Top 7 Best Looper Pedals Under $200 (July 2020)
Looper pedals are often referred to as ‘loop pedals’ or ‘looping stations.
The best looper pedals under $200 provide you with tons of overdubbing ability. Some loopers even allow you to add an infinite number of overdubs to your loops, so your imagination is the only limit to the music you’re able to create.
What Is A Looper Pedal?
A looper pedal is a composition, rehearsal, and performance tool that creates loops on the fly. A loop is created by recording any segment of sound into the pedal. The pedal then automatically plays whatever was recorded, over and over until you push stop. Loop pedals effectively allow you to accompany yourself by gradually building up layer upon layer of sound. Different looper pedals will provide you with different length of recording time in terms on minutes of looping. Some are easy to use some are more complex loop station models.
Many of the best pedal loopers have true bypass switching. This allows the signal to pass through unaltered when disengaged.
Why Should You Get A Looper Pedal Under $200?
By using a looper pedal, a singer-guitarist in a one person band can play the backing chords (or riffs) to a song. Then loop them with the pedal, sing and do a guitar solo over the chords. Some units allow a performer to layer multiple loops, enabling the performer to create the effect of a full band.
The Benefits Of A Looper Pedal Under $200
The best looper pedals under $200 are incredibly handy to have for both practice and live performances.
Practicing with a looper, much like practicing with a metronome, will help you work on your internal timing. With the added benefit of hearing harmony at the same time.
Loopers give you the ability to expand your sound as a solo artist and increase the potential of what you can play. Looper pedals are an honest, accurate, and impartial judge of your own playing.
Using A Looper Pedal
Any guitar player worth their salt knows that a loop pedal can only boost the versatility of your arsenal.
The loop pedal is as simple or complex as you want it to be depending on how you use it. Some looper pedals under $200 enable you to store and transfer recordings to your computer.
Since each looper provides unique features, giving your owner’s manual, a quick read is the best way to learn how to use your new looper pedal.
BOSS RC-3 Loop Station Pedal
- ✔ The Benchmark of Looper Pedals
- ✔ 3 Hours Of Stereo Recording Time
- ✔ 99 Onboard Memory Slots
- ✔ 10 Preset Drum Beats
- Compact and powerful stereo stompbox looper
- Massive internal memory with up to three hours of stereo recording time
- 99 onboard memories for storing loops
- USB 2.0 port allows you to connect to a PC and import/export WAV audio
- Rhythm guide with real drums
- Runs on a single 9-volt battery or optional AC power supply
- BOSS five-year warranty
The RC-3 is powerfully equipped yet conveniently housed in a compact pedal. Enjoy up to three hours of stereo recording time, storage for 99 loops, a “real drums” rhythm guide, and USB 2.0 compatibility all in a small BOSS stompbox.
To keep your loops tight and in time, you can play along with one of the basic rhythm patterns in the RC-3’s onboard library as you record. Ten types of rhythm types are provided, including Rock, Pop, Funk, Shuffle, R&B, and Latin. A dedicated knob lets you adjust the volume of the rhythm, and you can set the tempo via tap tempo. You can also specify the time signature. When you save a phrase, the rhythm type and time signature will also be saved.
The RC-3 provides three hours of stereo recording capacity direct to internal memory. Now you can record long phrases without worrying about memory. 99 memory locations let you save as many phrases or ideas as you can create. Guitarists who want to incorporate external stereo effects devices will appreciate the true stereo I/O on the RC-3.
The Auto Recording feature starts recording the moment you begin playing your guitar, or as soon as you start a connected audio player. Count-In mode gives you one-bar of rhythm before recording starts. You can Undo/Redo as you go. The sky’s the limit with three hours of recording time!
You can connect the RC-3 to your computer via a standard USB cable, and back up your RC-3 recordings to your computer for safekeeping. You can also load WAV files from your computer directly into the RC-3. The RC-3 accepts 16-bit/44.1kHz WAV files of up to 1.7GB in size.
In addition to recording your guitar or bass performances and turning them into playable loops, you can also record other external stereo audio sources via the RC-3’s AUX IN. Sound from a digital-audio player connected to the AUX input, for example, can easily be recorded and made into a loop.
We feel this review plucked from a previous customer sums things up nicely
“The RC-3 is great for practicing, songwriting, and even performing live. It has a ton of features packed into a small space for those that require it. It allows up to 3 hours of recording time that can be stored in up to 99 different save slots. It also contains 10 basic drum beats to add to your own recordings and it is USB 2.0 compatible which allows you to upload pre recorded tracks.
The most noticeable feature is the three-hour recording memory. It’s a huge step up from the RC-2 which only allowed up to 16 minutes of recording time. This means you can record up to 3 hours of material and save it to 99 different slots. You can also upload tracks directly from your computer to the pedal by connecting the two via USB.
