Best Audio Interfaces Under $500

Top 8 Best Audio Interfaces Under $500 (October 2020)

Updated - October 1, 2020

The best audio interfaces under $500 offer fantastic opportunities to record high quality audio from several sources with minimal latency.

Audio interfaces under $500 range from large ‘rack’ styled devices through to pocket sized incredibly compact and durable audio interfaces. Some come with full colour LED/LCD displays for input and output levels, others offer portability by being powered by batteries.

Whether you’re looking to record a keyboard, guitar or vocals, the best way to setup your recording station is to plug into your computer and make tracks via an audio interface. Low and zero latency models are considered to be the best audio interface options on the market.

Audio Interface Connection Types

Audio interfaces under $500 come with all sorts of connection types allowing you to connect to your computer via USB, thunderbolt & firewire to name a few. USB is the most popular and widely used mainly because it comes in many different forms ranging from USB Type-A, USB 2, & Micro USB through to the latest USB Type-C connections. Thunderbolt connections are the fastest. You’ll find these are used on some of the more modern and high end audio interfaces available on the market.

Audio Interface Price Range

The price of top quality audio interfaces has fallen dramatically in recent years. This is great news if you’re looking to get hold of a device that will give you a fantastic sound without costing the earth. This is because many brands have taken their previous generation audio interface models and repackaged them. Usually with some modern nuances to create a budget model of their current range. Don’t be put off by this, these audio interfaces under $500 are still great value. They might not have all the latest bells and whistles but they get the job done. Which means you don’t need to pay substantial amounts of money for them.

Depending on what you want to achieve, you’ll priorities different features when finding the best audio interfaces under $500 for your situation. If space is an issue you’ll look for a small to medium sized interface that provides you a great experience and end result while not taking up a large portion of your limited space. If you’re in need of a portable audio interface then you’ll probably rule out any rack mountable models. Instead you’ll be looking for small battery powered options.

Audio Interface Inputs & Outputs

Audio interfaces under $500 come with a range of inputs and outputs. Some will have line inputs, mic preamps, headphone outputs, mic inputs & many other inputs and outputs. Make sure the model you consider has what you need. If you’re kitting out a home studio then you’ll be looking for the best audio interface which features (such as phantom power) the inputs and outputs you need at an affordable price range.

Some of the best audio interfaces under $500 come with software as part of the package. Pro tools is a popular editing software that we’ve seen offered as part of audio interface packages in the past. Purchasing an audio interface that comes with a reputable editing software is a great way to justify paying more for your audio interface because you’re saving money elsewhere.

What is an Audio Interface

In essence an audio interface allows you to take audio signals and pump them in and out of your computer. The decision on which one is right for you simply comes down to a combination of your budget and how you like to work. Simplistic models exist that simply convert analog audio signals to digital audio signals on the way to your computer. This is because your computer will have software such as pro tools that is able to understand digital audio signals. Allowing you to layer, manipulate and refine the sound and then pump out to a speaker or amplifier. The audio interface will convert your digital audio signals back to analog signals on the way out of your computer. This way the speaker is able to play the sound for you to hear. These types of audio interfaces are known as AD/DA (Analog to Digital/Digital to Analog) converters

Whatever type of audio interface you’re looking for we’ve tried to find the audio interfaces with the best features. While still being considered a great audio interface under $500.

Best Audio Interfaces Under $500 - Top 8
    1. PreSonus Studio 1824 Audio Interface - The Presonus Studio 1824c 8-channel audio interface is a premium-priced, rack-mountable model.
    2. IK Multimedia AXE I/O - IK Multimedia has one of the most well-regarded software guitar amp systems attainable in AmpliTube.
    3. Roland Rubix24 - The Roland Rubix24 is an audio interface which is really designed for recording and mixing purposes.
    4. Steinberg UR242 - Steinberg is a well-known brand that caters to professional musicians around the world.
    5. Apogee One - Make no mistake, this audio interface is fantastic.
    6. Focusrite Scarlett 4i4 - A great competitively-priced option with plenty of connectivity.
    7. Tascam US-16x08 - The US-16x08 feature set represents the barest of bones for audio interfaces of this type.
    8. M-Audio M-Track 8X4M Audio Interface - An 8-channel audio interface built into an elegant, sleek metal chassis with black and silver trim.
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PreSonus Studio 1824 Audio Interface

PreSonus Studio 1824 Audio Interface

  • ✔ Best-selling audio interface series
  • ✔ Sleek black metal chassis
  • ✔ Rack mountable
  • ✔ Switchable “Air” function
The Presonus Studio 1824c 8-channel audio interface is a premium-priced, rack-mountable model.
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The Presonus Studio 1824c is a premium-priced, rack-mountable audio interface suitable for any professional musician/sound engineer’s studio setup.

