You want a boost pedal that lifts your guitar tone without masking the instrument’s character. Whether you want to push a tube amp into sweet breakup, add midrange presence for solos, or get an always-on clarity push for rhythm work, the right pedal gives you control, dynamics, and confidence.
In this guide you’ll find practical picks that emphasize transparency, low noise, and musical responsiveness so you can make better decisions and get more usable tone from your rig.
| Category | Product | Score |
|---|---|---|
| 🏆 Best Classic | BOSS SD-1 | 92/100 |
| 🎯 Best Compressor | Keeley KCompPlus | 90/100 |
| ⭐ Most Transparent | JHS Morning Glory | 93/100 |
| 🚀 Best Klon-Style | Wampler Tumnus V2 | 91/100 |
| 🔰 Best Preamp | BOSS BP-1W | 88/100 |
| 💼 Best Boost EQ | JHS Clover | 94/100 |
| ⚡ Best Versatile OD | Wampler Tumnus DLX | 92/100 |
| 🏅 Best Dynamics | Fulltone OCD | 90/100 |
| 💰 Best Budget Boost | SONICAKE Boost | 85/100 |
| 🟢 Best Value Compressor | Donner Comp | 79/100 |
You care about tone, and so do we. We prioritized pedals that preserve your core sound while offering usable gain, low noise, and clear dynamics. Specifically we evaluated: 1) Transparency — does the pedal add usable gain or tone without destroying pickup detail; 2) Dynamics & feel — how well it responds to your pick attack and guitar volume; 3) Noise floor — practical performance on pedals and amp setups you’ll use; 4) Versatility — range from subtle boost to drive and useful extra features (blend, EQ, buffers, preamp/XLR); 5) Build quality & value — reliability for stage or studio and how the price compares to real-world utility.
These points are framed so you can match a pedal to the role you need it to play on your board.
You’ll find the SD-1 feels familiar the moment you step on it — simple controls, rugged metal case, and a voice that sits right in the mix. It’s built around BOSS’s asymmetrical clipping circuit, so you get a warm, tube-like grind that cleans up nicely when you roll back your guitar’s volume.
Use it to add a little edge to clean tones, push an amp into sweet breakup, or stack it in front of heavier drives for extra bite. It’s small enough for everyday practice and roadworthy for rehearsals or low-key gigs. If you want a no-nonsense overdrive that’s reliable, tonal, and easy to dial in, this is a solid pick for practically any player.
Most players praise the SD-1 for its consistent, musical tone and tough build. Folks often mention how well it stacks with other pedals and how it can both add subtle grit and push an amp into pleasing breakup. Reviewers also highlight the simple controls and the pedal’s ability to cut through a mix without getting muddy.
Overall Sentiment: Positive
The SD-1’s compact, yellow chassis has become iconic — it’s understated but instantly recognizable on a pedalboard. The straightforward layout and solid metal finish give it a practical, professional look that fits any rig.
Runs on a 9V supply or one AA battery; if you use a battery remember to unplug the input jack before storing. The metal housing protects the circuitry from rough handling on the road.
Beginner to Pro — easy to use straight out of the box, but also versatile enough for advanced players who like stacking and amp-pushing tricks.
You get a compact, no-nonsense compressor that’s easy to use but deep enough to keep you fiddling for a while. The Release switch saves you from guessing settings between single-coil and humbucker guitars, while the Tone and Blend controls let you shape harmonics and keep attack while adding sustain. It works great for daily practice, tightening up clean parts in rehearsals, and for studio takes where you want a recorded, polished note-to-note consistency. For gigs it’s roadworthy and space-friendly on a pedalboard; for recording it helps your parts sit in the mix without smothering dynamics.
If you want a transparent compressor that can also give a friendly squish when you ask for it, this is a solid, versatile choice.
Players repeatedly call out how transparent the pedal can be while still offering rich sustain and control. The Blend knob and Tone control get a lot of praise for keeping your pick attack and harmonic detail, and folks like the pickup-specific Release switch for quick setup.
A common caveat is sensitivity to power-supply grounding or noisy supplies, so many recommend using an isolated pedal power source to avoid hum.
Overall Sentiment: Positive
The black metal enclosure is clean and minimalist — it doesn’t shout for attention but looks professional on any pedalboard. Knobs and the toggle switch are laid out logically so it feels tidy and functional.
