Wah pedals put an unmistakable voice under your foot — they let you shape tone, push solos forward, and add vocal-like expression to riffs and rhythms. If you want to expand your sonic vocabulary and command attention in a mix, choosing the right wah matters.
This guide highlights top options so you can match the pedal to your playing style, whether you gig, record, tour, or tinker on a compact pedalboard. Read on to find a wah that helps you express more every time you play.
| Category | Product | Score |
|---|---|---|
| 🏆 Most Versatile | Dunlop 535Q | 95/100 |
| 🎯 Best For Metal | Dime Crybaby | 92/100 |
| 💼 Best For Live | Cry Baby 95Q | 90/100 |
| 🎸 Best Classic Tone | Vox V845 | 85/100 |
| 🔊 Best All-in-One | Hotone SoulPress | 88/100 |
| 💰 Best Value Combo | STRICH SW-2 | 84/100 |
| 🎨 Most Compact | Lefiko Mini | 75/100 |
| 💡 Best Travel Wah | SONICAKE VolWah | 78/100 |
| ⚡ Most Feature-Rich | JOYO WAH-II | 80/100 |
| 🔰 Best For Beginners | Donner Vowel | 72/100 |
You want a wah that fits how you play and where you play. We evaluated pedals on tonal flexibility (how many usable voices and sweep ranges you can dial in), playability (pedal travel, toe/heel feel, switch action or switchless operation), build quality and gig readiness (durability, power options and stage-friendly features), practical features (boost, Q control, extra outputs, LED indicators), footprint and board-friendliness (size and integration with other pedals), and value (price vs. features).
Each pick prioritizes a real benefit you’ll notice: more expressive leads, easier live switching, compact board space, or studio-friendly tone.
This is the wah you reach for when you want one pedal that can do a bunch of different things. You can dial in six distinct frequency ranges, tweak the Q to go from quacky to smooth, and kick in the boost when a solo needs to cut through.
It’s sturdy enough for regular practice and road use, but also nuanced enough for studio work or those special solos when tone matters. If you like to experiment with sounds and want a single wah that covers funk, rock, and more expressive lead work, the 535Q is a reliable choice.
People commonly praise the 535Q for its tone and flexibility — you hear that it covers everything from bright, biting wahs to darker, mellow sweeps. Customers also note the solid build, the usefulness of the boost and Q controls, and the warm character the Fasel inductor brings, making it a go-to for players who like to tweak their sound.
Overall Sentiment: Positive
You can jump between genres without swapping pedals: funk rhythm, grit-driven rock, ambient textures and lead sustain all come naturally once you learn the range and Q controls.
It’s a classic black Cry Baby look with a sturdy die-cast body that reads as professional and stage-ready rather than flashy — it fits neatly on any pedalboard.
If you need one pedal to cover many wah needs, this solves that by combining range, Q shaping and a boost so you won’t need multiple specialized wahs; its solid construction also reduces maintenance headaches.
If you want a wah that can go from brutal, pinched leads to vocal, singing sweeps, this is the one you reach for. Dunlop worked with Dimebag to expand the 535Q’s controls — you get a six-way range selector, variable Q and an adjustable boost so you can shape everything from bright, cutting tones to dark, throaty sweeps. It’s built with gigging in mind: split output for routing, back LEDs so you can see status on a dark stage, and skateboard tape on the tread so your foot stays put.
Great for daily practice when you’re exploring extremes, and equally at home onstage when a solo needs to slice through the mix — if you play metal or aggressive rock and want a wah that keeps up, this one’s an easy pick.
Buyers frequently highlight the tone and flexibility — people like that you can go from razor-sharp to smooth and that the Q and range controls actually make a noticeable difference. Customers also point out the pedal’s solid build, helpful LED indicators for live use, and the boost and split output as features that make it gig-ready. A few users mention packaging or missing documentation on arrival, but most praise the sound and stage-oriented features.