It comes with a range of inputs/outputs, including 8 XLR/TRS inputs and 8 TRS outputs (not including the 2 main TRS outputs), as well as MIDI, S/PDIF and ADAT connectivity.

PreSonus is known for producing high-quality audio equipment, and the 1824c doesn’t disappoint, with its high sound resolution (192kHz/24-bit) and XMAX preamps.

Additionally, the unit is compatible with most popular DAWs and even provides iPad/Android compatibility.

Overall, this unit is priced at quite a premium price, and we think that this is a fantastic choice for those wanting plenty of inputs/outputs… However, we personally prefer the next discussed Focusrite Scarlett 18i20 (3rd Gen) which is the same price.

Compatibility
  • Mac, PC, iPad & Android
  • Supports all major DAWs
Features
  • Highly reputable manufacturer
  • Sleek metal chassis
  • Rackmountable
  • Low latency unit with high-quality XMAX mic preamps
  • LED monitoring on front of the interface
  • Compatible with iPad* & Andoid*
  • Software included:
    • PreSonus Studio One Artist
  • Warranty: 2 Year Manufacturers Warranty
Technical Specs
  • USB Type C or USB-A connectivity (2 versions)
  • MIDI input/output
  • 2 XLR/TRS combination inputs (on the front)
  • 6 XLR/TRS combination inputs (on the back)
  • 2 TRS headphones outputs (on the front)
  • 8 TRS outputs (on the back)
  • 2 TRS main outputs (on the back)
  • S/PDIF input/output
  • 8 channels of ADAT Optical I/O (4 channels at 96 kHz)
  • Supports all major DAWs
  • 24-bit/192 kHz resolution
  • 48v Phantom Power
Pros
  • Reputable brand
  • Plenty of Inputs/Outputs
  • 2-year manufacturers warranty
  • Impressive technical specifications
  • Rack-mountable
  • Compatible with iPad & Android
IK Multimedia AXE I/O

IK Multimedia AXE I/O

  • ✔ 3 different preamp circuits to choose from
  • ✔ Amp output for easy re-amping
  • ✔ Seamless amplitude integration
  • ✔ A professional 2 in/5 out audio interface and controller
IK Multimedia has one of the most well-regarded software guitar amp systems attainable in AmpliTube.
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IK Multimedia has one of the most well-regarded software guitar amp systems attainable in AmpliTube. They have decided to combine that software technology with a new premium audio interface packed full of features perfect for any guitarist. It’s called the AXE I/O — well, of course, it is!

  • 2 in / 5 out 24-bit, 192 kHz audio interface with 2 mic preamps, 2 instrument inputs
  • ACTIVE / PASSIVE pick-up selector matches your guitar’s pickups for ideal gain levels
  • Z-Tone adjustable impedance control coaxes a wider range of tones from your instrument
  • PURE and JFET instrument input channels keeps your sound totally clean or adds subtle saturation
  • Low noise AMP OUT for easy re-amping without the need for additional direct boxes or splitters
  • Register to receive a massive software bundle with AmpliTube 4 Deluxe, Ableton Live 10 Lite and 10 T-RackS mixing plug-ins

AXE I/O is a 2 input, 5 output audio interface in a ruggedized rack style box. On the input, there’s a “Z-Tone” impedance adapting circuit that matches up to your pickups. It is however, switchable between passive and active. The fully discrete input circuit has a choice of Pure or Class A JFET. These take you from transparent to tube-like at the throw of a switch. The unexpected 5th output is an “Amp Out” designed to go straight to a guitar amplifier. You can process your recordings through external gear rather than committing them to your project.

All the guitar amp and cabinet modeling are done in the included AmpliTube 4 Deluxe. With over 140 ultra-accurate models of guitar and bass amps, cabs, pedals, mics and more. You can dial in what you require via the front preset knob. On the back are two pedal inputs for expressive control that can be mapped directly to the software. They’ve even integrated a guitar tuner directly on the front panel.