Runs from a 9 V supply (corded). The metal housing protects the internals from bumps; using an isolated, properly grounded power supply helps prevent noise and ground-loop issues. Unplugging the input when storing and checking polarity on adapters is good practice.
Beginner to Pro — straightforward controls make it easy to dial in useful settings quickly, but the Blend/Tone/Release options give experienced players more subtle shaping.
You get a pedal built around one idea: add color without stealing your amp’s voice. The Morning Glory V4 is great for dialing in subtle grit on clean tones, fattening up crunchy channels, or adding a touch of tube-like feel to a dry amp. Use it as an always-on tone enhancer in practice, stack it in front of heavier drives for extra clarity during rehearsals, or roll a light setting for ambient, recording-friendly takes. On gigs it’s compact and road-ready, and the two gain modes (blue and red) give you quick, musical options for switching dynamics.
If you want an overdrive that mostly preserves what you already like about your rig while giving you flexible, playable grit, this one’s hard to argue with.
You’ll see lots of players praising how it preserves their guitar’s natural tone while adding just the right amount of grit. Common notes are appreciation for the two gain modes, useful tone and volume controls, low noise floor, and how nicely it stacks with other pedals.
A recurring mention is the optional remote switch for flipping gain stages on the fly if you play live.
Overall Sentiment: Positive
The gold finish gives it a classic, slightly vintage vibe that still looks neat on a modern board. Knobs and switch placement are straightforward, so it feels tidy and intentional rather than cluttered.
Runs on a standard 9 V supply or battery; the metal enclosure protects the electronics from knocks. Using a quality, isolated pedal power supply reduces noise and prevents grounding issues. Remove the battery when storing for long periods and double-check polarity on adapters.
Beginner to Pro — simple controls let you dial in useful tones quickly, but the way the controls interact rewards experimentation by more experienced players.
Think of the Tumnus V2 as a tiny tonal Swiss Army knife that’s built around transparency. You can use it as a clean boost to push solos, as a subtle overdrive to add harmonic richness without masking your amp, or as a stacking tool in front of heavier drives. Its simple Volume, Gain and Tone controls let you dial settings quickly during practice, recording, or a last-minute soundcheck.
The buffered bypass gives you a reliable signal path for longer pedal chains, and the slim footprint means it slides onto crowded boards with no fuss. If you like a Klon-style, amp-friendly boost that keeps your instrument’s dynamics and character intact, this is an easy pedal to recommend.
You’ll notice a lot of players praising how naturally it sits in front of an amp — it brings dynamics and clarity rather than masking them. Common themes include appreciation for its ability to push an amp for solos, the useful tone shaping with minimal controls, the reliability of the buffered bypass, and how compact it is for busy boards. Folks tend to call it a go-to when they want Klon-style transparency without a lot of fuss.
Overall Sentiment: Positive
The Tumnus V2 keeps things clean and functional: a modest stompbox size, neatly arranged knobs and a no-nonsense finish that won’t draw attention away from your rig. It looks tidy on a pedalboard and feels like it belongs next to both vintage and modern pedals.
Runs on a standard 9 V supply or internal battery and ships in a rugged metal enclosure. Using an isolated pedal power supply helps avoid ground loops and keeps noise down.
When storing the pedal for long periods, remove the battery and double-check adapter polarity before plugging in.
Beginner to Pro — the controls are straightforward for newcomers, but the way it interacts with different amps and pedals rewards players who experiment.
Think of the BP-1W as a small, versatile preamp that lets you sprinkle vintage character onto any guitar tone. You get three distinct modes — CE for bright, bell-like preamp flavor, RE for a warmer, thicker vibe, and NAT for a nearly transparent clean boost — plus Gain and Level controls so you can push an amp or just lift a solo.
The selectable standard or vintage input buffer helps it behave well in different pedal chains, and the Waza Craft analog design means the coloration feels musical rather than fake. Use it as an always-on tone shaper for practice, a subtle push for recording, or a quick stage tweak when you need more presence without losing your guitar’s identity.
You’ll often hear that the BP-1W brings life and body to both clean and driven rigs, with a lot of players calling out the CE and RE modes as characterful and useful. Folks appreciate how the NAT mode preserves clarity when you just want a clean lift, and many note the selectable buffer as a practical plus for complex pedalboards. A few users mention preferences around gain range or wish for stereo I/O, but most find it reliable and musically satisfying in everyday use.