Overall Sentiment: Positive
You can dial in everything from tight, aggressive metal squeals to darker, funkier sweeps; it’s useful in rehearsal, recording sessions and onstage where you might need both subtle textures and aggressive lead tones.
The black camo finish and rugged build read as stage-ready rather than delicate, and the skateboard-grip tread gives it a working, no-nonsense look that actually helps your playing.
This pedal solves common gigging headaches: it won’t slip underfoot, LEDs make status obvious in low light, the split output keeps your FX chain flexible, and the boost lets you cut through without swapping pedals.
Think of the 95Q as the Cry Baby you already know, but with a few thoughtful upgrades that actually make your life onstage and in the studio easier. The variable Q control lets you go from a tight, cutting wah to a smoother, more vocal sweep, and the side-mounted boost gives you a quick way to push solos forward without chasing EQ. The auto-return (switchless) action means you just step on to engage and step off to bypass — no more accidental clicks or that jarring "wack" when you try to turn it off.
It’s solidly built, so it feels at home on a pedalboard and reliable night after night, and it works equally well when you’re noodling at home, tracking a solo, or needing clean, expressive sweeps for a live set. If you want a Cry Baby that plays nicely with modern rigs and live workflows, this is a very sensible pick you’ll reach for often.
You’ll notice most players praise the 95Q’s balance of classic Cry Baby character with modern conveniences — the Q control and boost come up a lot, as does the auto-return switching for live use. People point out the solid feel and dependable build, and many appreciate that it lets them shape tones across styles without fuss. A few users mention it won’t quite mimic vintage Hendrix-style warmth for some tastes, but the consensus is that its flexibility and stage-friendly features make it a practical, well-loved choice.
Overall Sentiment: Positive
This pedal covers a wide range — use it for funky, percussive rhythm work, singing lead lines, heavier hi-gain tones, or as a moving filter for ambient textures. It’s handy in practice, sits neatly in a recording chain for varied takes, and excels onstage where quick, reliable engagement matters.
The 95Q keeps the classic Cry Baby silhouette and a no-nonsense black metal finish that reads as built-for-use rather than flashy. It looks like it belongs on a busy pedalboard and feels like a tool you’ll rely on.
This pedal solves common gig problems: the auto-return avoids accidental toe-switching, the boost helps you cut through the mix without swapping gear, and the adjustable Q gives you tone-shaping on the fly so you don't need extra EQ pedals to find a good sound.
If you’re chasing that Cream- or Hendrix-style wah, the V845 is one of those pedals that just gets you in the ballpark quickly. It puts the classic Vox character under your foot, with a wide sweep that sings on bluesy leads and funky rhythm parts alike. The 9‑volt power input saves you from hunting for a battery mid-rehearsal, and the rugged metal casing means you won’t worry about it surviving a cramped gig or the occasional stomp. Whether you’re dialing in a singing solo in the studio, adding percussive wah to a practice loop, or leaning on it for a live set, it’s a straightforward, no-nonsense way to get that vintage voice — easy to plug into your existing rig and reliable enough to keep on your pedalboard or next to it.
Players commonly highlight the V845’s authentic Vox tone and sturdy build as standout strengths. Folks appreciate the convenience of the 9‑volt input and the broad sweep options for different styles, and many note it feels rugged enough for gigging.
A handful of users mention the sweep profile or size doesn’t suit every setup, but overall people praise its vintage voice and reliability.
Overall Sentiment: Positive
You can use the V845 to add vocal-like phrasing to solos, bring rhythmic punch to funk comping, or create expressive accents in studio takes. It’s simple enough for daily practice and reliable enough for live use — if you want classic wah flavor without a ton of extra features, this will cover most musical situations you’ll throw at it.
The all-black coated finish gives it a timeless, road-ready look that reads as professional rather than flashy. It’s the kind of pedal that blends into a busy board while still signaling vintage pedigree.