And, like the Sono, it will do all the monitoring as well as the audio recordings. The AXE I/O also has a handy MIDI In and Out port for connecting keyboards or floorboard controllers.

Roland Rubix24

Roland Rubix24

  • ✔ MIDI In/Out ports
  • ✔ Extensively shielded, low-noise design
  • ✔ 2 low-noise mic preamps with XLR combo jacks
  • ✔ Compatible with mac, pc and iPad
The Roland Rubix24 is an audio interface which is really designed for recording and mixing purposes.
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The Roland Rubix24 is an audio interface which is really designed for recording and mixing purposes. It has 2 inputs and 4 outputs. This is more than enough for most home studio recording setups.

Other features include direct monitoring and phantom power, which can be used to power condenser microphones. There are also handy indicators which allow you to monitor your input levels and avoid peaking.

In early 2017, Roland debuted the Rubix line. The Rubix 22, 24, and 44 may not be very exciting to look at, but they are smart choices for up-to-date, mid-range audio interfaces. The Rubix 24, in particular, hits the sweet spot while offering just the right amount of functionality. This is a typical 2-in, 4-out USB interface that’s also class compliant with Apple gear and features MIDI In/Out ports. It handles 24-bit, 192kHz audio and has on-board compressor and limiter effects.

The selectable headphone channel assignments lets you create a separate monitor mix, while the loopback recording feature lets you capture the interface’s main stereo audio output without extra cables or routing. This way, you can easily record live streaming audio from your computer. The Rubix 24 comes with Ableton Live Lite, which is enough of the famous DAW to get you started, but not enough to really appreciate its capabilities.

Steinberg UR242

Steinberg UR242

  • ✔ Compatible with mac and windows
  • ✔ MIDI input/output & iPad connectivity
  • ✔ USB2.0
  • ✖ Some complaints regarding the latest mac software compatibility
Steinberg is a well-known brand that caters to professional musicians around the world.
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Steinberg is a well-known brand that caters to professional musicians around the world. The UR242 takes the tops spot on our list as it proves itself to be a great value audio interface and an all-round workhorse.

This audio interface is an ideal piece of kit if you are planning on doing some home recording on a budget of $300 or less. It features a dedicated TRS headphone output, combined microphone/TRS instrument inputs, monitor inputs and MIDI inputs. You also get a copy of Cubase which is one of the most popular DAW’s on the market today.

Steinberg UR242 is an external sound card for both audiophiles and recording enthusiasts. This interface is compatible with both PC and Mac. The UR242 makes it easy to record guitar, vocals, percussion and other instruments from the comfort of your home studio.

This is a relatively inexpensive USB audio interface from a world-famous brand and would be a solid purchase for any home studio.

The UR242 offers musicians and producers far more than just a portable I/O device, or even an audio interface; the UR242 is a mobile production solution. That’s because it combines fantastic-sounding I/O and durability with advanced DSP-based FX that can be used with your DAW software, and that at a price point that is still easily affordable.

Apogee One

Apogee One

  • ✔ Built-in microphone
  • ✔ Usb 2.0 connection for Mac
  • ✔ Die Cast aluminum chassis
  • ✔ Direct monitoring
Make no mistake, this audio interface is fantastic.
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There’s not too much to say here, besides from the fact that Apogee create really high sound quality audio interfaces. However, from the research done, where Apogee lack, is in their customer service. Which isn’t necessarily something you want. Considering you may have questions regarding the interface if things were not to work! On a more positive note, Apogee has a great website, with plenty of information, and video tutorials on how to set up the device and even recording tips & tricks.

Make no mistake, this audio interface is fantastic, it was one of the best, highest sound quality audio interfaces I’ve ever used.

Apogee One for Mac is essentially the same interface as the previous generation’s Apogee One. This newest version has a silver design (which, admittedly, looks pretty sleek) and eschews the iOS connection cables to save the purchaser $100. The converters are the same, the features are the same, and physically it sports the same dimensions.

If you’re not aware of the Apogee One concept, allow me to enlighten you. It’s an incredibly compact audio interface that sports an XLR input. it also sports a 1/4” input tuned for instrument level sources. The XLR input can push out phantom power as needed, and you can utilize both inputs at once. These 2 inputs are accessible via breakout cable, cutting down on the clutter when you’re not using them as you can stow the cable elsewhere.