Overall Sentiment: Positive
The BP-1W looks tidy and purposeful: a white, metal enclosure with clear labeling and a premium Waza Craft vibe. It sits neatly on a pedalboard without being flashy and pairs visually with both vintage-style and modern rigs.
Runs on a standard 9 V power supply or internal battery (a 9 V is included). The metal chassis is sturdy for gigging; use an isolated power supply to minimize noise and remove the battery for long-term storage.
Double-check adapter polarity before plugging in to avoid damage.
Beginner to Pro — you can get usable, pleasant tones right away, but exploring how each mode interacts with different amps and pedals rewards experimentation.
Think of the Clover as a clean boost and tone-shaper that actually makes it easy to sculpt what hits your amp. You get a Volume control for unity or a push, Bass/Mid/Treble knobs, a 3-way rotary (Full EQ / No Mid / No EQ) and a recessed low-cut switch to tame boominess.
There’s also an XLR output with ground lift so you can send a balanced signal straight to a PA or FRFR cabinet. Use it as an always-on sculptor in practice, a subtle push for solos, a pedalboard buffer before drives, or as a quick DI/preamp when you’re recording or playing unplugged.
If you like being able to dial the exact frequency content hitting your amp, this one’s worth trying.
Most players highlight how the Clover brings clarity and focus — folks often call out the Mid control as a game-changer and praise the unit for adding presence without harshness. Users also appreciate the XLR output and low-cut option for recording or cutting through a band, and many say it works great both before drive pedals and straight into an amp.
Overall Sentiment: Positive
Runs on a standard 9 V DC power source (check polarity) and draws modest current, so use an isolated pedal power supply to minimize noise. The metal chassis is robust for gigging; use the XLR ground-lift switch if you encounter hum and avoid forcing the recessed DIP switches — a small tool works best.
Beginner to Pro — the controls are straightforward so you’ll get useful results immediately, but experimenting with placement and EQ settings rewards more experienced players.
You get a compact overdrive that can act as a clean boost, an always-on tonal sweetener, or a full-bodied overdrive depending on how you set it. The Deluxe adds active bass and mid controls plus a classic treble knob, so you can shape scooped or mid-forward tones quickly.
Flip the Normal/Hot switch when you need a little extra grit or volume for solos, and use the side-mounted buffer/true-bypass switch to choose between clarity with a buffer or uncolored passive bypass. For practice it’s forgiving and musical, on gigs it sits politely in the signal chain while giving you control, and in the studio it records with articulate dynamics and minimal fizz. If you want a single pedal that adapts to different amps and roles—boost, tone-shaper, or light overdrive—this is a very practical pick you’ll likely reach for often.
Players consistently praise how the Deluxe keeps your guitar’s dynamics and note definition intact while adding usable gain. Folks often mention the three-band EQ as a real advantage for tailoring tone to different amps, and the buffer/true-bypass switch comes up a lot as a handy way to control overall clarity. Many users also note it works equally well as a subtle boost or for driving an amp into sweet breakup.
Overall Sentiment: Positive
The pedal has a compact metal enclosure with clean graphics and straightforward controls; it looks sturdy on a pedalboard without being flashy and fits neatly alongside other stompboxes.
Runs from a 9 V DC power jack—check polarity and use an isolated supply to reduce noise. The metal chassis is durable for gigging; avoid forcing recessed switches or knobs and use a small tool for DIP-style controls if needed.
Beginner to Pro — simple controls get you usable sounds fast, while the EQ and buffer options reward players who like to fine-tune their tone.
You get a pedal that feels alive under your picking hand: it can be a transparent boost, a crunchy overdrive, or a saturated distortion depending on how you set the Drive and Tone. The HP/LP switch helps you choose between a mid-forward, British-style push or a more open American-flavored voice, and the JFET input stage preserves dynamics by interacting naturally with your guitar’s pickups.
There’s a built-in buffer and selectable bypass so your tone stays consistent no matter where you place it on the board. For practice it’s responsive and inspiring, at gigs it gives solos presence without trampling your amp’s character, and in the studio it records with musical feel rather than harsh fizz.
If you want something that enhances how your amp and guitar behave together, this is a pedal you’ll reach for regularly.
Players routinely highlight how natural and touch-sensitive the OCD feels — it reacts to guitar volume and picking dynamics in a way that keeps note clarity intact. Folks also praise the build quality and the HP/LP tonal switch for making the pedal useful on different amps.