The RC-3 also comes with 10 preset drum beats that can come in handy when you want to create your own backing track. The 10 rhythms come in a variety of styles such as Pop, Rock, Funk, Shuffle, and Latin. Although the pedal does not allow you to set the tempo incrementally like many reviews state, it does have a “tap tempo” feature that enables you to tap out the tempo you want your track to follow. Another great feature is the separate volume knobs. One is dedicated to the volume of the rhythm, the other is for the volume of the current loop.
In conclusion, This is a great pedal for the money and extremely efficient when it comes to saving space on your pedal board. If your looking for something easy to use and compact that can add a whole new dynamic to practicing, recording, or playing live, then this is the pedal for you.”
TC Electronics Ditto Jam X2 Looper Pedal
- ✔ Intelligent Loop Synchronization
- ✔ Dual Built In Mics
- ✔ Dedicated Stop Button
- ✔ Analog-Dry-Through Signal Path
- Intuitive looper pedal with first ever intelligent loop synchronization that responds to your band
- Innovative responsive BeatSense technology automatically adjusts loop tracks to your beat
- Choose between Record-then-Play or Record-then-Overdub functionalities
- Unlimited overdubs and undo/redo for total creative freedom
- Dual built-in mics accurately track band tempo by focusing only on rhythmic elements
- Included clip-on mic attaches to percussion instruments for total rhythmic precision
- Dedicated stop button for easy control of loop endings
- Analog-Dry-Through maintains total integrity of analog dry signal path even when looper is engaged
- 24-bit uncompressed audio for ultimate sound quality
- True bypass allows for optimum clarity and zero high-end loss when the pedal is off
The Ditto JAM X2 Looper features TC Electronics cutting edge proprietary BeatSense technology, making it the first looper pedal ever to automatically keep your loops from drifting out of sync. TC Electronics state-of-the-art algorithm is able to snip, stretch and compress each beat of your loop dynamically to your tempo while still maintaining audio quality. This means your Ditto JAM X2 automatically stretches the loop by a couple of milliseconds to make it fit the pocket so your performance is always nice and tight.
For the first time ever, you can loop with your band in real-time without having to sync with a MIDI clock, letting you make it up as you go, without drifting out of rhythm. It’s like having an invisible band member onstage with psychic powers. Top that, Dr. X!
Built-in microphones and an included clip-on mic allows Ditto JAM X2 to listen to its surroundings, separate background noise from the rhythmic elements of your band and sync up.
Connecting the included mic under a snare or on a percussion instrument, leaves the job of timekeeping to your drummer so you and your bandmates are free to play without constantly having to stay in sync with a fixed loop!
A toggle switch lets you jump between recording, playing your loop back, or recording the loop and going straight to filling out the sonic space with your sweet overdubs.
This gives you total control over how you want to create your loops, so you can unleash that Magnum (Lo)opus masterpiece that’s been simmering in the back of your mind!
Lean, mean looping machine
The simple layout is streamlined to remove clutter, ensuring that nothing gets in the way of your musical inspiration.
Dedicated footswitches for looping and stopping make it easy to keep your grooves tighter than an ’80s spandex suit.
With its ability to lock onto the beat of your drummer or bass player, Ditto JAM X2 is the ideal solution for live looping with a band.
Time to Tighten up
It can be difficult to perfectly time your foot presses to make those seamless loops – we are human after all – so BeatSense mode comes to your rescue and tightens up your loop point timing by quantizing your Record and Playback footswitch taps to the nearest detected beats.
You just wait for the right moment, tap Loop as close to a downbeat as you can, play some groovin’ chords and then tap again to make the perfect loop. Now take a solo over top. Solo some more.
Overall an impressive pedal, it’s proprietary loop technology unfortunately isn’t foolproof as we’ve had reports that ‘off beat’ drum tracks can catch it out. Still, overall, a solid looper effects pedal.
BOSS DD-8 Digital Delay Pedal
- ✔ 11 Digital Delay Modes
- ✔ Built In Looper Offers 40 Seconds Of Recording Time
- ✔ Supports External Control - Foot Switches Or Expression Pedals
- ✔ BOSS 5 Year Guarantee
- The most advanced BOSS compact series delay ever
- Eleven versatile modes include basic digital delay, vintage echoes, shimmer, mod, looper, and more
- Looper offers up to 40 seconds of recording time, overdub capability, and three-pedal operation with external footswitches
- Three newly developed delay types: Warm, +RV (delay+reverb), and GLT (rhythmic delay)
- Up to 10 seconds of delay time available with tap tempo input
- Carryover switch sets whether delay trails continue or stop when the effect is bypassed
- True stereo I/O and three selectable output modes (independent, panning, and wide stereo)
- Smart I/O jacks support a variety of connection setups (mono, stereo, wet/dry, wet only, and more)
- Support for external control with two footswitches or an expression pedal
- Unique Twist function available in each delay mode via an external footswitch
- BOSS five-year warranty
Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything—more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colors from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there’s no better delay stomp than the DD-8.
Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analog and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There’s a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.
The DD-8’s extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time—or all of them at once.
The DD-8’s inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It’s even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.
Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There’s also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.
Overall the DD-8 shows the direction BOSS are taking their digital delay pedals. With the new features there’s no end to your creativity with the versatile Boss DD-8 delay pedal.
MXR Clone Looper Pedal
- ✔ Record Up To 6 Minutes
- ✔ Unlimited Dubs
- ✔ EXP - Allows External Control
- ✔ Choose Between True/Buffered Bypass Switching
- Up to 6 minutes of recording time
- Stores recorded loops even when the pedal is off
- Change the speed of recorded loops to double-speed or half-speed, or reversing them
- Unlimited overdubs
- Volume control
- REC/DUB and PLAY/STOP footswitch
- Status LEDs
- Mono jack input/output
- CTR input for connecting a MXR M199 tap tempo footswitch
- EXP input for connecting a Dunlop DVP volume (X) pedal
- Powered via a 9V DC power supply
- Power consumption: 225 mA
- Dimensions (L x W x H): 64 x 111 x 49 mm
- Weight: 0.31 kg
The MXR Clone Looper Pedal is highly engineered for incredible sound quality, comes packed with features in a pedalboard-friendly housing, and can be as simple or complex as your needs dictate. Everything you expect from an MXR pedal, in other words.
Whether you’re practicing at home, captivating audiences with improv compositions onstage, or weaving intricate sonic tapestries in the studio, the Clone Looper Pedal has you covered. Just plug in, power up, and start recording an unlimited number of layers—up to 6 minutes long—that will be stored even when the pedal is off. A super convenient LED gives you a flashing 4 count to the beginning of the loop so you can keep your overdubs tight. Loops can be stopped and started in an instant, and your most recent layer can be undone just as fast. Run effects to your heart’s content—with storage sample rates up to 88.2kHz, so this little box will handle even high-gain distortion with ease. To keep your pre-loop signal intact, the MXR team also included an analog through-path. On top of that, the Clone Looper Pedal can be set for either buffered bypass or true bypass switching to accommodate your tone and signal needs.
The Clone Looper Pedal also comes packed with options for sonic explorers, from changing up the speed of your loop—to double-speed (3 minutes of recording time) or half-speed (12 minutes)—to reversing it entirely. Connecting an MXR Tap Tempo Switch to the CTR jack allows you to control all of these functions externally. The EXP jack provides further external control options when you connect a DVP volume pedal to adjust the loop’s output level or an MXR Tap Tempo Switch to engage Play Loop Once mode, which allows you to pull off smooth live performances and re-trigger your loop over and over again for DJ-style stutter effects.
Pedalboard-friendly and built like a tank, the Clone Looper Pedal is easier to use and delivers higher fidelity signal reproduction than any other looper of its type—hands down.
It only takes a few minutes to learn to use this looper. Take your time and you’ll see how far you can push it. It takes some practise but you really can create some incredible loops using this pedal.
NUX Loop Core Deluxe Looper Pedal
- ✔ Drum Machine - 40 Different Rhythms
- ✔ Up To 8 Hours Loop Phrases
- ✔ Automatic Tempo Adjustments
- ✔ Choose Between True & Buffered Bypass Switching
- 24-bit audio quality
- 99 Internal storage locations
- Mini-B USB port for importing and storing loops (only 24-bit / 44.1 kHz WAV files)
- Selectable True or Buffered Bypass
- Output for amplifier
- Up to 8 hours of recording time
- Mixer output
- Power supply connector
- Drum computer with 40 different style patterns
- Automatic tempo adjustment
- Power supply via 9 V battery or 9-18 V DC power supply unit
- Current consumption: 70 mA
- Dimensions: 122 x 72 x 47 mm
- Weight: 270 g
Nothing feels better than playing your guitar along with realistic drum rhythms. Loop Core Deluxe’s all-new drum machine comes with 40 different drum rhythms (30 in 4/4, 10 in 3/4) covering different styles of genres including rock, pop, blues, jazz and much more.
It takes time and effort to learn all the ways the NUX Loop Core Deluxe looper guitar effects pedal can enhance your playing style but once you’re up and running you’ll be happy you took the time to understand this pedals potential. One of the best features is that fact it can hold up to 8 hours of recordings. Overall we think it’s an impressive pedal and well worth considering.