The V845 answers a few common player headaches: the 9‑volt input removes battery hassle, the heavy-duty metal case stands up to gigging, and the true bypass helps keep your tone intact when the pedal’s not in use. Its straightforward controls mean you won’t waste time chasing settings between songs.
If you want one foot controller that does a handful of jobs so your board stays tidy, this is the sort of pedal you reach for. You can flip between wah, volume, combined volume/wah or use it purely as an expression — handy when you’re switching between practice, home recording or a tight gig setup. The compact footprint and grippy surface make it easy to tuck onto a crowded board, the LEDs help you see position at a glance, and the true bypass design keeps your tone clean when it’s off.
If you’re after versatility that nudges you toward more expressive playing without adding bulk, it’s a great all-around pick.
Most players praise the Soul Press II for packing a lot of functionality into a small, sturdy package — the combination of wah, volume and expression in one unit is a recurring highlight. Users also like the visible LEDs and the pedal’s sweep and feel, and several mention it works well for both guitar and bass.
A minority note issues like a heel-down dead zone or an audible click when switching that can be annoying on stage, but overall the consensus is that it’s a very practical, tone-friendly multi-tool.
Overall Sentiment: Positive
You can use it for everyday practice to add expressive wah sweeps or smooth volume swells, and it’s equally useful in the studio for hands-on automation or on a compact gig rig where space is tight. The ability to act as an expression pedal means it also pairs nicely with rack units and pedals that accept external control, so it fits casual bedroom setups and more elaborate rigs alike.
The metalflake blue finish and the tidy LED ring give it a modern, slightly flashy look without feeling juvenile. It’s compact and cleanly finished, so it blends onto a pedalboard while still standing out enough to spot quickly between songs.
This pedal solves the common problem of limited pedalboard real estate by combining multiple functions into a single unit, and true bypass helps avoid tone loss when it’s off. The LED indicators remove guesswork about position during low-light gigs. Be aware that some users report a clicking sound when engaging and a heel-down dead zone on the volume side, so you may want to test it with your exact rig before relying on it for mission-critical performances.
This is the kind of pedal you reach for when you want more control without more clutter. It pairs a vintage-style wah with a linear volume sweep, and you can flip between modes by pressing the toe—so you get a wah when you want it and a smooth volume pedal the rest of the time. The six frequency choices and the Quality knob let you dial everything from mellow, vocal wahs for blues to sharper, modern cuts for rock, while the Mini Vol setting makes swells and hands-free level changes easy to set up.
Built from a solid aluminum shell and sized to fit a pedalboard without dominating it, it’s a practical everyday tool for practicing, home recording or compact gig rigs. If you want versatility that’s straightforward to use, this combo makes a persuasive case.
Most folks like that it combines wah and volume in a single, well-built unit and praise the range of voicings the six-frequency system provides. Reviewers also point out the handy Mini Vol and the Quality control as features that let you fine-tune swells and wah character.
A recurring caveat is that some setups notice a little extra noise when the wah circuit is active, but many still find the construction and versatility worth it.
Overall Sentiment: Positive
You can use it for daily practice to add expressive wah phrasing or to control dynamics with smooth volume swells, and it’s handy in the studio when you want quick hands-on automation. For small gigs or a crowded board it’s especially useful because it replaces two pedals, and the buffer/true-bypass options mean you can drop it into different rigs without fuss.
The bright orange finish stands out on stage and under dim lighting, so you won’t be fumbling for it between songs. The cast metal body and grippy top pad give it a purposeful, no-nonsense look that still feels a bit fun.
This pedal tackles the classic pedalboard space problem by combining functions, and the Mini Vol plus frequency choices solve the issue of limited wah voicings on single-range pedals. True bypass preserves tone when you want a clean path, and the included power adapter saves you an extra trip to the store.
Be mindful that some rigs can hear a hiss when the wah is engaged, so you may want to test it with your amp and power setup before committing it to a recording or critical live signal chain.