Many users note it works great both as a clean boost and as an overdrive, and the buffer/true-bypass options get mentioned as helpful for preserving tone.
Overall Sentiment: Positive
The OCD wears a simple, rugged white metal chassis with clear labeling and chunky, easy-to-grip knobs. It’s utilitarian rather than flashy, so it sits comfortably on a pedalboard and pairs well with other stompboxes without drawing too much attention.
Runs from a standard 9 V DC supply (some players use up to 18 V for more headroom). Use an isolated, correctly polarized adapter to avoid noise and protect the pedal. The metal enclosure is robust for gigging; avoid forcing switches and use a proper adapter to prevent accidental polarity or voltage issues.
Beginner to Pro — the three-knob layout makes it easy to dial in usable tones right away, while the pedal’s dynamic behavior rewards players who like to sculpt nuance with picking, guitar tone controls, and amp interaction.
You’ll find this little Donner does exactly what a compressor should without fuss: tighten up uneven picking, add sustain to single-note runs, or smooth strummed chords so they sit nicely in a mix. The COMP, TONE and LEVEL knobs make it easy to shape how much squash and brightness you want, and the Normal/Treble mode switch helps you keep clarity when you need it.
It’s compact enough for a crowded pedalboard, useful for daily practice and home recording, and reliable on small gigs when you want consistent, musical compression without changing your amp’s character. If you want a no-nonsense, wallet-friendly compressor that stays out of the way of your tone, this is a solid pick.
Most players like how much polish this pedal adds for the price — it evens out playing dynamics without noticeably colouring the sound. Folks often mention the intuitive COMP/TONE/LEVEL layout and the Normal/Treble switch as helpful for dialing different kinds of guitars and pickup setups.
Common caveats in feedback include occasional quality-control or power-related hiccups, and a reminder to use a clean, isolated 9 V supply since the adapter isn’t included.
Overall Sentiment: Positive
The compact blue enclosure keeps things tidy on your board and the controls are laid out clearly, so it looks like a practical tool rather than a flashy showpiece. Its small size and straightforward labeling make it blend in with other pedals.
Runs from a standard 9 V DC supply (adapter not included). Use a properly polarized, isolated adapter to avoid noise and protect the circuitry.
Keep the pedal dry and avoid forcing switches or cables; clean power and correct connections reduce the chance of unwanted humming or glitches.
Beginner to Intermediate — the three-knob layout makes it easy to get useful tones quickly, while players who like to tweak dynamics will still find meaningful control.
This little AFOT box gives you a surprising amount of control for dialing aggressive tones without turning everything into mush. You get six knobs—Treble, Mid, Bass, Boost, Vol and Dist—plus a multi-section EQ so you can sculpt anything from gritty rock to punchy thrash, and even push a clean amp into classic Marshall-like drive.
It's compact enough to sit on a crowded board, handy for practice, home recording or compact gig setups, and the true-bypass design helps keep your dry signal intact when the pedal is off. If you like hands-on tone shaping and want a distortion that stays defined at high gain, it’s worth trying out—just remember to bring a 9 V adapter since one isn’t included.
Players frequently note how much tonal flexibility the EQ and multiple knobs provide, letting you dial vintage Marshall-style drive or tight thrash tones. Many appreciate the clarity at high gain and the pedal’s compact, solid-feeling build. Common drawbacks in feedback are occasional durability or reliability issues and the fact that a 9 V adapter isn’t included, so buyers often remind each other to plan for power separately.
Overall Sentiment: Positive
The black metal enclosure feels rugged and practical rather than flashy; controls are clearly labeled and the footprint is small, so it blends into a pedalboard instead of standing out.
Runs from a 9 V DC adapter (center negative) which is not included — use a properly rated, isolated supply to avoid noise or damage. Keep the unit dry, avoid forcing jacks, and disconnect power before servicing to reduce risk of shorts or component stress.
Intermediate — the many EQ and drive controls reward experimentation, so players who enjoy tweaking will get the most out of it; less experienced users can still find useful tones but might need time to learn how the bands interact.