The Apogee One for iPad, iPhone and Mac is the best portable DAC and headphone amp I’ve tested. By portable, I mean one that plugs into an iOS device and needs no external power to play. It’s the best because it has the most and cleanest output, it’s the best made (all metal), and it has the best ergonomics: a big volume knob right where you need it.

The One comes at a bit of a premium compared to other 2-channel audio interfaces, and it’s pretty clear why. The products finish is stellar, and the dynamic range for the microphone input is far beyond your standard 2-channel interface’s level of excellence. The XLR input on the One is incredibly clean. It has plenty of headroom, and sounds a lot better than it should.

The Apogee One is quite possibly the best interface for the price you pay. Since most interfaces at that price range are almost all the same. The Apogee One stands out for its professional finish and the fact that is has an outstanding microphone.

Forget about everything you know about internal mics. This microphone has amazing frequency response and clarity even for vocals. The Apogee website has demonstrations of all the different applications of the ONE with the internal mic. The end product will surprise you.

Not only does it sound fantastic; it’s super easy to use. Plug it in, and the big knob controls volume in 1 decibel clicks over a wide range. I have no idea why consumer gear makes it so hard to control levels; this piece of gear does it right with a big knob. This metal beauty is well padded and isn’t going to slide around your desk. It’s the perfect combination of sturdiness and lightweight. It’s a solid bar of precision, and the volume control is a dream to spin.

Should you change your mind after owning the One and wish that you purchased iOS/Mac edition, don’t worry—Apogee will sell you an iOS interface kit for $99. The interface itself is not limited or hobbled in any way, it’s exactly the same as the One for iOS/Mac, just minus the cables. It’s nice to know the option is there should you want to exercise it down the road.

Focusrite Scarlett 4i4

Focusrite Scarlett 4i4

  • ✔ High-performance converters
  • ✔ Mix at up to 24-bit/ 192kHz
  • ✔ USB-C powered device
  • ✔ Compatible with Windows, Mac and iPad
A great competitively-priced option with plenty of connectivity.
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Focusrite’s Scarlett USB interfaces have traditionally combined excellent sonics and audio flexibility at affordable price points, and the third generation units keep up the good work.

All units in the range have received physical and technical upgrades, with improved preamps (now up to 56dB gain), balanced connectivity throughout, and the inclusion of Focusrite’s ISA transformer preamp emulation option (Air). On the bus-powered Scarlett 4i4 you get two mic/line/instrument inputs with gain, two line-level TRS inputs and four TRS outputs.

The 4i4 supports Focusrite’s Control application, which means that a number of settings can only be made in the software. The app also handles low-latency monitoring.

As we’ve come to expect from the Scarlett series, the sonics are neutral and the drivers reliable. The Air option tilts the frequency response towards high frequencies, and this can be great for taming undesirable proximity or adding high frequency lift.

With a decent software bundle included, this is a solid upgrade and a great affordable audio interface.

Focusrite’s Scarlett USB interfaces combine excellent sonics and audio flexibility at an affordable price point, and the third generation units have just landed. 

Up for review we have two of the mid-sized units (the 8i6 and 4i4) from a range that starts with the pocket-sized Solo, and tops out at the impressively equipped 18i20. All units in the range have received a physical and technical upgrade, with improved preamps (now up to 56dB gain), balanced connectivity throughout, and the inclusion of Focusrite’s ISA transformer preamp emulation option (Air). There’s now a slicker front panel with LEDs and the halo-style input level meters sitting below a shiny surface. Meanwhile, all units now use USB Type C connectors, although for the foreseeable future will ship with Type C to Type A cables. Finally, Focusrite is rolling out a new onscreen onboarding process that guides you through the setup from the moment you first plug in.