This little Lefiko packs both wah and volume into a tiny footprint so you don’t have to choose between expression and space. You get a true analog wah voice thanks to the RM-type shielded inductor, plus an active volume circuit that keeps your tone intact when you roll levels up and down. The 23° travel and anti-slip surface make it surprisingly playable underfoot, and the dual-color LED makes it easy to see whether you’re in wah or volume mode on a dark stage.
It’s the sort of pedal you’ll reach for when you want hands-free swells during practice, a compact solution for crowded pedalboards at weekend gigs, or a lightweight helper for quick studio takes. If you want expressive sweep control without giving half your board over to a single effect, this one’s worth trying.
You’ll see a lot of people appreciating how much functionality is squeezed into a tiny package — the wah character is often praised and the volume sweep is called smooth and transparent. Many customers like the LED mode indicator and the secure feel underfoot, while a recurring caution is that the plastic housing and small form factor feel better suited to light-to-moderate use rather than heavy stomping.
Overall Sentiment: Positive
This mini combo works for everyday practice, bedroom recording, and small gig rigs where pedalboard space is a premium. Use it to add expressive wah lines in a solo, to automate level changes in a home-recorded part, or to free up your hands during layered live passages.
Its compact, no-frills look and translucent options give it a modern, unobtrusive presence on your board. The anti-slip top and neat LED indicator are functional touches that also help it look thoughtful rather than toy-like.
It solves the classic pedalboard real-estate issue by combining two functions, and the active volume keeps your tone from disappearing during swells. The LED mode marker solves the ‘which mode am I in?’ problem on dim stages.
Just keep in mind the build is oriented toward portability and lighter duty use, so if you’re a heavy stomper you might consider a more rugged metal-bodied option.
If you want a compact pedal that gives you both wah and volume control without eating up your board, this is a sensible pick. You get a true analog wah voice and an active volume section that helps avoid tone-sucking when you roll levels, plus a hidden footswitch to flip between modes and dual LEDs so you can tell at a glance which mode you're in.
It’s great for tight pedalboards, weekend gig setups, and travel rigs where every inch matters — but it’s also handy around the house for quick takes and practice. If you prefer expressive control but don’t want a full-size wah underfoot, this one makes it easy to keep your sound dynamic while saving space.
You’ll notice users love how much functionality is packed into a small package — the wah voice gets frequent praise and the volume side is useful for swells and quick level control. People also mention the clear LED mode indicator as a nice gigging touch.
On the flip side, recurring notes include some hiss when the wah is engaged, a shorter volume sweep than full-size pedals, and occasional concerns about switch effort or the power jack placement.
Overall Sentiment: Positive
This pedal is a good everyday companion: use it to add expressive wah lines in practice, manage levels in a home-recording session, or free up pedalboard space for your weekend gig setup. It also works well as a travel or backup wah when you don’t want to haul a full-size pedal.
The compact, low-profile design looks modern and purposeful on a board, and the dual-color LEDs add a practical visual touch. It’s not flashy, but it reads as thoughtfully designed for players who care more about function and portability than showy aesthetics.
It solves the classic space problem by combining two effects into one pedal and the active volume helps avoid tone loss when changing levels. The LED mode indicator removes guesswork in dark venues.
Be aware that the smaller form factor brings trade-offs: there can be noticeable hiss with the wah engaged, the volume ramp is relatively short, and some users find the power jack position or switch feel less ideal for heavy-duty touring.
If you want a compact wah that does a lot, this is the kind of pedal that lets you sculpt different wah personalities without lugging a full‑size unit. You can flip between wah and volume modes, tweak the Q value for anything from sharp, vocal cuts to a mellow, wide sweep, and choose one of six frequency ranges to match your guitar and pickup setup.
It’s small enough for a crowded board or a travel rig but still feels solid thanks to the aluminum housing and visible LEDs so you always know which mode you’re in. For everyday practice, recording quick ideas, or bringing expressive control to a gig where pedalboard real estate is tight, it’s a practical pick you’ll enjoy experimenting with.