Think of this as a tiny, honest little boost that does the one job you ask it to without fuss. You get a clean +0–12 dB gain range to push solos, tighten up a weak pickup, or drive the front end of an amp while keeping your tone intact, and the built-in buffer helps preserve clarity when your pedalboard or cable run gets long. It’s small enough to tuck onto a crowded board or drop in a gig bag, so it’s handy for practice, recording, warm-up sessions and live spots where space matters. If you want a straightforward way to add presence and volume without changing your core tone, this is a practical pick you can trust to behave predictably.
Most players appreciate how clean and natural the boost sounds — it adds volume and presence without coloring your tone. Customers also like the built-in buffer and the tiny footprint for compact boards.
Common caveats mention occasional grounding/noise issues in complex power chains and the lack of an internal battery, so many recommend using an isolated supply.
Overall Sentiment: Positive
The pedal is small and unassuming with a minimalist finish; it’s designed to blend into a pedalboard rather than draw attention. Its compact plastic body and simple LED make it practical and unobtrusive onstage.
Uses a 9 V DC center-negative power supply (not included) — use an isolated, properly rated adapter to avoid ground loops or noise. Keep the unit dry, avoid forcing jacks, and disconnect power before attempting any maintenance.
Beginner to Intermediate — really easy to use: one control does the job, but players who tweak signal chains will especially value the buffer and compact size.
Think of this as a little amp on your pedalboard — it leans into that Fender-style clean sparkle but can push into warm overdrive when you crank the Drive. You’ve got Level and Drive plus a full three-band EQ and a Voice knob, so dialing in anything from glassy rhythm tones to a thicker, mid-forward grind is straightforward. The built-in cabinet simulator makes it easy to go straight into an interface or PA for practice, quick tracking, or smaller gigs where lugging an amp isn’t practical.
If you want a compact, board-friendly way to chase classic American tones and still have useful studio/DI options, this is a very practical pick.
You’ll notice most players like how it captures bright, clean American-style tones and appreciate the flexibility of the EQ and Voice controls. Folks also value the cabinet simulator for direct recording and the solid metal build for gigging.
Common caveats mention checking power setup and occasional noisy or defective units, so many recommend using a reliable isolated 9 V supply.
Overall Sentiment: Positive
The golden-orange finish and compact metal body give it a vintage-leaning vibe without being flashy. It’s designed to slot neatly onto a pedalboard and looks like a practical, well-built tool rather than a showpiece.
Uses a 9 V DC (center-negative) power source — use an isolated, properly rated adapter to avoid ground loops or noise. If using a battery, check polarity before installation. Keep the unit dry, avoid forcing jacks, and unplug power before doing any maintenance.
Beginner to Intermediate — easy enough to use right away, but the EQ and Voice controls give more experienced players room to fine-tune tone.
This little Donner packs a punch when you want aggressive, tight metal tones without a huge footprint on your board. You get a three-mode selector for different flavors of distortion, a Hi Boost switch to make highs cut through, and true bypass so your clean tone stays intact when the pedal’s off. It’s built from aluminum so it stands up to gigging and practice sessions alike — perfect for rehearsals, bedroom tracking into an interface, or slotting into a live rig as a compact high-gain option. If you want a straightforward, board-friendly way to get heavy tones and a usable boost for solos, this pedal is an easy, practical choice.
Most players like how reliably brutal and focused the distortion sounds, and they often call out the Hi Boost and mode switch as useful ways to shape tone. Folks also appreciate the solid metal build and true bypass for keeping their signal clean.
Common caveats are that the pedal ships without a power supply (so plan for a 9 V DC adapter) and a few users mention occasional noisy units or very loud baseline volume that may need careful gain/level balancing.
Overall Sentiment: Positive
The compact black finish and simple layout make it low-key and practical — it doesn’t scream for attention but looks tough and pedalboard-ready. The indicator LEDs add a functional touch so you can see status on a dark stage.
Requires a 9 V DC (center-negative) adapter — use an isolated, correctly rated supply to avoid hum or ground issues. Don’t force jacks, keep the unit dry, and unplug power before servicing.
Avoid exceeding recommended current specs.
Beginner to Intermediate — straightforward controls get you heavy tones quickly, while the mode and boost let more experienced players fine-tune their sound.
If you want a compact pedal that really leans into heavy tones, this EX Inferno is a straightforward way to get there. You get three distinct modes — Raw, Brutal and Inferno — plus simple Level, Tone and Distortion knobs so you can go from tight rhythm chugs to screaming leads without fuss. True bypass and top-mounted jacks help keep your signal clean and make the pedal easy to fit on a crowded board, while the die-cast housing feels durable enough for regular practice and occasional gigs.