Looking specifically at the review units, both gain a couple of extra inputs over their predecessors (the 2i4 and 6i6). So, for the 4i4 you get two mic/line/instrument inputs with gain, two line-level TRS inputs and four TRS outputs. The 8i6 also has two mic/line/instrument inputs with gain, and gets four line-level TRS inputs, four TRS outputs and stereo S/PDIF in/out. Both units include MIDI in/out. For headphones, the 4i4 has one front panel output with level and the 8i6 two outputs with individual level. The larger interface requires an external PSU which, though understandable, is moderately annoying given it’s pretty compact. The smaller 4i4 is USB bus-powered.Both the 4i4 and 8i6 support Focusrite’s Control application, and this means that a number of settings including pad, line/Hi Z instrument selector, and the Air option mentioned above can only be set via the software. The app also handles low-latency monitoring, so there’s no direct monitoring knob as per the 2i4, although it’s worth noting that the 3rd Gen 2i2 and Solo interfaces continue to use this system. Whether you view this as extra flexibility or unnecessary complexity is personal preference, but I like the software option, particularly when you take into account that there’s an accompanying nifty iOS app that effectively adds in remote control capabilities as well. A further positive is the monitor mix system which allows easy creation of low latency mixes for each output stream. Finally, both interfaces support Focusrite’s Loopback feature, whereby a further mix panel allows you to quickly route inputs, DAW outputs or a custom blend of both back into the DAW.

As we’ve come to expect from the Scarlett series, the sonics are neutral and the drivers reliable, and both units operate at up to 192kHz. The Air option tilts the frequency response towards high frequencies, and this can be great for taming undesirable proximity or adding high frequency lift. There’s also a decent pack of bundled software including Ableton Live Lite 10, Pro Tools First Focusrite Creative Pack, Focusrite Red 2 and Red 3 plugin suite, Softube Time and Tone bundle, XLN Audio Addictive Keys and Focusrite Plug-In Collective. This is a solid refresh and both review models deliver a noticeable upgrade on predecessors.

Tascam US-16x08

Tascam US-16x08

  • ✔ Eight balanced line outputs are also available
  • ✔ Eight Ultra-HDDA microphone preamps
  • ✔ An additional eight line inputs are provided
  • ✔ Captures 16 mic and line inputs
The US-16x08 feature set represents the barest of bones for audio interfaces of this type.
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The Tascam US-16×08 is an 8 channel audio interface, aimed at being an affordable option for those wanting a rack-mountable audio interface with a decent amount of inputs/outputs.

The entry level into the 1U 8 mic pre interface category comes in from Tascam who are well known for developing solid recording gear at competitive prices. On to the 16×08. The Tascam site has all the specs and manuals, just look there if you want to get to know this beast. You can even test-drive the brand-new ASIO driver panel as it works without the unit attached. The US-16×08 feature set represents the barest of bones for audio interfaces of this type. As only one headphone output with a level pot is provided and no ADAT is included for I/O expansion. That said, you may not have to worry about the absence of ADAT here as the US 16×08, as the names suggests, provides 16 analog inputs and 8 outputs.

On the front of the interface 8 XLR mic pres that are claimed to deliver “clean and quiet operation” with up to 56dB of gain along with 2 jack inputs are present with 10 gain pots. On the rear you’ll find balanced line level inputs 11 through to 16 with outputs 1 through 8 along with MIDI I/O. If you find that you require more than 8 mic pres then the extra inputs on the rear could easily be utilized with some outboard channel strips which would make this a great interface for full band recording applications.

This device also provides two options of mounting. Use either the rack ears for mounting in standard 19” racks or screw in the included legs into the side of the chassis for desktop placement.

The US 16×8 may look like it could be from the last decade as the design is a bit bland but it has some modern power under the hood as it includes DSP, though basic it is very usable. Each of the inputs can have a 4 band EQ and compressor applied in tracking. This is adjustable via the Tascam mixer application which also offers near-latency-free monitor mixing and flexible routing.

The unit is compatible with the majority of digital audio workstations that exist, and can be used with Mac and PC. Additionally, it can also be used with iPad, iOS and other tablets, by using the class-compliant drivers that Tascam has available for download on their website.

However, it doesn’t include some of the features and ports that the formally discussed Behringer U-Phoria UMC1820 audio interface has, including ADAT and SPDIF connectivity, and not to mention the MIDAS designed preamps.

None-the-less, the US-16×08 does provide 96kHz/24-bit recording resolution, so it’s definitely a solid unit, and the customer review ratings affirm this.

Overall, the Tascam US-16×08 is a good quality interface and may be a good option for those who require iPad, iOS and other tablet connectivity. However, we don’t see many other selling points of this, when comparing it to other interfaces in the list, for example, the cheaper Behringer U-Phoria UMC1820.