Players frequently praise how much tone and flexibility JOYO packed into a small, sturdy pedal — the range switch and Q control get mentioned a lot for dialing in vintage and modern wah voices. People also like the volume mode for swells and the compact footprint for travel or tight boards. Common gripes revolve around the small treadle (tricky for larger feet), a sometimes stiff stomp switch, and the lack of a built‑in battery.
Overall Sentiment: Positive
You can use this as a daily practice tool to shape funky rhythms or lead lines, drop it on a travel board for weekend gigs, or use the volume mode for ambient swells in the studio. The multiple frequency and Q options make it easy to adapt from funk to blues to more aggressive rock tones without swapping pedals.
The bright red aluminum shell stands out on a pedalboard and the dual LEDs give instant visual feedback about the active mode. It’s not a showpiece, but it looks purposeful and roadworthy — the color helps you find it on a dark stage.
It solves the space problem by combining wah and volume into one compact unit and the active volume circuitry helps reduce tone loss when you adjust levels. The range and Q controls tackle the 'I want multiple wahs' need without multiple pedals.
Trade‑offs to note: no battery option, the stomp switch can be stiff at first, and the smaller treadle may feel cramped for players with large feet.
If you want a simple, entry‑friendly wah that doesn’t take up much pedalboard real estate, this is a handy little tool. You get a classic‑inspired wah sweep together with an active volume control, so you can shape vocal‑style wah tones and control levels without adding a separate pedal.
It’s light and compact for daily practice, quick bedroom tracking, or slipping onto a crowded board for a local gig; the active volume helps keep your signal punchy when you roll levels up or down. If you’re testing the wah waters or need a space‑saving combo for travel and small stages, you’ll likely find it an approachable, practical choice.
Customers often praise the surprisingly musical wah tone and the convenience of having volume and wah in the same compact box. People appreciate the active volume for preserving signal strength and the small footprint for tight pedalboards.
Common notes of caution mention the quicker sweep from the small treadle and occasional quality‑control hiccups, plus the fact that a power adapter isn’t included.
Overall Sentiment: Positive
You can use it for everyday practice to add expression to riffs, tuck it into a recording setup for quick tonal shaping, or bring it to small gigs where space matters. Beginners will like the simplicity, while experienced players can use the volume side for swells and the wah for rhythm or lead accents.
It’s compact and unassuming — not flashy, but functional. The plastic body keeps weight down and the indicator lights make it easy to see on a dim stage; it won’t steal the show, but it looks tidy and purposeful on a board.
It solves the ‘too many pedals, not enough space’ problem by combining two effects into one unit, and the active volume helps avoid that hollow, dropped‑signal feel when you reduce levels. Trade‑offs to keep in mind: the treadle is small so the sweep can feel fast, there’s no battery option, and you’ll need to provide a 9V adapter.
If you want that classic wah voice—think Hendrix era but road‑ready—this is the one you reach for. You get a pronounced, expressive sweep thanks to the Fasel® inductor, and the Hot Potz pot is built to survive years of stomping.
Use it for everyday practice to make riffs sing, in the studio to carve solos into a mix, or onstage where durability matters; it responds well to subtle foot movement for funkier rhythm work and full‑on toe‑down screams for lead lines. It’s simple to set up (9V battery or adapter) and reliable, so if you want a no‑fuss, characterful wah that instantly gives your playing a voice, this is a safe bet.
Players consistently praise the GCB95 for its classic, musical wah tone and solid, road‑worthy build. Folks note the expressive sweep and how well it responds to foot dynamics, making it useful for rhythm work and solos alike.
A few people mention slight tonal coloration when the pedal is off or odd interactions with some modeling rigs, but most appreciate the dependable performance and iconic sound.