It’s a practical pick for bedroom recording, rehearsals, or as a high-gain option in a live rig — just remember to bring a 9 V DC negative-tip adapter.
You’ll notice players consistently praise the pedal’s aggressive, focused distortion and the usefulness of the three-mode switch for shaping different metal tones. Many also like the sturdy metal housing and true-bypass for keeping tone intact.
Common notes of caution are that the unit ships without a power adapter and a few users mention fiddly jacks or sensitive pots that benefit from a careful setup.
Overall Sentiment: Positive
The black, no-frills finish makes it blend into most pedalboards while still looking rugged. Indicator LEDs and the compact footprint keep things functional and stage-friendly rather than flashy.
Requires a 9 V DC negative-tip adapter (not included) — use an isolated, correctly rated supply to avoid hum or grounding issues. Don’t force cables into jacks, keep the pedal dry, and disconnect power before servicing.
Beginner to Intermediate — controls are simple and immediate, so you can get usable heavy tones quickly while still having options to tweak.
A clean, transparent boost pedal is designed to increase your signal level without dramatically changing your amp or guitar character; think of it as a focused volume and headroom control that lets your instrument cut through the mix while retaining dynamics and articulation. When used correctly you’ll either get a simple level lift at unity gain or enough drive to gently push your amp into natural breakup — but it won’t impose heavy EQ curves or saturated clipping like a distortion box.
If you want your pickups and amp to remain the primary voice, choose a pedal that advertises transparency, has low noise, and offers enough headroom so it doesn’t squash dynamics or add unwanted hiss.
Start by deciding whether you want pure transparency or a colored/preamp-style flavor, because that determines whether you should look for a simple clean boost, a buffered preamp or a tonal boost with EQ. Check the pedal’s headroom and whether it’s buffered or true bypass — buffer vs true bypass matters if you run long cable lengths or lots of pedals — and confirm the input/output impedance so it plays nicely with single-coils or humbuckers. Test it with your actual amp and favorite guitars to hear how it interacts at unity gain and when pushed, listen for noise with your power supply connected, and prefer pedals with isolated power or low susceptibility to ground loops to avoid hum.
Set the pedal so you have unity gain with the footswitch on, then use modest boosts for solos or to push the amp; if you need more sustain or grit, move the boost in front of a drive pedal or your amp input to act as a preamp push, and place it after time-based effects if you only want louder repeats. To minimize noise use an isolated power supply, keep patch cables short, engage the pedal only when needed, and consider a noise gate if stacking high-gain pedals; finally, experiment with buffer on/off options and pickup selection — often rolling the guitar volume back slightly will clean up the signal while preserving the boosted presence, letting you achieve a louder, clearer tone without sacrificing dynamics.
You now have a concise shortlist to help you get the tone you want. If you want a tried-and-true workhorse that cuts through mixes and pushes amps nicely, consider the BOSS SD-1. If compression and sustain are your priority so your parts sit consistently in a mix, the Keeley Compressor Plus gives transparency and modern conveniences like Blend and pickup-specific release. For an always-on, tone-enhancing overdrive that keeps your core tone intact, the JHS Morning Glory is the most transparent choice.
If you’re chasing Klon-inspired sweetness and versatility in a compact package, the Wampler Tumnus options deliver. On a tight budget, the SONICAKE clean boost offers surprising value. Use this guide to decide what role you need filled (clean boost, preamp, compressor, or transparent OD), match that role to a category above, and you’ll spend less time chasing tone and more time playing.
| Product | Image | Highlights | Dimensions & Weight |
|---|---|---|---|
| BOSS SD-1 SUPER Overdrive |  |
| 6 x 4 x 6 inches, 14.4 ounces |
| Keeley Compressor Plus Pedal |  |
| 6.75 x 4.25 x 3.25 inches, 10.6 ounces |
| JHS Pedals Morning Glory V4 |  |
| 6 x 3 x 3 inches, 12 ounces |
| Wampler Tumnus V2 Overdrive & Boost |  |
| 7 x 4 x 7 inches, 7 ounces |
| BOSS BP-1W Booster/Preamp |  |
| 2.92 x 5.16 x 2.36 inches, 1 pound |
| JHS Pedals Clover Preamp/Boost |  |
| 6 x 4 x 3 inches, 6.7 ounces |
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