Compatibility
  • Mac & PC
  • Supports all major DAWs
Features
  • Affordable 8-Channel audio interface
  • Tough metal chassis
  • Rack-mountable
  • Eight Ultra-HDDA microphone preamps
  • iPad & iOS device compatible
  • Low latency monitoring via the on-board DSP mixer
  • Warranty: 1-Year Manufacturers Warranty
Technical Specs
  • USB 2.0 connectivity
  • MIDI input/output
  • 8 XLR inputs (on the front)
  • 6 TRS inputs (on the back)
  • 8 TRS outputs (on the back)
  • 1 TRS headphones output
  • 2 ‘main’ TRS outputs (on the back)
  • Supports all major DAWs
  • 24-bit/96 kHz resolution
  • 48v Phantom Power
Pros
  • Well known brand
  • Product is well-reviewed and scores favorably in customer review ratings
  • iPad, iOS & Tablet compatible
  • Impressive technical specifications
Cons
  • No real USPs when comparing against other interfaces
  • Fairly old, was released in 2014

On the front of the interface 8 XLR mic pres that are claimed to deliver “clean and quiet operation” with up to 56dB of gain along with 2 jack inputs are present with 10 gain pots. On the rear you’ll find balanced line level inputs 11 through to 16 with outputs 1 through 8 along with MIDI I/O. If you find that you require more than 8 mic pres then the extra inputs on the rear could easily be utilized with some outboard channel strips which would make this a great interface for full band recording applications.

This device also provides two options of mounting. Use either the rack ears for mounting in standard 19” racks or screw in the included legs into the side of the chassis for desktop placement.

The US 16×8 may look like it could be from the last decade as the design is a bit bland but it has some modern power under the hood as it includes DSP, though basic it is very usable. Each of the inputs can have a 4 band EQ and compressor applied in tracking. This is adjustable via the Tascam mixer application which also offers near-latency-free monitor mixing and flexible routing.

M-Audio M-Track 8X4M Audio Interface

M-Audio M-Track 8X4M Audio Interface

  • ✔ Very well known audio interface manufacturer
  • ✔ Compact audio interface
  • ✔ Sleek black interface with metal chassis
  • ✔ Portable
An 8-channel audio interface built into an elegant, sleek metal chassis with black and silver trim.
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The M-Audio M-Track 8x4M is an 8-channel audio interface, built into an elegant, sleek metal chassis, with black and silver trim. It looks the part, but how does it sound?

Well, it boasts low-noise crystal preamps and high-quality A/D converters, which give it that premium-quality sound.

M-Audio have been sure to only use the best internal circuitry, with the unit having a roundtrip latency of around 2.59ms, which is extremely low.

The unit records at 24-bit/192kHz, and come with a large software suite, which includes a lite edition of Pro Tools, Ableton Live Lite and much more (all shown above in the features section).

As far as the unit’s connectivity is concerned, it has all of the basics which include XLR, TRS, and MIDI input/output (all shown in detail within the technical specs section).

Overall, the M-Audio M-Track 8x4M is definitely a great unit for those who want premium-quality sound. However, we don’t see how it tops the formerly spoken about Focusrite Scarlett 18i8 (3rd Gen).  None-the-less, the decision is of course, entirely up to you!

Compatibility
  • Mac & PC
  • Supports all major DAWs
Features
  • Very well known audio interface manufacturer
  • Compact audio interface
  • Sleek black interface with metal chassis
  • Portable
  • Low-noise crystal preamps
  • Near to zero latency (2.59ms roundtrip)
  • Software included:
    • Pro Tools, Ableton Live Lite, Eleven Lite, AIR’s Creative FX Collection and an AIR Instrument plugin suite.
  • Warranty: 1 Year Manufacturers Warranty
Technical Specs
  • USB Type C connectivity
  • MIDI input/output
  • 4 XLR/TRS combination inputs (on the back)
  • 2 TRS inputs (on the front)
  • 2 TRS inputs (on the back)
  • 2 TRS headphones outputs (on the front)
  • 4 TRS outputs (on the back)
  • Supports all major DAWs
  • 24-bit/192 kHz resolution
  • 48v Phantom Power
Pros
  • Well known brand
  • Low latency times (2.59ms)
  • Impressive technical specifications
  • Portable
Cons
  • No ADAT/SPDIF Connectivity
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