Overall Sentiment: Positive
You can keep it on your practice board for daily riffing, bring it into the studio to add personality to solos, or rely on it live where its durability and familiar voice really shine. It’s flexible enough for subtle funk touches, vocal‑style leads, and crunchy rock fills.
The black, no‑nonsense look is classic and unobtrusive—won’t steal the spotlight but signals seriousness. The metal housing feels substantial underfoot and ages well on a pedalboard; it’s more about function than flashy aesthetics.
This pedal fixes the ‘wanting more expression’ problem by giving you an immediate, controllable filter that reacts to small foot movements. It also answers durability concerns with rugged construction and a long‑life pot. Tradeoffs to note: it can slightly color your tone when disengaged and some modern modeling setups may need tweaking to play nicely with its voicing.
If you want that classic wah voice that jumps out of a mix, this bundle gives you it with no drama. You get the Fasel inductor’s vocal, midforward character and a pronounced sweep that works for sneaky rhythm funk or full‑on solos. It’s built like it means business — heavy die‑cast housing and a Hot Potz pot tested for long life — so you can stomp around onstage or keep it underfoot during daily practice without worrying.
The Tonebird bundle adds patch cables and picks so you can plug in and play right away. In short: if you want a familiar, expressive wah that’s reliable in rehearsal, studio sessions, and live gigs, this is a practical pick.
Buyers commonly praise the pedal’s classic, musical wah character and its solid, road‑ready construction. Many mention how responsive the sweep feels underfoot and that the Fasel‑style voicing cuts through mixes nicely. A few users note a slightly bright or sharp top end for their taste, but most appreciate the reliable performance and included cables and picks.
Overall Sentiment: Positive
You can keep this on your practice board to add personality to everyday riffs, bring it into the studio for solo textures, or put it on a live board where its robustness and recognizable voice shine. It suits funk, blues, rock, and anything that benefits from a vocal‑like filter.
The look is classic and unassuming — black metal that blends into a pedalboard rather than stealing the show. It reads as durable and functional, which is exactly what you want when you’re stomping through a set.
This pedal answers the ‘I need more expression’ problem by giving you a real, tactile filter to shape phrasing. It also solves durability worries with a solid housing and long‑life pot.
Tradeoffs include a brighter top end that some players tweak or pair with EQ to tame, and occasional sensitivity with certain modeling setups.
If you want the closest thing to a classic Hendrix voice, look for a wah that emphasizes an analog inductor and a musical midrange sweep; pedals like the Dunlop Original Cry Baby GCB95 or the VOX V845 are built to deliver that vintage character thanks to their circuitry and sweep behavior. If you want Hendrix-style expressiveness plus modern flexibility so you can dial many different flavors, the Dunlop 535Q or 95Q give you adjustable Q and Range controls and a switchable boost so you can shape everything from vocal-like cries to scooped rhythm tones.
If you gig hard and need rugged stage features—stable treadle, LED indicators and extra sweep—consider a touring model such as the Dime Cry Baby From Hell. Ultimately you should try the pedal with your guitar and amp, experiment with a cocked wah position for sustained vocal tones, and remember that placement in your chain changes the result: wah before drive yields classic funk and rock tones, while placing a wah after certain fuzzes (for example with a Germanium FuzzFace) can give you more controlled, screaming pinch harmonics.
Some wahs can alter your tone when they're off depending on their bypass design, so check whether the pedal uses true bypass, vintage bypass, or a buffered path and choose what suits your rig; vintage-style circuits can impart a desirable warmth while true bypass preserves an uncolored signal when disengaged. Noise can increase when the wah circuit is engaged, especially with high resonance (high Q) or long cable runs, so reduce hiss by powering the pedal with a clean 9V adapter or pedalboard supply, consider a noise gate or buffer in the right spot of your chain, and lower the Q if you need a smoother, quieter sweep.
Good mechanical build and a quality potentiometer or Fasel-style inductor reduce intermittent issues, and routine checks of connections and power will keep the pedal reliable on stage or in the studio.
