MOTU's interface lets you record anywhere, anytime. Whether you're a musician, producer, engineer, or just a music-loving road warrior, UltrLite AVB can make your life easier and your music better.

Designed to offer state-of-the-art audio performance and routing in a compact form. The Ultralite AVB is a groundbreaking interface in many ways, including the fact that it is the smallest high-performance AVB audio interface available today. It is a perfect solution for home studios that require the highest quality audio and uncompromised 24-bit/192 kHz audio performance.


Focusrite Scarlett 18i20 USB Audio Interface Image

Focusrite Scarlett 18i20 USB Audio Interface

  • ✔ Highly reputable brand
  • ✔ A USB C Audio Interface
  • ✔ Tried and tested, as it’s the 3rd Generation of the product
  • ✔ Ultra-low latency

Made by Focusrite, the industry leaders in music technology

Focusrite Scarlett 18i20 USB Audio Interface - Read Review See The Latest Price On Amazon Now

The Scarlett 18i20 (3rd Gen) by Focusrite is their third iteration of this phenomenally successful series. And with each generation, Focusrite seems to iron out any flaws and add functionality.

It is an 18 input unit, with 8 XLR/TRS combination inputs, as well as a MIDI, S/PDIF and ADAT inputs/outputs.

The reason that this interface features two sets of ADAT inputs/outputs as it requires both sets to be used simultaneously when running the unit at 96kHz.

The unit itself is very physically pleasing, and can be rack-mounted. It also includes a range of software, which will delight any musicians who may be starting out.

As for the technical capabilities of the unit, as expected, it can provide a 192kHz sample rate, which is very impressive.

Overall, since it’s extremely new, there are few customer reviews in existence. However, when taking into account the previous versions and their customer reviews, it definitely suggests that this is an interface to look at.

 

Compatibility
  • Mac & PC
  • Supports all major DAWs

 

Features
  • Newly released audio interface
  • 18 inputs and 20 outputs
  • Eight high-quality mic preamps
  • Made by Focusrite, who are leaders in the music tech industry
  • 3rd Generation of the Scarlett 18i20
  • Durable metal chassis which is rack-mountable
  • Sleek aesthetic design
  • Includes software
    • Pro Tools, Ableton Live Lite, Softube time and tone bundle, Focusrite’s Red plug-in Suite, 3-month splice subscription and 1 free XLN Addictive Keys virtual instrument
  • Requires power adapter
  • Warranty: 2-Year Manufacturers Warranty

 

Technical Specs
  • USB C connectivity
  • MIDI input/output
  • 2 XLR/TRS combination inputs (on the front)
  • 6 XLR/TRS combination inputs (on the back)
  • 2 TRS/Headphone outputs (on the front)
  • 10 TRS/Line outputs (on the back)
  • S/PDIF input & output
  • 2 x ADAT input & output
  • 24-bit/192 kHz resolution
  • 20 Hz – 20 kHz Frequency Response
  • 48v Phantom Power

 

Pros
  • Highly reputable brand
  • New technology, with it being a new release
  • Tried and tested, as it’s the 3rd Generation of the product
  • Ultra-low latency
  • 2-year manufacturers warranty
  • Very impressive technical specs

 

Cons
  • Phantom power can only be applied to bulk inputs (i.e 1-4, 4-8)

Audient iD4 Image

Audient iD4

  • ✔ Zero-latency monitoring with monitor mix and pan
  • ✔ iD4’s Monitor Pan - create a balanced headphone mix
  • ✔ Monitor Mix feature lets you monitor a blend of both inputs and playbacks
  • ✔ Clean, punchy and musical character

The iD4 is a serious upgrade for any personal project studio or mobile setup.

Audient iD4 - Read Review See The Latest Price On Amazon Now

The Audient iD4 is a compact and powerful 2-in/ 4-out USB audio interface that is perfect for producers and musicians looking to create high quality recordings with their Mac or PC. With a combination of world-class analogue pre-amp circuitry and superb conversion. It provides a professional and reliable audio interface. The interface is designed to provide professional audio studios with the connectivity they need in a single unit. The iD4 is a brand new product to the Audient range, it is a simple 2 channel interface that uses an extremely reliable and proven audio engine.

At the heart of the iD4 is an advanced FPGA processor called the Hammer, which is capable of processing audio at sample rates of up to 192kHz. The Hammer allows this interface to operate at very low levels of latency, and is also used to process the device's digital outputs and its built-in headphone amplifier. Weighing in at less than 2kg the iD4 features a single mic preamp and 4 analogue channels of I/O on standard TRS jacks. By using a USB connection to your computer, the iD4 can have up to 7 analogue channels of I/O. It also has MIDI I/O and a hardware monitoring path to your DAW. The iD4 records from an unlimited number of digital sources via ADAT optical or SPDIF. The optical and SPDIF inputs can be routed to any of the analogue channels for monitoring.