TC Electronic Ditto Mic Looper Pedal
- ✔ Simple to use
- ✖ No storage space to store loops
- ✖ Limited functionality due to it's simplicity
The thing that separates Ditto pedals from the competition is their minimalist style. Many looper pedal manufacturers attempt to cram in so many features that they end up having more dials and buttons than the computer console from the original Star Trek series. In contrast, Ditto pedals are simple, well-presented and compact. The Ditto Miclooper follows this aesthetic down to a tee, with just two footswitches and a single dial on the face of the 5.4 by 3.5 inch (140 by 90 mm) unit. Throw in the typically sleek Ditto look and the result looks polished, professional and inviting.
The Ditto Mic looper, like the original Ditto, doesn’t have much of a feature-set. The undo/redo function is pretty much all you get aside from the very basics of looping. This is a great feature, allowing you to erase and replace any mistakes you make on the last overdub, and even opening up the songwriting potential of the looper. You could add backing vocals for the chorus, for example, remove it for the verse and then have it ready to bring back in for the next chorus. Both these are controlled by holding the “Loop” footswitch in the down position for a few of seconds.
The two footswitches control core looping functions (recording, playing back and overdubbing) along with stopping your loop, undoing (or redoing) your last overdub, and clearing the current loop. In practice, this means you hit the right switch – rugged and metallic so you don’t have to worry about breaking anything mid-performance – and start singing, beatboxing or playing your instrument, and then hit it again to play back what you’ve just done. The loop continues playing for as long as you want, and you can add additional layers of sound by pressing the pedal again and recording an overdub.
The only catch is that there isn’t anything else on the Ditto Mic looper. The Ditto X2, for example, added reverse and half-speed to the basic Ditto blueprint, but there are no vocal effects built into the Ditto Mix. Similarly, the Ditto X2, X4 and Ditto Stereo all had a single slot to store your loop – as well as remembering whatever you’re currently working on, like the Ditto Mix does – but this is missing from the Mic too. If they’d provided that option, you could have used the USB port to backup your stored loops to your computer, or to import a backing track to sing along too.
If you’ve never tried a looper before, the above may seem confusing, yet it doesn’t take a long time to get to up to speed with the pedal. The Ditto series is great for newcomers, because it strips away all the extra stuff that can overcomplicate things and just does the core task of looping really well. One footswitch handles the looping features, and the other stops and clears the loop.
The big question is whether the Ditto Mic looper does enough for vocalists, singer-songwriters and multi-instrumentalists. When you get right down to it, the Ditto offers a fairly limited collection of looping functions and has XLR inputs and outputs. The cherries on the top of this unimpressive feature set are the minimalist , cool style of the pedal and it’s decision to prioritize ease-of-use. One thing you can’t take away from it is that everything it offers is executed expertly, and it’s a great option for anybody just getting into looping thanks to its simplicity.
The problem for the Ditto Mic looper is that a lot of other loopers can do this stuff. The RC-202 and the bigger RC-505 from Boss come to mind, since they were designed with vocalists in mind, but even guitar-focused Jamman Stereo or the RC-30 have XLR jacks and can be used for vocal looping if that’s what you’re looking for. The Ditto Mic pulls off the basic looping features with elegance and style, but other pedals can do so much more if you really want to get into looping.
The upshot is that the Ditto Mic looper is a great pedal for what it is. It opens up the iconic simplicity and high-fidelity of the Ditto series to a larger group of musicians, and it executes everything just as well as you’d expect TC Electronic to do. It’s priced competitively, and if you’re just looking for something to practice with and have fun with, it’s a great looper that you should seriously consider. But if you want more from your looping experience and have a bit more money to spend, you should definitely think about sacrificing a little bit of simplicity in return for vast improvements in capability.
Electro-Harmonix 360 Nano Looper Pedal
- ✔ High Quality Uncompressed Audio Recordings
- ✔ User Friendly Layout
- ✔ Due-Cast Chassis
- ✔ Silent Momentary Footswitch
- 24-Bit A / D / A converter
- 44.1 kHz sample rate
- Fast deletion
- Diecast metal housing
- Dimensions (WxDxH): 70 x 114 x 53 mm
- 9V DC power supply included
The Electro-Harmonix 360 Nano Looper is a compact, affordable, pedal looper with 360 seconds of loop recording time and 11 storable loops!
- LEVEL Knob – Controls the output level of the Loop. Your dry signal remains at unity signal level from input to output. The dry signal also remains analog throughout the 360.
- LOOP Knob – Selects Loop number: 1-11. When scrolling through loops, the MEM LED flashes quickly during transitions. If the loop has no recorded memory, the MEM LED remains off. If the loop has recorded memory, the MEM LED remains on and playback can begin.
A strong mini looper pedal. If space is an issue then you know Electro-Harmonix have your back with the 360 Nano Looper pedal. It might not have all the features of the much bigger pedals but sometimes all you want in a looper pedal is a solid looping function. This has it, job done. Check it out for yourself!