Mount the pedal securely on your board at a comfortable angle and power it from your pedalboard supply or an AC adapter to avoid dead batteries mid-set; use LED indicators or brightly colored models so you can tell status quickly under stage lights. Start with the Range and Q controls at neutral on multi-voiced pedals like the 535Q, then sweep slowly to find the sweet spot for the song, use the adjustable boost for solos to push the amp and add sustain, and experiment with leaving the wah partially depressed (cocked wah) for rhythmic textures.
If you use a combo wah/volume or mini wah to save space, give yourself time to adapt your foot technique to the shorter travel and watch for any dead zones; practice switching between volume and wah modes until it’s second nature and, finally, record quick A/B tests with different placements in the chain so you discover whether your tone benefits from wah-before-drive, wah-after-fuzz, or another configuration.
Choosing the right wah shapes how you express yourself on guitar. If you need maximum tone-shaping and studio-level flexibility, the Dunlop 535Q gives you the deepest control. If you play heavier music and need a wah that digs in and screams with high-gain rigs, the Dime Crybaby is tailored to that role.
For hands-free stage reliability, the 95Q’s switchless operation makes your life easier. If you want a classic, tried-and-true voice at a reasonable price, the Vox V845 delivers the vintage sweep.
Compact boards and travel rigs benefit from mini and combo pedals like the Hotone, STRICH, Lefiko, and SONICAKE, which combine wah and volume or expression in a small footprint. Finally, the original Dunlop GCB95 remains the go-to if you want that iconic Cry Baby tone. Use the criteria above to match a pedal to your priorities — tone first, then playability and footprint — and you’ll find a wah that helps you play more expressively and feel more confident in the moment.
| Product | Image | Weight | Dimensions | Power Source |
|---|---|---|---|---|
| JIM DUNLOP 535Q Multi-Wah Guitar Effects Pedal |  | 2.47 ounces | 10.9 x 4.9 x 3.5 inches | 9V battery or AC adapter |
| Dimebag Cry Baby From Hell Wah |  | 1.1 pounds | 10 x 4.5 x 2.75 inches | Battery or DC power supply |
| Cry Baby 95Q Wah |  | 2.56 pounds | 11 x 4.8 x 3.8 inches | 9V battery |
| Vox V845 Classic Wah Guitar Effects Pedal |  | 2.36 pounds | 11 x 3 x 5 inches | 9V battery |
| Hotone Wah Active Volume Passive Expression Pedal |  | 1.37 pounds | 6.38 x 3.19 x 2.01 inches | 9V battery |
| STRICH SW-2 Guitar Wah & Volume Pedal |  | 1.65 pounds | 11.22 x 4.13 x 2.56 inches | Corded Electric |
| Mini Volume & Wah Combo by Lefiko |  | 9.9 ounces | 5.35 x 2.7 x 2.13 inches | Corded Electric |
| SONICAKE Active Volume & Wah Pedal (VolWah) |  | 9.9 ounces | 5.85 x 2.58 x 2.4 inches | External power supply |
| JOYO WAH-II Multifunctional Wah Pedal |  | 15.5 ounces | 6.38 x 2.09 x 2.87 inches | Corded Electric |
| Donner Guitar Wah Pedal (Vowel) |  | 13.4 ounces | 2.6 x 2.2 x 5.47 inches | Power Adapter |
| Dunlop Original Cry Baby Standard Wah (GCB95) |  | 2.64 pounds | 10 x 2.5 x 4 inches | Battery or Power Adapter |
| Dunlop Original Crybaby GCB95 Tonebird Effects Bundle |  | 4 pounds | 10.9 x 5 x 3.75 inches | Battery or Power Adapter |
bestguitarequipment.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for website owners to earn advertising fees by advertising and linking to Amazon.com, and any other website that may be affiliated with Amazon Service LLC Associates Program.