The iD4 is the most affordable interface in Audient's range, and yet the company has squeezed some incredibly impressive technology into its compact body. It is a 2-channel high-end audio interface featuring Audient's award-winning preamps and AD/DA conversion. Suitable for home recording and project studios, the iD4 features portability.


M-Audio AIR 2X2 Image

M-Audio AIR 2X2

  • ✔ Hi-Speed USB-C connection
  • ✔ Studio grade capture
  • ✔ XLR+1/4" TRS combo input
  • ✔ 5-pin MIDI in/out

M-Audio AIR 2X2 is one of the most affordable 2-in/2-out audio interface we've listed.

M-Audio AIR 2X2 - Read Review See The Latest Price On Amazon Now

If you are looking for a high quality audio interface, you should consider the M-Audio AIR 2X2. This device is a USB powered high quality device that can record up to 24 bit/96 kHz. It has two microphone preamps that are able to provide a clean, transparent sound that is free of any noise or hiss. It is compact and easy to use with a simple control panel for you to easily adjust your levels and settings. It can be used for recording, mixing, and even as a MIDI interface for your computer.

Our ears are incredible at picking up the smallest details in the sounds we hear. This makes it hard to get a good sounding recording from a computer with just internal computer speakers. The M-Audio AIR 2X2 is a USB audio interface that features a high-quality, 24-bit/96-kHz audio interface that connects your instrument, mixer, or microphone preamp to your computer. With the M-Audio AIR 2X2 you get the lowest possible latency for recording audio. You can also use the M-Audio AIR 2X2 to record a stereo signal from the computer to your mixer or audio interface.

M-Audio has been making high-quality audio recording devices and interfaces for many years. They are a trusted name in the industry and have been providing musicians and recording artist with high-quality products for years. However, their devices have always been expensive and out of reach of many musicians. The M-Audio AIR 2X2 is a 2 channel audio interface that sells for significantly less than the competition. It is a high-quality interface that is easy to setup and use. The AIR 2X2 will allow you to record audio into your computer from any external device.

Overall, the AIR 2X2 is a good product for the price and the price is good for the product. Two high quality preamps, 24 bit conversion, phantom power, and MIDI I/O are all features of this audio interface, which is a great value for the cost.


More Information Regarding Audio Interfaces For Mac (2022)

What is an Audio Interface

In essence an audio interface allows you to take audio signals and pump them in and out of your macbook. The decision on which one is right for you simply comes down to a combination of your budget and how you like to work. Simplistic models exist that simply convert analog audio signals to digital audio signals on the way to your macbook. This is because your macbook will have software such as pro tools that is able to understand digital audio signals. Allowing you to layer, manipulate and refine the sound and then pump out to a speaker or amplifier. The audio interface will convert your digital audio signals back to analog signals on the way out of your macbook. This way the speaker is able to play the sound for you to hear. These types of audio interfaces are known as AD/DA (Analog to Digital/Digital to Analog) converters.

Connection Types

Audio interfaces for macs come with all sorts of connection types allowing you to connect to your macbook via USB, thunderbolt & firewire to name a few. USB is the most popular and widely used mainly because it comes in many different forms ranging from Type-A, 2.0, & Micro USB through to the latest Type-C connections. Thunderbolt connections are the fastest. You'll find these are used on some of the more modern and high end audio interfaces available on the market.

Price Range

The price of top quality audio interfaces has fallen dramatically in recent years. This is great news if you're looking to get hold of a device that will give you a fantastic sound without costing the earth. This is because many brands have taken their previous generation audio interface models and repackaged them. Usually with some modern nuances to create a budget model of their current range. Don't be put off by this, these audio interfaces for macs are still great value. They might not have all the latest bells and whistles but they get the job done. Which means you don't need to pay substantial amounts of money for them.

Depending on what you want to achieve, you'll priorities different features when finding the best audio interfaces for macs for your situation. If space is an issue you'll look for a small to medium sized interface that provides you a great experience and end result while not taking up a large portion of your limited space. If you're in need of a portable audio interface then you'll probably rule out any rack mountable models. Instead you'll be looking for small battery powered options.

Inputs & Outputs

Audio interfaces for macs come with a range of inputs and outputs. Some will have line inputs, mic preamps, headphone outputs, mic inputs & many other inputs and outputs. Make sure the model you consider has what you need. If you're kitting out a home studio then you'll be looking for the best audio interface which features (such as phantom power) the inputs and outputs you need at an affordable price range.

Some of the best audio interfaces for macs come with software as part of the package. Pro tools is a popular editing software that we've seen offered as part of audio interface packages in the past. Purchasing an audio interface that comes with a reputable editing software is a great way to justify paying more for your audio interface because you're saving money elsewhere.

Best Guitar Equipment

Affiliate Disclosure

bestguitarequipment.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for website owners to earn advertising fees by advertising and linking to Amazon.com, and any other website that may be affiliated with Amazon Service LLC Associates Program.

© WWW.BESTGUITAREQUIPMENT.COM | THE BEST MUSICAL HARDWARE REVIEWS IN TOWN | ALL RIGHTS RESERVED​